1,721,193 research outputs found
G. F. W. Hegel, Vorlesungen zur Ästhetik. Vorlesungsmitschrift Adolf Heimann (1828/1829). Hg. von Alain Patrick Olivier und Annemarie Gethmann-Siefert. Fink, Paderborn 2017. Michael Squire / Paul Kottman (Hg.), The Art of Hegel's Aesthetics. Hegelian Philosophy and the Perspectives of Art History. Fink, Paderborn 2018.
No full textL’esprit absolu et son destin. Traduire l’Esthétique de Hegel en France et en Italie (xixe-xxe siècles)
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A quarter of a millennium with Hegel. An attempt at taking stock. A Dialogue with Dieter Henrich.
No full textEvery important anniversary in the philosophical field–like everywhere–has its rituals, its languages, its narratives and its protagonists. Certainly, celebrating Hegel in 1970 in a Europe marked by the 1968 shift in values and in a Germany divided by the wall, had a political charge and a social impact very different from what Hegel's philosophy can apparently have today. Nevertheless, precisely the global crisis–both political-economic and social–caused by the present Coronavirus pandemic allows us to look at Hegel’s Philosophy with an even more intimate gaze. In order to evaluate Hegel's relevance in the 21st century, we will discuss with Dieter Henrich on the Hegelian philosophy and its resonances in this pandemic time
L'enigma Socrate, con e oltre Hegel
No full textThe Socrates enigma, with and beyond Hegel – The main purpose of this essay is to reconstruct the plastic and paradoxical figure of Socrates within the Hegelian philosophy. In fact, Hegel gives us an extremely original and suggestive interpretation of Socrates, that he considers the most interesting figure of ancient philosophy, adding a piece to an investigation that begins to develop at the beginning of the nineteenth century and that Friedrich Schleiermacher contributed to problematize. In the twentieth and twenty-first centuries have been elaborated countless methodological actualizations, existential re-readings and philosophical-political appropriations of the enigmatic figure of Socrates, in the conviction that the ‘Socratic question’ is inexhaustible not so much because the sources offer us images of the Athenian philosopher that are too varied and, at times, contradictory, but because of the magnetic need of every age to redefine and reinvent ‘its’ Socrates, consolidating the enigma
Rethinking Hegel’s last lectures on aesthetics in and for the 21st century
Full text linkThis essay aims at evaluating the legacy of Hegel’s aesthetics, in particular of the
last course held by Hegel in Berlin on aesthetics or philosophy of art during the
winter semester 1828-29, and at highlighting the relevance of the student notebooks
(Nachschriften) to better contextualize Hegel’s aesthetic framework
Beyond the western Ideal of Beauty. A Wabi sabi Aesthetics to survive the future
No full textPer troppi secoli i filosofi occidentali hanno concepito la bellezza soprattutto come perfezione ideale, cioè come un valore irraggiungibile per gli esseri umani. Questo ideale ha ispirato scultori antichi e moderni, pittori, musicisti, fotografi fino all'inizio del XX secolo, quando la bellezza è diventata il nemico più acerrimo per qualsiasi artista d'avanguardia (come dichiarò Barnett Newman nel 1948 nei suoi saggi Il sublime è adesso). La conseguenza immediata fu una totale mancanza di fiducia in qualsiasi riflessione seria sulla bellezza, come se questa categoria fosse stata completamente privata di autorità (come suppose A. C. Danto). Per queste ragioni, è il momento di tornare a un'altra concezione ancora fruttuosa della bellezza, vale a dire l'estetica Wabi Sabi come elogio dell'imperfezione e dell'irregolarità, al fine di valutare il suo potenziale per una nuova comprensione della bellezza nel XXI secolo, non solo nella cultura giapponese, ma anche nel mondo occidentale.For too many centuries, Western philosophers have conceived of beauty primarily as ideal perfection, i.e. as an unattainable value for human beings. This ideal inspired ancient and modern sculptors, painters, musicians, photographers until the beginning of the 20th century, when beauty became the most bitter enemy for any avant-garde artist (as Barnett Newman declared in 1948 in his essays The Sublime is Now). The immediate consequence was a total lack of confidence in any serious reflection on beauty, as if this category had been completely deprived of authority (as A. C. Danto supposed). For these reasons, it is time to return to another still fruitful conception of beauty, namely Wabi Sabi aesthetics as the praise of imperfection and irregularity, in order to assess its potential for a new understanding of beauty in the 21st century, not only in Japanese culture, but also in the Western world
Translating Hegel’s Aesthetics in France and Italy: A Comparative Approach
No full textThis essay aims to reconstruct the most significant stages that have marked the history oftranslations ofHegel’s Aesthetics in France and Italy. This history, far from being exclusively national, has seen repeated intersections between French and Italian scholarship over the centuries and until now. However, each country has developed in its own personal reading - more conservative or more innovative - of Hegel’s Aesthetics, also and above all as a result of the translation choices and the impact that translations have had in different cultural and political contexts
Cibo e bellezza tra Oriente e Occidente. Plaidoyer per una diplomazia filosofico-valoriale del gusto.
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