129,621 research outputs found
Ouverture zur Oper Der Barbier von Sevilla / G. Rossini. Durchgesehen u. rev. von Hugo Hartmann
No full textOUVERTURE ZUR OPER DER BARBIER VON SEVILLA / G. ROSSINI. DURCHGESEHEN U. REV. VON HUGO HARTMANN
Ouverture zur Oper Der Barbier von Sevilla / G. Rossini. Durchgesehen u. rev. von Hugo Hartmann (1)
Titelseite (1)
Ouverture zur Oper Der Barbier von Sevilla (2
Das Gerippe von Goethes Faust : eine Zeichnung unseres geschichtlichen Entwicklungsganges nach seinem inneren Werte ; I - IV. / von F. G. Hugo Hoffmann, Verfasser der "Erziehung zur Produktion" u.s.w.
No full textDAS GERIPPE VON GOETHES FAUST : EINE ZEICHNUNG UNSERES GESCHICHTLICHEN ENTWICKLUNGSGANGES NACH SEINEM INNEREN WERTE ; I - IV. / VON F. G. HUGO HOFFMANN, VERFASSER DER "ERZIEHUNG ZUR PRODUKTION" U.S.W.
Das Gerippe von Goethes Faust : eine Zeichnung unseres geschichtlichen Entwicklungsganges nach seinem inneren Werte ; I - IV. / von F. G. Hugo Hoffmann, Verfasser der "Erziehung zur Produktion" u.s.w. (1)
Cover (1)
Einlage (3)
Titelseite (5)
Einleitung (7)
I. Die Untersuchung des ersten Theiles von Faust ... (10)
II. Die Betrachtung der drei ersten Aufzüge des zweiten Teiles von Faust (18)
III. Die Betrachtung des endlichen Fortschrittes von Faust im Beginn ... (32)
IV. Kennzeichnung Fausts nach seinem geistigen Besitz ... (51)
Anmerkungen zum Vorwort (64
Social inclusion and multiculturalism: The impact of international migration
No full textGraeme Hugo, Patricia Njuki and Sanjugta Vas De
Demographic change and international labour mobility in Australasia - Issues, policies and implications for cooperation
No full textGraeme Hugo, Paul Callister and Juthika Badkarhttp://trove.nla.gov.au/work/3512557
Telegram from Morris and Hugo Loewenstern to Amon G. Carter, Jr.
No full textTelegram from Morris and Hugo Loewenstern to Amon G. Carter, Jr. upon the death of Amon Giles Carter. The telegram expresses condolences and sympathy about his death.https://mavmatrix.uta.edu/specialcollections_meachamcarterpapers/1285/thumbnail.jp
The Political Communication of Hugo Chávez: The Evolution of Aló Presidente
No full textAló Presidente was a weekly television programme anchored and produced by Hugo Chávez during his presidency in Venezuela. The show, a version of a phone-in, was broadcast live on national television at 11am on Sundays and lasted on average six hours. It followed the presidential agenda to a new location every week, where Hugo Chávez would inaugurate factories, read Latin American poetry, interview Fidel Castro, and sing llanero songs. This thesis investigates the role that Aló Presidente played in the making of the “Bolivarian Revolution”, Hugo Chávez’s political project. Through a critical reading of the transcripts of the show, it explores the 378 episodes, or 1656 hours, that aired between 1999 and 2012. Aló Presidente was the cornerstone of Chávez’s political communication, replacing press conferences and interviews. Chávez was known for his continuous presence on radio and television and his daily presidential addresses. However, only on the Sunday show could the audience phone the president and share their ideas, emotions and everyday life concerns. This thesis reviews the narratives that underlined the relationship between the audience/electorate and the host/president on Aló Presidente. It is argued that Aló Presidente played a fundamental role in articulating the identity of a public that shared the values and ideas of Chávez’s hegemonic project. Moreover, it is argued that the show Aló Presidente and the ideological process called the “Bolivarian Revolution” can be read as two co-related arms of a same project, and that they informed and defined each other throughout Chávez’s presidency. In this context, this thesis assesses the evolution of the programme in light of the political events taking place in Venezuela during that time. Aló Presidente is thus seen as a repository, or “black box”, of the discourses that articulated the Bolivarian identity and constructed the legitimacy of Hugo Chávez as the leader of a populist movement in Venezuela. Finally, the core of this thesis is that the co-relation between the show and the hegemonic project evolved over time to strengthen the authoritarian tendencies of Hugo Chávez’s regime. Following the activities of Aló Presidente over 13 years, the investigation charts that evolution in three different stages: 1) participation, 2) education, and 3) obedience, arguing that what started as a seemingly participatory space, progressively became a platform that presented Hugo Chávez’s figure as the ideologue of a populist movement, and ultimately secured his position as the indisputable leader and sole authority of Venezuela’s “Bolivarian Revolution”
Victor Hugo raconté par Adèle Hugo, texte publié sous la direction d'A. Ubersfeld et G. Rosa
No full textSpiquel Agnès. Victor Hugo raconté par Adèle Hugo, texte publié sous la direction d'A. Ubersfeld et G. Rosa. In: Romantisme, 1988, n°61. Pessimisme(s) pp. 113-114
Men Who Talk About Love in Late Medieval Spain: Hugo de Urriés and Egalitarian Married Life
No full textIn the last third of the fifteenth century, Hugo de Urriés’s work can offer the modern reader a very rare and informative perspective from the points of view of social history and history of ideas. The Dezir del casamiento (Poem of Marriage) is a very extensive moralising poem written by Aragonese courtier Hugo de Urriés, known by critics as the devout lover of Spanish courtly literature because of his very unusual autobiographical celebration of his life with his wife. The poem is an enthusiastic encomium that was completely alien to the Castilian mainstream courtly canon.
This article analyses the literary, philosophical and religious traditions informing Urriés’s writing as well as the social, biographical, and historical circumstances shaping his ideas about gender relations.
The methodology of this work serves the purpose of going beyond erudite study of texts, traditions and sources and tries to reflect intimate experiences and beliefs of real people about marriage, perhaps the most important and visible regulator of personal relationships between men and women in the period prior to the changes introduced by the Council of Trent. The article identifies the universal thinking behind Urriés’s idyllic account of his life as a married man
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