45,893 research outputs found
The Company She Keeps A Novel
A novel in six episodes, this stunning debut by Mary McCarthy follows a young intellectual on her reckless bohemian journey through life and dangerous love in 1930s New York City Margaret Sargent is young and fearless, a deep thinker inspired by the bohemian energy that abounds in New York City in the years leading up to the Second World War. With careless abandon, she destroys her marriage and numerous love affairs as she moves through the social circles of artists and writers, playing at the fringes of political extremism. She is an enigma, often wanton and frivolous, but possessing intelligence and a razor-sharp wit, as well as a troubling core of inner darkness, self-doubt, and puzzling tendencies toward self-destruction. For Margaret, urban life in the 1930s is an ongoing adventure-ever-changing, always surprising, and deeply, profoundly unsatisfying. Mary McCarthy, author of the bestselling American classic The Group, burst boldly onto the literary scene with her provocative debut, The Company She Keeps. A brilliant, stylistically inventive novel, it offers a rich portrait of a truly fascinating protagonist in six revealing episodes. Love her, despise her, or fear for her, you will never forget Margaret Sargent. This ebook features an illustrated biography of Mary McCarthy including rare images from the author's estate.Intro -- Cover -- Title Page -- Contents -- ONE Cruel and Barbarous Treatment -- TWO Rogue's Gallery -- THREE The Man in the Brooks Brothers Shirt -- FOUR The Genial Host -- FIVE Portrait of the Intellectual as a Yale Man -- SIX Ghostly Father, I Confess -- Acknowledgements -- A Biography of Mary McCarthy -- CopyrightA novel in six episodes, this stunning debut by Mary McCarthy follows a young intellectual on her reckless bohemian journey through life and dangerous love in 1930s New York City Margaret Sargent is young and fearless, a deep thinker inspired by the bohemian energy that abounds in New York City in the years leading up to the Second World War. With careless abandon, she destroys her marriage and numerous love affairs as she moves through the social circles of artists and writers, playing at the fringes of political extremism. She is an enigma, often wanton and frivolous, but possessing intelligence and a razor-sharp wit, as well as a troubling core of inner darkness, self-doubt, and puzzling tendencies toward self-destruction. For Margaret, urban life in the 1930s is an ongoing adventure-ever-changing, always surprising, and deeply, profoundly unsatisfying. Mary McCarthy, author of the bestselling American classic The Group, burst boldly onto the literary scene with her provocative debut, The Company She Keeps. A brilliant, stylistically inventive novel, it offers a rich portrait of a truly fascinating protagonist in six revealing episodes. Love her, despise her, or fear for her, you will never forget Margaret Sargent. This ebook features an illustrated biography of Mary McCarthy including rare images from the author's estate.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Sparrows can't sing : East End kith and kinship in the 1960s
Sparrows Can’t Sing (1963) was the only feature film directed by
the late and much lamented Joan Littlewood. Set and filmed in
the East End, where she worked for many years, the film deserves
more attention than it has hitherto received. Littlewood’s career
spanned documentary (radio recordings made with Ewan MacColl
in the North of England in the 1930s) to directing for the stage
and the running of the Theatre Royal in London’s Stratford East,
often selecting material which aroused memories in local audiences
(Leach 2006: 142). Many of the actors trained in her Theatre
Workshop subsequently became better known for their appearances
on film and television. Littlewood herself directed hardly any material
for the screen: Sparrows Can’t Sing and a 1964 series of television
commercials for the British Egg Marketing Board, starring Theatre
Workshop’s Avis Bunnage, were rare excursions into an area of practice
which she found constraining and unamenable (Gable 1980: 32).
The hybridity and singularity of Littlewood’s feature may answer,
in some degree, for its subsequent neglect. However, Sparrows Can’t
Sing makes a significant contribution to a group of films made in
Britain in the 1960s which comment generally on changes in the
urban and social fabric. It is especially worthy of consideration,
I shall argue, for the use which Littlewood made of a particular
community’s attitudes – sentimental and critical – to such changes and
for its amalgamation of an attachment to documentary techniques
(recording an aural landscape on location) with a preference for nonnaturalistic
delivery in performance
[Ping Lao She zuo pin]. 3
[陳大鵬].Title and author supplied by cataloguer.Live recording.Electronic reproduction from Rulan Chao Pian Audio Cassette Collection.Spoken in Chinese.[Chen Dapeng]
Lost conversations: finding new ways for black and white Australians to lead together
It\u27s time for a game-changer in how black and white Australians relate.
The difficulties we have in coming together—to talk, to work, to lead change—are core to our challenge to reconcile, as a country. But if we want to shift the status quo, if we want to lead change on entrenched Indigenous disadvantage, we don\u27t need another program, initiative or money to try and \u27fix\u27 the problem. We need to start having a different conversation.
The result of two years experience working together as part of a Social Leadership Australia initiative, Lost Conversations brings together the diverse perspectives and personal stories of five Aboriginal and four non-Indigenous authors, all with first-hand knowledge of what happens when black and white Australians come together to try and work on change.
Lost Conversations asks the questions and starts the conversations that we daren\u27t have in Australia ... until now:
What is \u27black\u27 power?
What is \u27white\u27 power?
What qualifies someone to lead in this cross-cultural space?
Why is this so hard to talk about?
Can we start to name these things and try to shift the status quo?
Can we change?
Should we?
 
Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg
Strategic directions in verification, validation and accreditation research: A personal view.
Creating and Scaling Innovative School Models Through Strategic Partnerships
· The Texas High School Project (THSP) was created in 2003 as a public-private alliance to support education reform across the state.
· This article focuses on the pivotal role of philanthropy within the THSP alliance to create early college high schools (ECHS).
· The model has been scaled at different levels to produce direct, affordable pathways for students to both attend college and attain skilled careers.
· The ECHS schools have higher test scores, greater credits earned, and reduced dropouts rates compared to traditional schools.
· Foundations with a track record for supporting successful work can increase the overall commitment to joint projects and attract additional members and support to an alliance.
· Lessons for successful partnerships include investing in time together, managing the partnership through one organization, and using data for decision-making
Author\u27s account of a dinner party that she unexpectedly held for Hilton Kramer
Author\u27s account of a dinner party that she unexpectedly held for Hilton Kramer, the art critic, and his wife Esta
North by East. Profile of children\u27s book author Barbara Cooney. She summere
North by East. Profile of children\u27s book author Barbara Cooney. She summered in Maine, and the state is prominent in her books
Fresh fruit and vegetables: a world of multiple interactions : the case of the Buenos Aires Central Wholesale Market (BACWM)
This research explores ethnographically the everyday social interactions between the ‘users’ of a particular marketplace, the Buenos Aires Central Wholesale Market (BACWM). The ‘users’ of this marketplace are the social actors who work there everyday, and who bring and buy fresh produce. These ´users´ are the ´makers´ of the BACWM since, through their everyday practices, interactions and interpretations and knowledge, they socially construct this hub of distribution
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