5,847 research outputs found
Flags
No full textSupplementary supporting information for the Video/DVD in collaboration with Composer Tim Howle, November 2011, 5’09”
http://youtu.be/AVGvI9ikJBk
Screening/installation: The Engine Room Exhibition: New Sound and Visual Art Works, (A celebration of the life, works and legacy of Cornelius Cardew) Morley Gallery, London, November – December 201
In Girum (version/round 1.3, 2008) – Dir. Nick Cope: Video/DVD in collaboration with Composer Tim Howle, 6’05”. Awards: Abstracta International Abstract Cinema Exhibition, Rome, August 2009 – Honourable Mention of the Jury.
No full textShort film/video exploring the encounter of electroacoustic music composition and moving image practice
Phantom Ride
No full textThe piece sets a poem by J M Fox to electroacoustic music by Tim Howle and Paul Dibley (Oxford Brookes). It is available as a concert piece or an installation
Sarva Mangalam
No full textVideo: Nick Cope, Sound: Tim Howle
Duration: 10.00 minutes
Previous iterations of this work have been called Flags, (1, 2 and 3) and as more layers of material have been added we have resisted forward propulsion. There is no real goal-orientation and the material can be described as ambient. This fourth incarnation of the work builds on a single monitor work originally presented at a festival celebrating the work of Cornelius Cardew featuring a single shot of Tibetan Buddhist prayer flags filmed on a hillside at Ganden Monastery, near Lhasa, Tibet. A second version of the work introduced another shot juxtaposed with the first from prayer flags shot by Namtso Lake, Tibet, additional sounds have been introduced that attempt limited levels of intervention that chime with the images. The exploitation of the inherent musicality of the images emphasizes timelessness and continuity through a quasi-improvisational approach, mirroring and counterpointing objects in the image. Limited indeterminate relationship of the layers of musical material allows for shifts with regard to each other, resulting in harmonious, open and gestural relationships regardless of juxtaposition. Sounds are selected from a similarly limited palette; the approach is free within prescribed limits. The research aim is to augment the ‘electroacoustic movie’ with the inclusion of Eno and Cardew influences, to balance the fixed with the variable
Do dolphins benefit from nonlinear mathematics when processing their sonar returns?
No full textAn interview with author Tim Leighton about the paper
Opportunities for linking young surveyors across professional surveying member organisations and FIG
No full textTim Di Muzio on 'Sabotage'
No full textIn a series of essays published in 2013 and 2014 on capitaspower.com, political economist Tim Di Muzio explored the concept of ‘sabotage’ as it applies to capitalist power. I recently rediscovered these essays and was so impressed by them that I have reposted them here as a single piece.
About the author: Tim Di Muzio is a researcher at the University of Wollongong. He is the author of numerous books, including Debt as power, Carbon capitalism, and The 1% and the Rest of us
1996-1997 Tim Gautreaux
No full textTim Gautreaux is the author of three novels and two earlier short story collections. His work has appeared in The New Yorker, The Best American Short Stories, The Atlantic, Harper’s, and GQ. After teaching for thirty years at Southeastern Louisiana University, he now lives, with his wife, in Chattanooga, Tennessee. (Photo credit: Randy Bergeron)https://egrove.olemiss.edu/grisham_res/1023/thumbnail.jp
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