1,357 research outputs found
Ghosh, the shadow lines, and the Indian-English novel
The prizewinning author of novels, nonfiction, and hybrid texts, Amitav Ghosh grew up in India and trained as an anthropologist. His works have been translated in over thirty languages. They cross and mix a number of genres, from science fiction to the historical novel, incorporating ethnohistory and travelogue and even recuperating dead languages. His subjects include climate change, postcolonial identities, translocation, migration, oceanic spaces, and the human interface with the environment
ENTIRE FUNCTIONS SHARING POLYNOMIALS WITH THEIR DERIVATIVES
In this paper we study the uniqueness of entire functions sharing two polynomials with their derivatives. The results of the paper improve the corresponding results of Chang and Fang (Kodai Math.J. 25(2002), 309–320) and Lahiri-Ghosh(Present author) (Analysis ,Munich. 31(2011), 47–59)
First person – Arijita Ghosh
ABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Arijita Ghosh is the first author on “Leucine-rich repeat-containing 8B protein is associated with the endoplasmic reticulum Ca2+ leak in HEK293 cells”, published in Journal of Cell Science. Arijita is a PhD student in the laboratory of Amal Kanti Bera at the Indian Institute of Technology Madras, Chennai, India, investigating the role of leucine-rich repeat-containing 8 proteins in cellular calcium homeostasis.</jats:p
Understanding Terrorism in the context of Global Security
Understanding Terrorism in the context of Global Security
Author / Authors : Shreyasi Ghosh
Page no. 89-106
Discipline : Political Science/Polity/ Democratic studies
Script/language : Roman/English
Category : Research paper
Keywords: Terrorism, Violence, Threat, Global Security, Globalization
Beyond national literatures: Empire and Amitav Ghosh
Scholarship on the writer Amitav Ghosh has addressed issues of nationalism, postcolonial identity, ecocriticism, testimony, subalternity, and historiography. But the idea of Ghosh as an Asian American author with a particular relationship to the United States and its national mythologies, has barely been considered. In this essay, I explore this neglected aspect of Ghosh’s œuvre by looking at the idea of America in his writing and by situating his work within what I term "the Bengali American grain". Reading his work alongside that of other Bengali American writers and arguing that it is more ambitious thematically and more anti-imperialistic, I probe Ghosh’s problematic relationship with the United States, asking how his hemispheric writing continues to extend and even alter the terrain often associated with Asian American literature
R v Ghosh [1982] 1 QB 1053, Court of Appeal
Essential Cases: Criminal Law provides a bridge between course textbooks and key case judgments. This case document summarizes the facts and decision in R v Ghosh [1982] 1 QB 1053, Court of Appeal. The document also included supporting commentary from author Jonathan Herring.</p
Ep. #040 - Amitav Ghosh
This recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.Cymene and Dominic define (finally!) professionalism and offer a brief review of Leonardo DiCaprio’s soon to be released climate change documentary, Before the Flood. Then (11:43) we are very pleased to welcome to the podcast acclaimed novelist, Amitav Ghosh, author of The Shadow Lines (1988), The Hungry Tide (2004) and The Ibis trilogy (2008-2015), among many other works. We talk about his latest work of non-fiction, The Great Derangement: Climate Change and the Unthinkable (University of Chicago Press, 2016) and why he thinks it has proven so difficult to bring climate change into literature. We discuss the worldview of the novel and how its emphasis on creating believable narratives has excluded precisely the kinds of unlikely anthropocenic encounters that are becoming increasingly frequent across the world. Amitav argues that before an alternate world can become a reality, it needs to become an imaginative reality and this is why the arts are so crucial to coming to terms with the Anthropocene. We also discuss “serious” art’s fear of being deemed merely “illustrative” and how this may be linked to a Cold War aversion to the aesthetics of socialist realism. Now, Amitav warns, the world has risen up as a protagonist even as our means of representation aren’t up to engaging it. He predicts that the mansions of serious fiction will suffer a similar fate to the mansions of Miami beach as our waters rise. We talk about what is really being denied in climate change denial and how the privileges and comforts of a carbon-fueled lifestyle is something which neither the West nor Asia is prepared to give up. We close with Amitav’s own next novel project and how climate change inspires him personally and artistically
Understanding Terrorism in the context of Global Security
Understanding Terrorism in the context of Global Security
Author / Authors : Shreyasi Ghosh
Page no. 89-106
Discipline : Political Science/Polity/ Democratic studies
Script/language : Roman/English
Category : Research paper
Keywords: Terrorism, Violence, Threat, Global Security, Globalization
Representations and problematics of hybridity in Amitav Ghosh
Hybridity has been a privileged theory in post-colonial writings. It is considered as a source of empowerment that resists oppositional binarism and monolithic discourses that characterize dominant Western historical representations. Amitav Ghosh’s In An Antique Land and his ongoing Ibis Trilogy are historiographic projects that instantiate, both textually and formally, the employment of hybridity in resistance of cultural and political suppression. However, Ghosh at the same time interrogates the discourse of hybridity by highlighting its problematics. Such ambivalent stance creates a paradox that the author leaves open as a site for critical debates. Employing the strength of hybridity, Ghosh rewrites history and challenges the critiques that disapprove the theory for its lack of ethics and suggests that the theory of hybridity can fulfill our ethical imperatives by excavating forgotten voices of the past.published_or_final_versionEnglish StudiesMasterMaster of Art
Amitav Ghosh and the Aesthetic Turn in Postcolonial Studies
This essay explores the aesthetic turn in postcolonial studies in light of the literary works of Indo-Burmese author Amitav Ghosh. While a renewed interest in aesthetic theories is apparent throughout the humanities in the past decade, it is particularly striking in postcolonial studies, where it holds out the possibility of blending the materialist/historicist and culturalist/textualist strands of postcolonial scholarship. Recent studies by Deepika Bahri, Nicholas Brown, Ato Quayson and others have been enormously promising; this essay argues for bringing their Frankfurt School-influenced aesthetic theories into conversation with other theories of aesthetics. Particular attention in this essay is given to the quasi-Kantian conception of beauty that emerges in Ghosh\u27s The Glass Palace (2001), which seeks to balance the desire for universal norms with the need to respect cultural differences
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