1,721 research outputs found
Dataset for "Acoustofluidic particle steering"
No full textData relating to paper:
"Acoustofluidic particle steering", Zaid Shaglwf, Bjorn Hammarström , Dina Shona Laila , Martyn Hill, Peter Glynne-Jones, Journal of the Acoustical Society of America, 2019
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About Dina Rubina - with love...
No full textThe author of the article offers a review of a book Manovskii I. "Dina Rubina yesterday and today"
Visual Music: from individual to collaborative motion graphic design / Visual Music: da motion graphic design individuale a collaborativo
No full textThis text is intended to describe the methods of visual translation of audio events used in the teaching experiences conducted at the Politecnico di Milano, in the Design courses, during over twenty years of activity, starting from 1999/2000 to date. In particular, over the years, the author, with her collaborators, has tried to define criteria, rules, and relationships between audio and video that would allow participants to design a single video project together. Then to define the rules for a collaborative project by, each year, refining more and more restrictive “rules”; that is, with a more defined audio / video relationship.
In the history of visual music, from the origins of abstract cin¬ema in the early twentieth century, visual music film / video is recurrently a solitary, individual project; also in cases where - for the extent of the duration - this requires a team of collaborators, as in the case of Fischinger, of whom we have photographic evidence of the collaborator’s studio. However, these are groups that work under the direction of an author who has the functions of sole director.
The objective of the research path presented here is therefore to define methods, criteria, and rules of audio / video correspondences that allow us to arrive at collaborative visual music projects in which the participants can be understood to be in equal measure “authors” and “directors ”of the project
قصة إبراهيم في القرآن الكريم: دراسة بنيوية لليفي شتراوس
Get PDFمستخلص البحث
قصة إبراهيم في القرآن الكريم حُكيت لا في سورة واحدة، وكذلك في قصة إبراهيم كتمتْها العناصر الثقافية التى غير يواعي بوجودها. سيكون هذا مثيرة جدا إذا درست باستخدم نظرية بنيوية لاكتشفالبنية القصة. ليفي شتراوس بنظريته البنيوية المتربطة بأنتروبولوجيا فمشهور ببنيوية أنتروبولوجيا لأن يجمع بين نظرية بنيوية قديمة ونظرية أنتروبولوجيا في اكتشاف مجال الثقافة اكتشافت من خلال بنية القصة.
أما أسئلة البحث في هذا البحث هي: الأول تعبير الحلقات قصة إبراهيم في القرآن الكريم، والثاني تعريف البنية الموجودة في قصة إبراهيم في القرآن الكريم. أما نوع هذا البحث هو دراسة مكتبية ومدخله الكيفي الوصفي. وطريقة جمع البيانات المستخدمة هي طريقة الوثائقية. وأما الطريقة التحليل البيانات المستخدمة بطريقة تحليلية مضمونية. وأما خطوات تحليل البيانات المستخدمة هي بالطريقة المنسبة بخطوات تحليل بنيوية ليفي شتراوس.
نتائج هذا البحث هي: الأول، قصة دعوة إبراهيم في القرآن الكريم لها ستة الحلقات هى: أ) التعرف على إبراهيم، ب) دعا إبراهيم أباه وقومه، ج) دمر إبراهيم الأصنام، د) حرق إبراهيم، ه) إبراهيم ونمروذ، و) هجر إبراهيم.الثانى، وجدت الباحثة الصورة عن بنية دسيسة الحياة في قصة دعوة إبراهيم، واستخدام الدسيسة المقدمة. ثم وجدت الباحثة العناصر الثقافية في قصة إبراهيم.
ABSTRACT
The story of Ibrahim in the Quran is told separately not in a one surah alsoin the story of Ibrahim stored cultural elements that are not aware of its existence. It would be very interesting if it was research using structuralism theory to find the structure of the story. About structuralism, Levi Strauss with his structural theory relates it to anthropology, so that his theory came to be known as structural anthropology structural, because he’s combines old structural theory and theory of anthropology in discovering culture in literature which is revealed through the structure of the story.
As for the formulation of problem raise by the researchers in this research are: the first, reveal of Ibrahim story in the Qur’an episodes, the second definition of the structure in the story of Ibrahim in the Quran. The type of this research is library research and the approach used is qualitative descriptive. The data collection method used is the documentary way. As for data methode analysis is content and steps are used customize it with structural analysis Levi Strauss.
The results of this research are: first, the story of Ibrahim in the Qur'an have six episodes are: a) introduction of Ibrahim, b) Ibrahim call his father and his community,c) Ibrahim destroyed the idols, d) Ibrahim burnt, e) Ibrahim and Namrud, f) Hijrah of Ibrahim. Second, the researcher found the description of the structure of the flow of life of Ibrahim, while the plot is advanced flow. Then the researcher found cultural elements in story of Ibrahim.
ABSTRAK
Kisah Ibrahim dalam al-Qur’an diceritakan secara terpisah-pisah tidak dalam satu surat, juga dalam kisah Ibrahim tersimpan unsur-unsur budaya yang tidak disadari keberadaannya. Hal ini tentunya akan sangat menarik apabila diteliti menggunakan teori strukturalisme untuk menemukan struktur ceritanya. Mengenai strukturalisme, Levi Strauss dengan teori strukturalnya yang dikenal dikenal sebagai teori struktural antropologi yang menggabungkan antara teori struktural lama dan teori antropologi mencoba memberikan alternatif dalam menemukan unsur budaya dalam sastra yang diungkap melalui struktur cerita.
Adapun rumusan masalah yang diangkat oleh peneliti dalam penelitian ini adalah: pertama, mengungkap episode dan ceritem kisah Ibrarim dalam al-Qur’an, kedua, mengetahui struktur kisah Ibrahim dalam al-Qur’an. Jenis penelitian ini adalah library research dengan pendekatan yang digunakan adalah pendekatan kualitatif deskriptif. Adapun metode pengumpulan data yang digunakan adalah cara dokumentasi. Sedangkan metode analisis data yang digunakan adalah metode analisis konten, sedangkan langkah analisis data yang digunakan adalah menyesuaikannya dengan analisis struktural Levi Strauss.
Hasil penelitian ini: pertama, kisah Ibrahim dalam Al-Qur'an memiliki enam episode: a) pengenalan tokoh Ibrahim, b) Ibrahim menyeru ayah dan kaumnya, c) Ibrahim menghancurkan berhala, d) Ibrahim dibakar, e) Ibrahim dan Namrud, f) Hijrahnya Ibrahim. Kedua, peneliti menemukan gambaran struktur alur kehidupan Ibrahim, alur yang digunakan adalah alur maju. Kemudian peneliti menemukan unsur-unsur budaya dalam kisah Ibrahim
The role of the third sector in work with offenders: the perceptions of criminal justice and third sector stakeholders
Get PDFThis paper examines the views of national criminal justice and third sector stakeholders on the strategic position of the sector, and its role in the resettlement of offenders.The interview data suggests that although the involvement of the third sector in the criminal justice system is promoted in national policy, considerable gaps have been identified. These include the quality and availability of regional commissioning, implementation strategies and the long-term plans for the re-specification of the criminal justice system. The findings also indicate that increasing emphasis on competitive policy may put a strain on future inter-sector partnerships.The implications of the findings are discussed and areas of further research are highlighted in relation to both the prison and probation services.<br/
Synaesthesia and Sensory Accessibility. Vicarious analog and digital technologies for accessibility to visual art / Sinestesia y accesibilidad sensorial. Tecnologías analógicas y digitales vicarias para la accesibilidad al arte
No full textIl paper affronta la relazione fra sinestesia e cecità con l’obiettivo di comprendere quali
aspetti di questa relazione possano essere applicati per rendere accessibile l’arte, e i progetti
comunicativi ad essa connessi, a persone con disabilità sensoriali. La prima parte è dedicata a
una sintetica ricostruzione storica dei principali contributi che hanno studiato le percezioni
sinestesiche in persone con disabilità visive rilevandone analogie e differenze con le stesse in
persone vedenti. La seconda parte rileva l’importanza della sinestesia per l’accessibilità dei
contenuti, nello specifico di opere d’arte visiva in contesti museali. L’ultima parte infine porta
il caso, realizzato dall’autrice con i suoi collaboratori, di una piccola esposizione multimediale
(“ControSenso”) in cui i contenuti comunicati – oggetto a loro volta di eventi espositivi
realizzati nella città di Milano – sono proposti su più registri sensoriali, ricercando e
proponendo una loro traduzione sinestesica.The paper addresses the relationship between synaesthesia and blindness with the aim of
understanding which aspects of this relationship can be applied to make art, and the
communication projects connected to it, accessible to people with sensory disabilities. The
first part is dedicated to a synthetic historical reconstruction of the main contributions that
have studied synaesthetic perceptions in people with visual disabilities, noting similarities and
differences with them in sighted people. The second part highlights the importance of
synaesthesia for the accessibility of content, specifically of works of visual art in museum
contexts. Finally, the last part brings the case, created by the author with her collaborators, of
a small multimedia exhibition ("ControSenso") in which the contents communicated - in turn
the subject of exhibition events held in the city of Milan - are proposed on more sensory
registers, researching and proposing their synaesthetic translation.El artículo aborda la relación entre sinestesia y ceguera con el objetivo de comprender qué
aspectos de esta relación pueden aplicarse para hacer que el arte, y los proyectos de
comunicación relacionados con él, sean accesibles a las personas con discapacidades
sensoriales. La primera parte está dedicada a una sintética reconstrucción histórica de las
principales aportaciones que han estudiado las percepciones sinestésicas en personas con
discapacidades visuales, señalando las similitudes y diferencias con ellas en personas
videntes. La segunda parte destaca la importancia de la sinestesia para la accesibilidad de los
contenidos, concretamente de las obras de arte visual en contextos museísticos. Finalmente,
la última parte aporta el caso, creado por la autora con sus colaboradores, de una pequeña
exposición multimedia ("ControSenso") en la que los contenidos comunicados – a su vez de
eventos expositivos celebrados en la ciudad de Milán – se proponen en registros más
sensoriales, investigando y proponiendo su traducción sinestésica
Representations Of Malay Women In Dina Zaman's Selected Short Stories: A Feminist Stylistic Analysis
Get PDFKajian ini bertujuan untuk mengenalpasti bagaimana Dina Zaman menggunakan
bahasa untuk memaparkan citra wanita Melayu dalam kajian cerpen terpilih
beliau. Selain dari itu, kajian ini juga bertujuan menganalisa sama ada
pengarang telah mencabar atau mengukuhkan pemaparan stereotaip watakwatak
beliau.
This study attempts to find out how Dina Zaman uses language to represent
Malay women characters in the selected short stories. In addition, it aims to
assessnwhether the author has challenged or reinforced stereotypical
representations of her characters
Character Taxonomy in Dina Rubina’s Trilogies of the 2000s— 2010s
Get PDFThe article examines the trilogy by Dina Rubina “People of the Air” (2008—2010) and “Russian Canary” (2014). The relevance of the study is due, firstly, to the low degree of study of the trilogy “Russian Canary” (the onomastic space of the work is analyzed and the features of the book are determined in the context of a family novel of the 20th century); secondly, the need to differentiate the author’s artistic methodology, which is different in the studied macro-texts. The novelty of the research is seen in the fact that the authors, comparing the two trilogies by Dina Rubina, come to the conclusion that the author uses various semiotic strategies for constructing texts, thus revealing the homology of storylines, methods of constructing character series and general principles of world modeling of trilogies. The results of a comparative analysis are presented, which allow us to see the patterns of the artistic search of a modern author and his stylistic innovations. It is proved that with the parallelism of character series of two epic cycles, the author in the first case resorts to the artistic method of magical realism (“People of the Air”), and in the second case uses realistic principles of writing (“Russian Canary”)
Hubungan antara motivasi berprestasi dengan orientasi masa depan bidang pekerjaan yang dimoderasi oleh adversity quotient pada Mahasiswa Psikologi Universitas Islam Negeri Maulana Malik Ibrahim Malang
Get PDFINDONESIA:
Pekerjaan menjadi salah satu dasar kebutuhan setiap orang termasuk para mahasiswa di perguruan tinggi. Setiap mahasiswa pasti memiliki impian ingin memperoleh pekerjaan yang layak dan berpenghasilan ketika sudah lulus kuliah. Oleh karena itu, mahasiswa harus mempersiapkan diri sejak awal dengan banyak prestasi dan bekal ilmu pengetahuan yang luas agar dapat merealisasikan impiannya di masa depan. Mahasiswa yang memiliki dorongan untuk berprestasi akan menyusun rencana dan strategi dengan baik supaya pandangan terhadap masa depannya lebih jelas dan terarah, meskipun banyak mengalami berbagai tantangan dan hambatan. Sebab, pada dasarnya untuk mencapai suatu tujuan tidak cukup hanya berangan-angan akan tetapi membutuhkan kemampuan adversity quotient agar mampu melewati segala kesulitan yang ada. Tujuan dari penelitian ini untuk mengetahui hubungan motivasi berprestasi dengan orientasi masa depan bidang pekerjaan yang dimoderasi adversity quotient pada mahasiswa Psikologi Universitas Islam Negeri Maulana Malik Ibrahim Malang.
Populasi dalam penelitian ini adalah seluruh mahasiswa aktif Fakultas Psikologi UIN Maulana Malik Ibrahim Malang mulai dari angkatan 2016-2019 dengan jumlah sekitar 898 mahasiswa laki-laki dan perempuan. Teknik pengambilan sampel yang digunakan yakni purposive sampling dengan ketentuan sampel yang diambil 10% dari jumlah populasi yang ada yaitu 90 mahasiswa. Instrumen yang digunakan berupa skala motivasi berprestasi yang diadaptasi dari Mc.Clelland, skala orientasi masa depan bidang pekerjaan diadaptasi dari J.E. Nurmi dan skala adversity quotient diadaptasi dari Paul G. Stoltz. Analisa data dalam penelitian menggunakan teknik korelasi product moment, koefisien determinansi, dan Moderatd Regression Analysis (MRA) dengan bantuan software IBM SPSS for windows versi 23.
Hasil penelitian menunjukkan bahwa tingkat motivasi berprestasi sebagian besar mahasiswa psikologi termasuk kategori sedang sebesar 70%, tingkat orientasi masa depan bidang pekerjaan termasuk kategori sedang sebesar 71%, dan tingkat adversity quotient berada pada kategori sedang sebesar 74%. Hasil analisis diketahui bahwa hubungan antara motivasi berprestasi dengan orientasi masa depan bidang pekerjaan diperoleh nilai koefisien korelasi (r) hitung sebesar 0,616 dan nilai siginifikansi P = 0,000 < 0,05 yang berarti ada hubungan yang positif dan signifikan. Diketahui pula hasil uji koefisien determinansi motivasi berprestasi berpengaruh terhadap orientasi masa depan bidang pekerjaan ditunjukkan dengan nilai R Square sebesar 0,379. Adversity quotient terbukti memoderasi hubungan antara motivasi berprestasi dengan orientasi masa depan bidang pekerjaan ditunjukkan nilai R Square sebesar 0.414 (41,4%) sedangkan sisanya dipengaruhi oleh variabel lain.
ENGLISH:
Work is one of the basic needs of everyone, including students in universities. Every student has a dream who want to get a decent and earning job when they graduate from college. Therefore, students must prepare themselves from the beginning with many achievements and extensive knowledge in order to realize their dreams in the future. Students who have the drive to excel will plan and strategy properly so that their view of their future is clearer and more focused, even though their experience are various challenges and obstacles. It caused a reason, basically it is not enough just to imagine but requires the ability of adversity quotient to be able to get through all the existing difficulties to achieve the goals. The study aims to determine the relationship between achievement motivation and future orientation occupation moderated by adversity quotient of Psychology students of Maulana Malik Ibrahim State Islamic University Malang.
The population in this study were all active faculty of psychology students of UIN Maulana Malik Ibrahim Malang started from 2016-2019 class with a total of around 898 male and female students. The sampling technique used was purposive sampling with the provision that the sample was taken 10% of the total population, namely 90 students. The instrument used was a scale of achievement motivation adapted from McClelland, a scale of future orientation occupation adapted from J.E Nurmi and a scale of adversity quotient adapted from Paul G. Stoltz. Analysis of the data in this study used the product moment correlation technique, the coefficient of determination, and Moderate Regression Analysis (MRA) which helped by IBM SPSS for 23 software of windows version.
The results showed that the achievement motivation level of most psychology students was in the moderate category at 70%, the future orientation level of the work field was in the medium category at 71%, and the adversity quotient level was in the moderate category at 74%. The results of the analysis showed that the relationship between achievement motivation and future orientation occupation is obtained by a correlation coefficient (r) of 0.616 and a significance value of P = 0.000 < 0.05, which means that there is a positive and significant relationship. Also it is known the result of the determinant coefficient achievement motivation influence the future orientation occupation as indicated by the value of R Square of 0,379. Adversity quotient was proven to moderate the relationship between achievement motivation and future orientation occupation indicated by the R Square value of 0.414 (41.4%) while the rest was influenced by other variables.
ARABIC:
العمل من الحاجات الأساسية للجميع بما في ذلك طلاب الجامعات يجب أن يحلم كل طالب بالرغبة في الحصول على وظيفة لائقة ومربحة عندما يتخرج من الكلية. لذلك, يجب على الطلاب أن يعدوا أنفسهم منذ البداية بالعديد من الإنجازات والمعرفة الواسعة من أجل تحقيق أحلامهم في المستقبل. سيقوم الطلاب الذين لديهم الدافع إلى التفوق بالتخطيط والاستراتيجية بشكل صحيح بحيث تكون رؤيتهم لمستقبلهم أكثر وضوحًا وتركيزًا ، على الرغم من أنهم يواجهون تحديات وعقبات مختلفة. لأنه ، لتحقيق هدف ما ، لا يكفي مجرد التخيل بل يتطلب قدرة حاصل الشدائد أو القوة القتالية لتتمكن من تجاوز كل الصعوبات الموجودة. ويهدف هذا البحث لمعرفة العلاقة بين دافع الإنجاز و مهنة التوجه المستقبل بإدارة حاصل الشدائد لطلاب علم النفس في جامعة مولانا مالك إبراهيم الإسلامية الحكومية مالانج.
كان جميع السكان في هذه الدراسة من طلاب علم النفس النشطين في جامعة مولانا مالك إبراهيم الإسلامية الحكومية مالانج بدءًا من الفصل الدراسي 2016-2019 بإجمالي 898 طالبًا وطالبة. كانت تقنية أخذ العينات المستخدمة هي أخذ العينات الهادف بشرط أن العينة أخذت 10٪ من مجموع السكان ، أي 90 طالبًا. الأداة المستخدمة عبارة عن مقياس لتحفيز الإنجاز مقتبس من McClelland ، وهو مقياس للت مهنة التوجه المستقبل مقتبس من J.E Nurmi ومقياس حاصل الشدائد مقتبس من Paul G. Stoltz. استخدم تحليل البيانات في هذه الدراسة تقنية الارتباط اللحظي للمنتج ، ومعامل التحديد ، وتحليل الانحدار المتوسط (MRA) بمساعدة IBM SPSS لبرنامج لويندوز الإصدار 23.
وأظهرت النتائج أن مستوى دافعية الإنجاز لمعظم طلاب علم النفس كان في الفئة المتوسطة عند 70٪ ، ومستوى التوجه المستقبلي لمجال العمل كان في الفئة المتوسطة 71٪ ، ومستوى محصلة الشدائد في الفئة المتوسطة 74٪. تظهر نتائج التحليل أن العلاقة بين دافع الإنجاز و مهنة التوجه المستقبل يتم الحصول عليها من خلال معامل الارتباط (r) 0.616 و قيمة الأهمية P = 0.000 <0.05 ، من المعروف أيضًا أن نتائج معامل تحديد دافع الإنجاز لها تأثير على التوجه المستقبل لمجال العمل المشار إليه بقيمة R Square البالغة 0.379. مما يعني أن هناك علاقة قوية وذات دلالة. ثبت أن حاصل الشدائد يضبط العلاقة بين دافع الإنجاز و مهنة التوجه المستقبل المشار إليه بقيمة R Square البالغة 0.414 (41.4٪) بينما يتأثر الباقي بمتغيرات أخرى
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