1,721,058 research outputs found
Simonetto: Gabriellino d’Annunzio tra Moretti e Marinetti
Full text linkThe retrieval of a letter written by Gabriellino d’Annunzio to Marino Moretti takes the reader behind the stage of the Manzoni Theatre in Milan on 27 March 1905. It was the first staging of Gabriele d’Annunzio’s play La fiaccola sotto il moggio (The light under the bushel), and Gabriellino played Simonetto, the female lead’s brother. His interpretation received mixed reviews, mainly due to the hysterical tone he gave to the character. Numerous sources refer to that première: not only Moretti’s writings but also various contemporary chronicles, as well as Filippo Tommaso Marinetti’a volume Les dieux s’en vont, D’Annunzio reste, in which the author describes and comments the staging. The various sources testify to Gabriele d’Annunzio’s disillusionment towards his own directorial experimen
Immaginario «basilicatese»: note su Gaetano Cappelli e altri scrittori lucani
No full textSi tratta dell’immagine della Basilicata nei romanzi di Gaetano Cappelli, Mariolina Venezia e Cinzia Zungolo apparsi nel 200
Note di critica ed altro: Il carteggio Giosue Carducci-Francesco Torraca
No full textIl saggio ricostruisce il carteggio Carducci-Torraca (prima erano note solo alcune delle lettere di Carducci pubblicate dallo stesso corrispondente) con ampi riferimenti alle scuole critiche del tempo
Giovanna Scianatico, L'arme pietose. Studio sulla Gerusalemme Liberata, Venezia, Marsilio, 1990
No full text
Torraca, De Sanctis e lo Zibaldone di Leopardi
Full text linkThe Zibaldone and other Leopardi’s manuscripts, concealed by Antonio Ranieri after the death of
the poet, were acquired by the Italian Government in 1897 thanks to initiative of the two scholars
that had been former students at the so-called Neapolitan “second school” of Francesco De
Sanctis : Emanuele Gianturco, minister of Education, and Francesco Torraca, head of cabinet at
his Ministry, who had cared to transcribe De Sanctis’ lessons, including those on Leopardi. In the
lessons of this last course held by De Sanctis at the University of Naples we can trace some clues
that lead to hypothesize he might have examined Leopardi’s exceptional notes
Croce vs d'Annunzio nel "Contributo alla critica di me stesso"
Full text linkIn Benedetto Croce's autobiography, Contributo alla critica di me stesso, the name of Gabriele d’Annunzio seems to underline the cultural and moral difference between the philosopher and the writer. The present essay analyses this particular passage in Croce’s text as it develops within precise historical contingencies: the writing of the Contributo is dated between April and May 1915, that is, precisely at the time of Italy’s entry World War 1, while d’Annunzio animates and excites the so-called ‘maggio radioso’
Lo «spazio intermedio»: l’umanesimo morale e civile di Dante Della Terza
Full text linkThe testimony for Dante Della Terza, a new times humanist, is based on a family and professional relationship memories, born against the mutual belonging background to a place, Sant'Angelo dei Lombardi, destroyed by the 1980 Irpinia earthquake.La testimonianza per Dante Della Te rza, umanista dei tempi nuovi, si basa sui ricordi di un rapporto familiare e professionale, nato sullo sfondo della reciproca appartenenza a un luogo, Sant’Angelo dei Lombardi, distrutto dal terremoto dell’Irpinia del 1980
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