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Pourquoi Et Comment Victor Hugo a Inventé La Pieuvre
No full textCommunication de Françoise Chenet, séminaire du Groupe Hugo, 14 décembre 2013. Édition mise à jour le 12 septembre 2020. Lire le document PDF sur Nakala : ici Accéder aux métadonnées sur Nakala : l
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Fax from Representative from the Texas House Hugo Berlanga to Dr. Hector P. Garcia containing pages of the House Journal (correspondence)
No full textFax from Representative from the Texas House Hugo Berlanga to Dr. Hector P. Garcia containing pages of the House Journal
Music of Hugo Weisgall
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan on October 21, 1981, 8:00 p.m., program no. 34 of the School of Music's 1981-1982 season.1st work: Marilyn Rose Nicholson, soprano ; Robert Byrens, piano. 2nd work: Joyce Zastrow, soprano ; Robert Byrens, piano. 3rd work: Elizabeth Patches, mezzo-soprano ; Phyllis Rappeport, piano. 4th work: Gail Smith, stepdaughter ; Corinne O'Heran, mother ; Rick Knapp, son ; Mark Cummings, father ; Rick Krzeczkowski, the director ; Monica Whitaker, the prompter ; Nadine Vorenkamp, the coloratura ; Mary Rempalski, the mezzo ; Matthew Elliott, the basso cantante ; Tom Manguem, the tenore buffo ; Sarah Coley, the wardrobe mistress ; Jennifer Little, the understudy.Reel 1: Introductory remarks by the composer -- Two madrigals. Nuptual song ; No more I will thy love importune -- Translations. Song ; Poem ; The rebelReel 2: Di goldene pave. Di Goldene Pave ; Undzer Rebenyu ; Der Rebe Elimeylekh ; Mayn Harts Veynt in Mir ; Baleboste Zisinke ; Shlof Mayn Kind, Sholf Keyseyder ; Lomir Zikh Bafrayen -- Six characters in search of an author. Act I / libretto by Dennis Johnston, based on the play by Luigi Pirandell
Lago de Patzcuaro : Isla Xianicho / Hugo Brehme
No full text"El 4 de octubre de 1884 se crea la Sociedad Científica Antonio Alzate. Entre sus miembros fundadores estaban Guillermo B. Puga, Rafael Aguilar y Santillán, Ricardo E. Cicero, Manuel Marroquín y Rivera, Agapito Solórzano y Solchaga y Daniel M. Vélez. El objetivo exclusivo que éstos se propusieron, fue el de cultivar las ciencias exactas, físicas y naturales en todas sus ramas y aplicaciones, principalmente en lo relativo a México. Fue una de las sociedades más importantes en México y en 1930 se convirtió en Academia Nacional de Ciencias, sin quitar el nombre del sabio mexicano." Memorias de la Academia Nacional de Ciencias, tomo 54 (1934).Orientación: horizontal"Post card" -- reverso, parte superior central"No. 1647. Propiedad asegurada de Hugo Brehme, copyright. Av. 5 de Mayo 27, ap. postal 5253, México, D. F." -- reverso, lado derechoSe colocó un lienzo en color negro para el fondo de la imagen y se agregó la información del fondo documental al que pertenece así como la institución que lo resguarda
<i>No se sabe</i>: entrevista a Hugo Luis López
No full textEntrevista al Dr. Hugo Luis López, ictiólogo y responsable de la División Zoología Vertebrados del Museo de Ciencias Naturales de la Universidad Nacional de La Plata. Autor de numerosos trabajos sobre zoología e ictiología, además de difusor y propulsor de estos estudios en nuestro país. Director y editor de la publicación ProBiota, dedicada a la ictiología, limnología, zoología, herpetología y otras disciplinas conexas.Al hacer clic en el enlace que figura en "Documentos relacionados", pueden accederse a todos los trabajos de Hugo Luis López presentes en el repositorio.Radio Universidad Nacional de La Plat
Nachruf: Hugo Huber, SVD (1919–2014)
No full textProf. em. Hugo Huber SVD was an influential figure in African Studies in Switzerland. As a member of the Steyler Missionare and Anthropos Institute he held the chair for social anthropology at the University of Fribourg for three decades and trained numerous young scholars
Fonds Victor Hugo. II -- ŒUVRES. Amy Robsart.
No full textContient : Lettre de J.-B.-A. Soulié à Victor Hugo ; Hugo, Victor-Marie. Lettre(s) reçue(s) ; Soulié, Jean-Baptiste-Augustin. Lettre(s)Numérisation effectuée à partir d'un document original.Manuscrit autographe ; rédaction primitive
Letter from Hugo Friedman to Mama, December 17, 1918
No full textHugo Friedman wrote this note to his mother on the bottom of a letter to him from Colonel Sassi, December 17, 1918
The Political Communication of Hugo Chávez: The Evolution of Aló Presidente
No full textAló Presidente was a weekly television programme anchored and produced by Hugo Chávez during his presidency in Venezuela. The show, a version of a phone-in, was broadcast live on national television at 11am on Sundays and lasted on average six hours. It followed the presidential agenda to a new location every week, where Hugo Chávez would inaugurate factories, read Latin American poetry, interview Fidel Castro, and sing llanero songs. This thesis investigates the role that Aló Presidente played in the making of the “Bolivarian Revolution”, Hugo Chávez’s political project. Through a critical reading of the transcripts of the show, it explores the 378 episodes, or 1656 hours, that aired between 1999 and 2012. Aló Presidente was the cornerstone of Chávez’s political communication, replacing press conferences and interviews. Chávez was known for his continuous presence on radio and television and his daily presidential addresses. However, only on the Sunday show could the audience phone the president and share their ideas, emotions and everyday life concerns. This thesis reviews the narratives that underlined the relationship between the audience/electorate and the host/president on Aló Presidente. It is argued that Aló Presidente played a fundamental role in articulating the identity of a public that shared the values and ideas of Chávez’s hegemonic project. Moreover, it is argued that the show Aló Presidente and the ideological process called the “Bolivarian Revolution” can be read as two co-related arms of a same project, and that they informed and defined each other throughout Chávez’s presidency. In this context, this thesis assesses the evolution of the programme in light of the political events taking place in Venezuela during that time. Aló Presidente is thus seen as a repository, or “black box”, of the discourses that articulated the Bolivarian identity and constructed the legitimacy of Hugo Chávez as the leader of a populist movement in Venezuela. Finally, the core of this thesis is that the co-relation between the show and the hegemonic project evolved over time to strengthen the authoritarian tendencies of Hugo Chávez’s regime. Following the activities of Aló Presidente over 13 years, the investigation charts that evolution in three different stages: 1) participation, 2) education, and 3) obedience, arguing that what started as a seemingly participatory space, progressively became a platform that presented Hugo Chávez’s figure as the ideologue of a populist movement, and ultimately secured his position as the indisputable leader and sole authority of Venezuela’s “Bolivarian Revolution”
Fonds Victor Hugo. II -- ŒUVRES. Correspondance relative aux Misérables.
No full textContient : Gosselin, Charles, éditeur. Document(s) le concernant ; Renduel, Pierre-Eugène, éditeur. Contrat(s) ; Hugo, Victor-Marie. Document(s) le concernant ; Hetzel, Pierre-Jules, pseud. P.J. Stahl, éditeur et écrivain. Lettre(s) ; Hugo, Charles. Lettre(s) ; Verboeckhoven, éditeur. Contrat(s) ; Lacroix, Albert, éditeur. Document(s) le concernant ; Meurice, Paul. Document(s) le concernant ; Hugo, Charles. Document(s) le concernant ; Meurice, Paul. Les Misérables, drame ; Pagnerre, éditeur. Contrat(s)Numérisation effectuée à partir d'un document original.On y trouve la copie du traité passé entre Victor Hugo et Lacroix, Verboeck-hoven et Cie, pour la publication des Misérables, 4 octobre 1861 (53-54), la correspondance échangée entre Victor Hugo et Lacroix, 31 août 1861-31 juillet 1863. -- On y a joint une correspondance et des pièces relatives au drame Les Misérables, de Charles Hugo et Paul Meurice (476-486)
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