4,505 research outputs found
[Mary Kate Hunter]
No full textBorn just outside Palestine in 1866 to Nathaniel and Jennie (Beeson) Hunter, Mary Kate Hunter played a significant role in recording, promoting and preserving the history of Palestine and Anderson County. Educated at Palestine Female Academy and Sam Houston Normal Institute, she studied piano with classical musicians across the United States and in Germany, and taught piano to countless Palestine children. As a clubwoman, she was a charter member of the self-culture club in Palestine, organized in 1894; served as a delegate to the First Annual Meeting of the Texas Federation of Women’s Clubs in 1898; organized a local chapter of the Women’s National Foundation in 1921 for the preservation and study of local history; and founded and led the Fort Houston Chapter of the Daughters of the Republic of Texas. A supporter of voting rights for women, Mary Kate Hunter organized and was first President of the Palestine Equal Suffrage Association, and held statewide office in the Texas Equal Suffrage Association in 1915-16. In Addition to her civic Duties, Hunter also was a published poet, Editor of a local society journal and board member of the Texas State Library. She extensively researched the History of Palestine and Anderson County and conducted dozens of oral history interviews with early area residents. At her death in 1945, she bequeathed her voluminous collection of material to the Palestine Public Library, where it remains in use as an important record of Anderson County History
Letter from Mary Kate Hunter to Mae Wynne McFarland
No full textA handwritten letter to Mae Wynne McFarland from Mary Kate Hunter, responding to Mrs. McFarland's inquiry into the Bailey family
Earshot
No full text‘Earshot' is a contemporary performance work by Kate Hunter and collaborators. Part live art event, part undercover surveillance operation, part musical interpretation of the Australian vernacular, 'Earshot' is driven by theatre-maker Kate Hunter's lifetime obsession of eavesdropping on the private conversations of complete strangers. A collaboration with electroacoustic musician Jem Savage and performer/composer Josephine Lange, ‘Earshot's experimental approach to story uses voice-activated text to project words into the theatre space in real time as those words are spoken
Guidelines for Data Annotation
No full textIncluded here are a coding manual and supplementary examples of gesture forms (in still images and video recordings) that informed the coding of the first author (Kate Mesh) and four project reliability coders
Declining Unionization, Rising Inequality: an Interview with Kate Bronfenbrenner
No full textKate Bronfenbrenner is director of labor education research at the New York State School of Industrial and Labor Relations at Cornell University. She worked for many years as an organizer with the United Woodcutters Association in Mississippi and the Service Employees International Union in Boston. She is the author, co-author and editor of numerous books and articles on union strategies
Kate Richards: madness
No full textKate Richards’ bleakly beautiful, confronting and important book, Madness: A Memoir, describes her 15 years coping with psychosis and depression, and her long, hard-won journey back to sanity, with the help of a wise and compassionate psychologist.
In this video, she speaks with Ranjana Srivastava, an oncologist and fellow author, about her experience – and about being able to write from deep within it, with expertise as both a medical researcher and writer.
 
Book signing by SC author and illustrator Kate Salley Palmer
No full textPhotograph of Book signing by SC author and illustrator Kate Salley Palme
SC author and illustrator Kate Salley Palmer signing book
No full textPhotograph of SC author and illustrator Kate Salley Palmer signing boo
Kate "Granny" Donaldson
No full textThis is a photograph of Kate Clayton Donaldson (ca. 1864-1960, also known as "Granny" Donaldson), maker of "cow blankets." Donaldson, of Marble, North Carolina, created these whimsical textiles with crocheted and appliqued figures reminiscent of decorative Italian blankets draped over cows during festivals. Donaldson claimed the design was of her own imagination and no two blankets were alike
LMYE Gallery #2: This Language That is Our Lives - An Interview with Kate Hunter
No full textHunter explores her training and conceptual interests, her working methods and relationship to technology, and how she came to understand the social, narrative and affective potentiality of voice on stage through Earshot but also through the performances Maybe We’re Never Together (2011) and her current project Fugue State. This interview was conducted on 26.05.2020
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