1,404 research outputs found
Blackshirt (The Fascist Week) No. 63, 6 July 1934
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/282152Blackshirt (The Fascist Week) No. 63, 6 July 1934168638
Item: [2003.0024.00001] "Blackshirt (The Fascist Week) No. 63, 6 July 1934
Action (Britain First) No. 136, 24 September 1938
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/282154Action (Britain First) No. 136, 24 September 1938168640
Item: [2003.0024.00003] "Action (Britain First) No. 136, 24 September 1938
The Beat of the Economic Heart: Joseph Schumpeter and Arthur Spiethoff on Business Cycles
No full textThe paper discusses the relationship between Arthur Spiethoff and Joseph A. Schumpeter, the men and their works. Had it not been for Spiethoff Schumpeter would in all probability have forever been lost to scientific work. It was Spiethoff who brought the Austrian back to academia and research after a sequence of serious mishaps in politics and banking. Spiethoff's contribution to an analysis of business cycles is then summarized and important similarities and some differences between it and Schumpeter's are pointed out. The view of Spiethoff and Schumpeter that cycles are endogenous and cannot possibly be eliminated without at the same time eliminating the dynamism of the capitalist economy is then couterposed with views of some of their contemporaries and particularly modern mainstream macroeconomics that this is not so.Schumpeter; Spiethoff; business cycles; innovations; creative destruction
Portrait of Senator Arthur Capper.
No full textHandwritten inscription: \u27To my friend F. M. Johnston, In appreciation of his efficient service to the Senate Committee on Finance, and his many courtesies to me personally. Arthur Capper\u27https://egrove.olemiss.edu/fmjohnston/1084/thumbnail.jp
Hemingway, Ernest -- Mizener, Arthur, 1949-1951
No full text20 files composing 15 letters between Ernest Hemingway and Arthur Mizener, the author of The Far Side of Paradise: A Biography of F. Scott Fitzgerald. Correspondence ranges from 1949 to 1951. Letters are as follows: 1. EH (Ernest Hemingway) to AM (Arthur Mizener), TLS, 6 July, 1949, 1p. 2. AM to EH, TL [carbon], 16 July, 1949, 1p. 3. EH secretary to AM, TLS, 23 January, 1950, 1p. 4. EH to AM, TLS, 18 April, 1950, 1p. 5. AM to EH, TL [carbon], 20 April, 1950, 1p. 6. EH to AM, TLS, 22 April, 1950, 2pp. 7. AM to EH, TL [carbon], 29 April, 1950, 1p. 8. EH to AM, TLS, 12 May, 1950, 2pp. 9. AM to EH, TL [carbon], 28 May, 1950, 2pp. 10. EH to AM, TLS, 1 June, 1950, 1p. 11. EH to AM, TLS, 29 August, 1950, 2pp. 12. EH to AM, TLS, 2 January, 1951, 1p. 13. EH to AM, TLS, 4 January, 1951, 2pp. 14. AM to EH, TL [carbon], 8 January, 1951, 1p. 15. AM to EH, TL [carbon], 16 January, 1951, 1p
Arthur Danto's philosophy of art
No full textThe thesis is a critical examination of Danto's philosophy of art. It begins with his
article 'The Artworld' where he proposes a special is of artistic identification to
distinguish artworks. Danto's idea of the artworld is discussed, a historical and
contextual theory of art, which arose from his attempt to explain the difference
between Warhol's Brillo Boxes sculpture and an indiscernible stack of everyday
Brillo boxes. It is argued that Danto unsuccessfully attempts to shore up his artworld
concept with the special is.
The technique of comparing indiscernible counterparts, from Danto's
book The Transfiguration of the Commonplace, is examined. It is argued that the
technique is philosophically redundant, but it is a redundant premise which has been
added to a valid inference (Danto's historical and contextual view of art: his artworld
theory) therefore, this does not make the original inference invalid.
Danto's treatment of metaphor, expression, and style is shown to result
in four claims. First, artworks embody rhetorical ellipsis. Second, artworks share
features of metaphor: they are intensional (with an s) in structure and cannot be
paraphrased. Third, a work of art expresses what it is a metaphor for by the way it
depicts its subject. Fourth, artworks embody style.
The conclusion, has two parts. The first part gives a summary of the
criticism of Danto's theory of art: (1) there are logical inconsistencies in his concept
of the is of artistic identification and in his use of indiscernible counterparts, (2) his
theory suffers by being over-inclusive and (3) he uses circular arguments. The
second part is based on a response to the criticism: it provides a definition of art.
This has three elements. First, an argument is proposed for a spectrum of artistic
presence in which all human activity and artefacts can be placed. Second, there is an
acceptance of Danto's view of art (or artistic presence) being both intentional (with
a t) and intensional (with an s); however, by applying these concepts to a spectrum,
the problem of over-inclusiveness is avoided. Finally, it is argued there can he no
wholly non-circular account of art
Series 1.1 - Songs: The Elf (F Major)
No full textScanned from the Original Held in Rare Books & Special Collections, Barr Smith Library, MSS 0200Words by Author John Kendrick Bangs, 1862-19223 p MS ink plus cover page in F MajorStamped by Beryl KekwickComposed in F majorFirst line of lyrics: "I met a little elf man once, down where the lilies blow....
Functional Assessment and Receptive Communication Assessment in Adults with Intellectual Disabilities
No full textOAST Planning Model for Space Systems Technology
No full textAdvanced Technology
Session Chairman: Paul F. Holloway, Director for Space, NASA Langley Research Center, Hampton, Virginia
Session Organizer: Arthur Henderson, Space Technology Coordination Office, NASA Headquarters, Washington, D
Letter from Hubert Phillips to American Civil Liberties Union of Northern California, August 4, 1942
No full textLetter from Hubert Phillips to American Civil Liberties Union of Northern California, enclosing checks for $57 from F. C. Kellogg, Arthur E. Geschke, Claus Bertelsen, and Hubert Phillips. The letter states that the checks represent "the contributions of about twenty-five people made at a dinner held here recently to consider the phases of the status of citizens of Japanese ancestry and is to be applied specifically to helping prosecute the case of Miss Mitsuye Endo. Mr. F. C. Kellogg of the Fowler High School faculty was the author of the idea and deserves the credit for raising the enclosed contribution."The ACLU-Northern California case file records contain legal documents and correspondence pertaining to the case Ex parte Mitsuye Endo (1944), in which the United States Supreme court unanimously ruled that the federal government could not indefinitely detain United States citizens who were loyal to the government. Files include documents related to the Gordon Hirabayashi Supreme Court case Hirabayashi v. United States
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