4,913 research outputs found
Bipolar disorder, Type A behavior, and coronary disease
No full textThis paper describes a model for integrating two psychological constructs--bipolar disorder and the Type A behavior pattern--each of which has been associated with enhanced risk of coronary heart disease (CHD). It highlights similarities between manic/hypomanic behaviors associated with bipolarity and the behaviors observed in Type A individuals. The proposed model conceptualizes Type A behavior as an alternating pattern of coping with challenging and stressful events. Thus, initial coping efforts are manifested as behavioral hyper-reactivity (including mania/hypomania), but this gives way to hypo-reactivity (including helplessness and depression) after repeated failure to assert control and/or attain relevant goals. This alternation of Type A coping patterns resembles the affective and behavioral transitions often seen in bipolar patients. Future research on psychological, epidemiological, and pathophysiological issues concerning CHD should document areas of commonality and independence between bipolarity and Type A behavior. Such studies would benefit from consideration of a model that identifies psychosocial dimensions common to Type A, mania/hypomania, and depression.Peer reviewedThis is an electronic version of an article published in Glass, David C. and Richard J. Contrada. "Bipolar disorder, Type A behaviour and coronary disease." Health Psychology Review, available online 15 Feb 2011. DOI:10.1080/17437199.2010.531568. Health Psychology Review is available online at: www.tandfonline.co
Trust in the Digital World The Return of the Kings of Old
No full textDrawing principally on examples and literature from the Anglosphere, the author argues that the high salience given to "trust" and "trustworthiness" in recent scholarly literature, and which (notably in Putnam's work) attributes declining trust to a widely mistrusted mass media does not acknowledge the trustbuilding potential (realised in some instances) of interactive "Web 2.0" applications. Drawing on O'Neill's proposal that trust inheres in dialogue and mutual checking and verification, the author argues that "Web 2.0" media provide a variety of instances where the "dialogic" character of "Web 2.0" has established and enhanced trustworthiness. He argues normatively for a combination of "Web 2.0" interactivity and the adoption and implementation of selfregulatory codes in order to enhance the trustworthiness of the media.trust, mass media, Web 2.0, self-regulation, trustworthiness.
Cult: A Composite Novel
No full textCult (redacted)
The first component of the thesis is a composite novel called Cult which falls into two parts with seven narratives in each. Part 1 tracks the protagonist, Ellen, from her first involvement with the cult through to her eventually leaving it. Although fiction, the first half of the book answers the kinds of questions the author is asked when people discover that she was once a sannyasin (a follower of the guru Bhagwan Shree Rajneesh). While the experiences of meditation, group therapy and communal living are all faithfully rendered within the stories, the need for strong characters, narrative drive and a lightness of touch takes precedence.
Part 2 picks up Ellen’s story some twenty or so years later and explores what becomes of her in middle age. It also looks at other groups in society, such as academia, the law and the internet dating community which each have their own jargon, hierarchies, rituals and rules but are not considered to be cults.
The book examines the question raised in the Epigraph, ‘how do we be together when we feel so alone’ with a focus on relationships other than the familial and the romantic.
Collisions, Chasms and Connections: a Performative Exploration of the Composite Novel Form
The second part of the thesis is both a critical and creative response to three contemporary American books: Olive Kitteridge by Elizabeth Strout; A Visit from the Goon Squad by Jennifer Egan; and Legend of a Suicide by David Vann. The critical element comprises a close reading of the three books; a chronological reconstruction of their overarching storylines; and a consideration of what their authors have said about writing the books. It concludes that, in the composite novel, the simultaneous presentation of multiple views and storylines operate much like a 3D image to give the impression of depth to the characters and situations rendered. The creative element of the essay is a playful and personal response to the texts
Deception and Britain's road to war in Iraq
No full textEver since the 2003 invasion of Iraq, there has been a widely shared public perception in the UK and beyond that the British government lied in making the case for war. One major theme has been the view that the Blair government lied about the strength of the intelligence about alleged Iraqi weapons of mass destruction (WMD) and the extent of the WMD capabilities claimed by that intelligence. A second theme that has received less attention has been the view that the Blair government lied in claiming that its actions at the United Nations (UN) were aimed at securing peaceful Iraqi compliance with its disarmament obligations. Instead, most think that the UK was actually committed to a policy of regime change by force and did not want the ‘UN route’ to produce a peaceful outcome. The article argues that the conceptual focus of the discussion needs to be broadened from lying to also considering deception by omission and deception by distortion as part of a campaign of organized political persuasion. It argues that, on the WMD intelligence, it is now apparent that a campaign of deceptive organized political persuasion was conducted by UK officials. With respect to the UN route, there is mounting evidence that the Blair government ran a campaign of deception on this issue as well to pave Britain’s road to war in Iraq
Looking Inside the Black Box of "Attendance at Services": New Measures for Exploring an Old Dimension in Religion and Health Research
No full textResearch in religion and health has spurred new interest in measuring religiousness. Measurement efforts have focused on subjective facets of religiousness such as spirituality and beliefs, and less attention has been paid to congregate aspects, beyond the single item measuring attendance at services. We evaluate some new measures for religious experiences occurring during congregational worship services. Respondents (N=576) were religiously-diverse community dwelling adults interviewed prior to cardiac surgery. Exploratory factor analysis of the new items with a pool of standard items yielded a readily interpretable solution, involving seven correlated but distinct factors and one index variable, with high levels of internal consistency. We describe religious affiliation and demographic differences in these measures. Attendance at religious services provides multifaceted physical, emotional, social, and spiritual experiences that may promote physical health through multiple pathways.This research was supported by grants from the National Institute on Aging (AG15160 and AG16750, Richard Contrada, PI).Published 2009 in International Journal for the Psychology of Religion at http://www.informaworld.com/smpp/content~db=all~content=a907482564~frm=titlelin
The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques
No full textThis thesis was submitted for the degree of Doctor of Philosophy and was awarded by Brunel University.This thesis is based on the research conducted by the author for the series,
Richard Niles' History of Pop Arranging, seven thirty-minute documentary
programmes for BBC Radio 2, researched, written and presented by the author and
broadcast in 2003. It also draws on interviews conducted by the author (and other
research) between 2002 and 2007 both for the radio series and for this thesis and on
the author's experience as a professional arranger in popular music working with
many of the genre's significant recording artists including Paul McCartney, Ray
Charles, Cher, Tina Turner, Westlife, Tears For Fears, Dusty Springfield, James
Brown, Pet Shop Boys, Kylie Minogue and producers including Trevor Hom, Steve
Lipson, Steve Mac and Steve Anderson.
It will be argued that the role of the arranger in popular music has often been
undervalued and that during a critical period of popular music history (1950-2000)
arrangers played a significant part in the evolution of musical content. This thesis is,
to the best of the author's knowledge, the first time (apart from the above mentioned
documentary) the subject has ever been examined. The arranger is "invisible" because musical arrangers are often un-credited on
record liner notes or in books or articles concerning popular music. A considerable
amount of research has been necessary to determine who wrote many of the
arrangements considered herein. Motown's Berry Gordy purposely kept the names of
musicians and arrangers off the records because he feared others might 'poach' the
trademark 'Motown Sound'. Other record labels considered the job of the arranger to
be reminiscent of an earlier era, diluting the Rock 'n' Roll image of emotion and
spontanaeity they wished to promote. Some producers and recording artists disliked
sharing credit for their work. Motown arranger David Van dePitte told the author that
arranging was "thankless and anonymous - a very service-oriented profession where
others often take credit for what you've done." Arranging has therefore remained an
intrinsically unseen art created by 'invisible' artists. By analyzing many recordings,
revealing the techniques and concepts they have used in their work to create popular
records, arrangers and their art will be made more 'visible'
A discussion with Richard Nelson on the contributions of Alfred Chandler
No full textDavid Teece discusses with Richard R. Nelson the contributions of Alfred D. Chandler Jr to a variety of areas in business history, economics, and management. Topics include Chandler's understanding of organizational capabilities, management leadership, technology, strategy, and the theory of the business firm. The discussion also reviews Chandler's role as a historian and as a theorist. It concludes with reflections on the future importance of Chandler's work. Copyright 2010 The Author 2010. Published by Oxford University Press on behalf of Associazione ICC. All rights reserved., Oxford University Press.
Richard M. Sheirich research collection : materials about Richard Beer-Hofmann 1866-2002
No full textThis collection consists of Richard M. Sheirich’s materials pertaining to his research on Richard Beer-Hofmann’s private correspondence and works. In addition to the original papers, correspondence, notes, and photos of Richard Beer-Hofmann and his family that Richard M. Sheirich gathered, the collection contains Sheirich’s correspondence with Richard Beer-Hofmann’s daughter Miriam Beer-Hofmann Lens, his and other scholars’ works on Beer-Hofmann, several photocopies of the original Beer-Hofmann papers, and Sheirich’s notes.Richard M. Sheirich's book, 'Der Briefwechsel mit Paula 1896-1937’ is available in the LBI Library.Richard M. Sheirich was born on October 9, 1927 in Erie, Pennsylvania. He studied German at Colgate University, Northwestern University and at Universität Hamburg, and earned a Ph. D. in German at Harvard University in 1965; his dissertation was titled “Die Historie von König David.”After teaching German at the University of California at Berkeley, Richard M. Sheirich became a faculty member at Pomona College in 1962 and retired from the same institution in 1996. Sheirich’s research interest was the Austrian literary movement Das Junge Wien and specifically Richard Beer-Hoffman’s work. He started working on Beer-Hofmann’s writings in the 1950s. His work in this field was the preparation of an inventory of the Richard Beer-Hofmann papers for Harvard University. As part of his research, Sheirich travelled to Vienna, Austria several times and conducted a long correspondence with Richard Beer-Hofmann’s daughter Miriam Beer-Hofmann Lens. Alongside other smaller publications, the result of Sheirich’s research was the publication of Der Briefwechsel mit Paula, 1896-1937, Richard Beer-Hofmann’s correspondence with his wife Paula.Richard M. Sheirich died at his home in Claremont on Dec. 11, 2011.Richard Beer-Hofmann was a Viennese author, poet, dramatist and theater director.Processeddigitize
Review of 'Richard Linklater ' by David T. Johnson
No full textIn her 2006 summary of the history of debates on authorship in general and in cinema in particular, Pam Cook observes that ‘the function of the author/artist at one time limited to art cinema has extended to popular commercial cinema’ and moreover that: ‘Art cinema could provide a means of critical entry into commercial cinema, not in terms of the confirmation of traditional auteur analysis, but in the interests of understanding the relationship between art cinema and commercial cinema in order to question the conventional division between “art” and “entertainment”’ (1). By ‘traditional’ auteur analysis Cook means the kind of ahistorical approaches associated with the New Wave politique des auteurs, long since out of favour, that accorded to the film director a God-like status transcending industrial and other contextual circumscriptions. Instead, she emphasises the rise of the notion of the author as marketing category in contemporary scholarship. However, her comments about the usefulness of the art cinema author paradigm, most closely associated with the work of David Bordwell, for approaching more mainstream cinemas are acutely relevant to the films of Richard Linklater and to David T. Johnson’s unapologetically auteurist analysis of the
[Photograph 2012.201.B1355.0893]
No full textPhotograph used for a newspaper owned by the Oklahoma Publishing Company. Caption: "Father and son Team, Jim Hutton stars as the fictional detective, Ellery Queen, who aids his father, Inspector Richard Queen, played by David Wayne, Fall 1975
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