3,883 research outputs found
sj-pdf-3-jcb-10.1177_0271678X231209641 - Supplemental material for Changes in cardiac-driven perivascular fluid movement around the MCA in a pharmacological model of acute hypertension detected with non-invasive MRI
Supplemental material, sj-pdf-3-jcb-10.1177_0271678X231209641 for Changes in cardiac-driven perivascular fluid movement around the MCA in a pharmacological model of acute hypertension detected with non-invasive MRI by Phoebe G Evans, Maria Sajic, Yichao Yu, Ian F Harrison, Patrick S Hosford, Ken J Smith, Mark F Lythgoe, Daniel J Stuckey and Jack A Wells: on behalf of the CONTRAST consortium in Journal of Cerebral Blood Flow & Metabolism</p
sj-pdf-4-jcb-10.1177_0271678X231209641 - Supplemental material for Changes in cardiac-driven perivascular fluid movement around the MCA in a pharmacological model of acute hypertension detected with non-invasive MRI
Supplemental material, sj-pdf-4-jcb-10.1177_0271678X231209641 for Changes in cardiac-driven perivascular fluid movement around the MCA in a pharmacological model of acute hypertension detected with non-invasive MRI by Phoebe G Evans, Maria Sajic, Yichao Yu, Ian F Harrison, Patrick S Hosford, Ken J Smith, Mark F Lythgoe, Daniel J Stuckey and Jack A Wells: on behalf of the CONTRAST consortium in Journal of Cerebral Blood Flow & Metabolism</p
sj-pdf-1-jcb-10.1177_0271678X231209641 - Supplemental material for Changes in cardiac-driven perivascular fluid movement around the MCA in a pharmacological model of acute hypertension detected with non-invasive MRI
Supplemental material, sj-pdf-1-jcb-10.1177_0271678X231209641 for Changes in cardiac-driven perivascular fluid movement around the MCA in a pharmacological model of acute hypertension detected with non-invasive MRI by Phoebe G Evans, Maria Sajic, Yichao Yu, Ian F Harrison, Patrick S Hosford, Ken J Smith, Mark F Lythgoe, Daniel J Stuckey and Jack A Wells: on behalf of the CONTRAST consortium in Journal of Cerebral Blood Flow & Metabolism</p
sj-pdf-5-jcb-10.1177_0271678X231209641 - Supplemental material for Changes in cardiac-driven perivascular fluid movement around the MCA in a pharmacological model of acute hypertension detected with non-invasive MRI
Supplemental material, sj-pdf-5-jcb-10.1177_0271678X231209641 for Changes in cardiac-driven perivascular fluid movement around the MCA in a pharmacological model of acute hypertension detected with non-invasive MRI by Phoebe G Evans, Maria Sajic, Yichao Yu, Ian F Harrison, Patrick S Hosford, Ken J Smith, Mark F Lythgoe, Daniel J Stuckey and Jack A Wells: on behalf of the CONTRAST consortium in Journal of Cerebral Blood Flow & Metabolism</p
sj-pdf-2-jcb-10.1177_0271678X231209641 - Supplemental material for Changes in cardiac-driven perivascular fluid movement around the MCA in a pharmacological model of acute hypertension detected with non-invasive MRI
Supplemental material, sj-pdf-2-jcb-10.1177_0271678X231209641 for Changes in cardiac-driven perivascular fluid movement around the MCA in a pharmacological model of acute hypertension detected with non-invasive MRI by Phoebe G Evans, Maria Sajic, Yichao Yu, Ian F Harrison, Patrick S Hosford, Ken J Smith, Mark F Lythgoe, Daniel J Stuckey and Jack A Wells: on behalf of the CONTRAST consortium in Journal of Cerebral Blood Flow & Metabolism</p
SkyPy
A package for modelling the UniverseSkyPy Collaboration, Adam Amara, Lucia F. de la Bella, Simon Birrer, Sarah Bridle, Juan Pablo Cordero, Ginevra Favole, Ian Harrison, Ian Harry, William G. Hartley, Coleman Krawczyk, Andy Lundgren, Brian Nord, Laura Nuttall, Richard P. Rollins, Philipp Sudek, Sut-Ieng Tam, Nicolas Tessore, Keiichi Umetsu, … Laura Wolz. (2025). SkyPy (v0.5.5). Zenodo. https://doi.org/10.5281/zenodo.1484012
Sandplain
Triptych: Digital print, Acrylic Sheet--------- \ud
Total size: 252 cm x 119cm---------- \ud
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The work employs text based representations of agricultural plants (26 species names). This information is spatialised to represent the geographic area within which the plant species are harvested.----------\ud
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The work was exhibited at Eyes wide open (curators K Bradby and A Brandenberg) which was held at Gorepani Gallery, Albany WA to coincide with the first national screening on SBS Television of the Western Australian documentary A Million Acres a Year (Rijavec, F, Harrison, N & Bradby K (directors), Snakewood Films & Film Australia, c2003). \u
On board and Pre-fligt mechanical model of Yurchenko 1/1 twist on vault: Implication for performance
The aim of this study was to point out the biomechanical explanation of the judges’ detection of scores relative to the on-board and pre-flight phases of the Yurchenko vault with one twist on (table). In an attempt to identify the weakness of technique and then to diagnose the likely causes of a poor performance, an extensive analysis was undertaken using a deterministic model. The 4 female gymnasts performing YU vault one twist on during the 2006 Italian Championship for Clubs were filmed by three cameras operating at 100Hz. Spearman’s correlation coefficient was used to establish the strength of the relationship between the mechanical variables of the model and the judges` detection of points. Significant correlations indicated that the loss of credit depended mostly on angular variables. Firstly, low angular velocity of the center of mass (CM) at the impact of the board, then the small angular displacement of CM and high shoulder angular velocity produced on board and finally, a smaller hip extension and a larger shoulders extension at the take off from the board. In addition, other vertical variables determined a worst result: the lack of height of the CM at takeoff from the board, the decreased displacement of the CM on the board and the loss of the vertical velocity on the board
Many Mount Barrens
Cibachrome photographic prints, Digital print, Acrylic Sheet , wire & card.---------\ud
Total size: 170cm x 119cm x 15cm---------- \ud
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The work employs a terrestrial photography and cartographic technique to represent a diversity of landscape types surrounding West Mt Barren in Western Australia. Sixteen views of West Mt Barren were captured over a two week period from map grid coordinates in the surround landscape. These images are configured in Many Mount Barrens in a manner which corresponds to the position from which they were recorded.----------\ud
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The work was exhibited at Eyes wide open (curators K Bradby and A Brandenberg) which was held at Gorepani Gallery, Albany WA to coincide with the first national screening on SBS Television of the Western Australian documentary A Million Acres a Year (Rijavec, F, Harrison, N & Bradby K (directors), Snakewood Films & Film Australia, c2003). \u
Edges of the mind : psychic margins and the modernist aesthetic in Vernon Lee, Evelyn Underhill, May Sinclair, Dion Fortune and Jane Harrison.
PhDThe question 'Where does she begin and I end, asked in Virginia Woolf's The Years, voices a modernist
concern with the limits of self-identity and related questions of egoism and altruism. In this thesis I argue
that this concern is informed by a pre-history of thinking about selfhood, psychic boundaries and the
spiritual mainly ignored by readings of modernism which map the psyche via psychoanalysis, or Freud's
'discovery of the unconscious'. Our thinking about the self has become colonised by the literary doctrines of
better known canonical figures of the modernist period, generating a way of thinking about the limits of the
psyche which is both literally and metaphorically circumscribed. A reading of more eccentric discourses
explicitly engaged in negotiating the boundaries of individuality can provide a history of the psychic
underpinnings to the modernist conception of the self. The representation of marginal states of
consciousness, or epiphanic moments, is crucial to the literature of modernism: interpretation of these altered
states, or edges, can be refigured through readings of Vernon Lee, Evelyn Underhill, May Sinclair, Dion
Fortune and Jane Harrison: five women writing between 1880-1930 for whom pre-Freudian forms of
dissolution and challenge to self-unity are palpably present in the form of telepathy, subliminal selves,
oceanic consciousness and internal multiplicity. In addition to writing non-fictional texts which variously
explore the psychological, philosophical, ethical, spiritual and occult implications of the modernist position,
each of these women, excepting the classical scholar Jane Harrison, also wrote fiction. The aesthetic
questions of modernism dovetail into the theoretical arguments of the writers in this thesis, inviting a
different reading of its psychological sub-text and to suggest that where 'stream-of-consciousness' is
stylistically indispensable, the 'oceanic', as counterpart, thematically haunts the modernist aestheti
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