3,545 research outputs found
Tell us your story 94
Audio interview with Sharon Hope conducted in Sidney, BC.https://viurrspace.ca/bitstream/handle/10613/6470/HopeTranscript.pdf?sequence=4&isAllowed=
Dance 39
Program: Strange Arrangements ; Choreographer: Steven Iannacone Ain\u27t Life Grand ; Choreographer: Sharon Wong the last of light ; Choreographer: Anne-Rene Petrarca Seal Steak...And Dirty Tulips ; Choreographer: Angie Yetzke in collaboration with the dancers Elysium Garden ; Choreographer: Matthew Farmer Waltz of the Hours from the Ballet Coppelia (1884) ; Choreographer: Marius Petipa and Enrico Cecchetti Legendary ; Choreographer: Crystal Frazier (with dancers\u27 freestyle
Dance 38
Program: Seasons ; Choreographer: Crystal Frazier Passage ; Choreographer: Amanda Smith Heynen Julio\u27s Cheekbones ; Choreographer: Angie Yetzke in collaboration with the dancers midnight blue ; Choreographer: Anne-Rene Petrarca Conversations ; Choreographer: Sharon Wong Circo Piccoio ; Choreographer: Steven Iannacone Out of Ash ; Choreographer: Matthew Farme
From the IBPP Research Associates. Venezuela: Sharon Reimel de Carrasquel
The author, Sharon Reimel de Carrasquel, discusses the recently held presidential election in Venezuela
Dr. Sharon Feldman – Faculty Author Interview
Sharon Feldman, Professor of Spanish and Catalan Studies and Chair of the Department of Latin American and Iberian Studies discusses her new book, In the Eye of the Storm: Contemporary Theater in Barcelona. Barcelona is presently experiencing the most dynamic period in its modern theater history. This book describes some of the crucial moments and back stories, as well as some of the theatre companies and playwrights, that have shaped the theatrical life of the city of Barcelona in the aftermath of the Franco dictatorship
Letter from Sharon M. Tanihara, September 1990
Correspondence from Sharon Tanihara to Senator Daniel Inouye, Representative Norman Mineta, and Representative Robert Matsui regarding Tanihara's advocacy for amendments to the Civil Liberties Act of 1988 and her opinions on restitution payments for individuals previously excluded from that bill.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications
What is a soul worth?
Speaker tallks about the worth of a soul and that God owns all souls. Speaker encourages followers to "win" another soul for Christ. Ezekial 33: 1-
Tests
Dr. Garvey discusses tests and trials in our lives. She also talks about how we face them and how Jesus can help us during these times
Peter Jaeger, The Shadow Line
Peter Jaeger’s The Shadow Line literally and figuratively shadows Joseph Conrad’s 1917 novella The Shadow Line by reading the original and re-writing its non-identical twin.
Peter Jaeger has produced poetry, criticism, hybrid creative-critical research, and artists’ books. His most recent publications are John Cage and Buddhist Ecopoetics and A Field Guide to Lost Things. He is Professor of Poetics at Roehampton University.
Robert Hampson is Chair of the UK Joseph Conrad Society, the author of three monographs on Conrad, including Conrad’s Secrets, and the editor of a number of Conrad’s works. He has written several books of poetry and is Director of the MA in Creative Writing at Royal Holloway.
MA BIBLIOTHÈQUE was established by artist and writer Sharon Kivland in 2013. The publications are modestly yet attractively produced, usually printed in small editions, and include the seriesThe Good Reader, to which Kivland invites others to reflect on reading (forthcoming are works by Vanessa Place, Kate Briggs, Sarah Wood, and Annabel Frearson). Afterword by Robert Hampso
Dance 40
Program: UNET (2004) Choreography: Steven Iannacone Lighting Design: Erik Alberg Set Design: Erik Alberg and Paul Anderson Costume Design: Darlene K. Veenstra Dancers: Claire (Power) Call and Sarah (Peace) Lowry Stories We Tell are Sometimes ________ Choreography: Sharon Wong Costume Design: Darlene K. Veenstra and Sharon Wong Rehearsal Assistants: Kelsey Hutton and Tara Snyder Rehearsal Advisor: Linda Graham Dancers Rachel Goodsir, Madison Lachance, Paige Niven, Alison Rhodes,Nathan Rommel and Tara Snyder The Three Graces Choreography: Julie Powell Lighting Design: Erik Alberg Costume Design: Darlene K. Veenstra Dancers: Jordan Dennen, Melanie Trimble, Megan Walls (Fri. 2/28. Thurs. 3/6. Sat. 3/8)and Bella Goodsir (Sat. 3/1. Fri. 3/7) doodle, doodle, doodle, SNICK (1992) Choreography: Maxine DeBruyn Choreography Assistant: Nicole Flinn Lighting Design: Erik Alberg Costume Design: Darlene K. Veenstra Dancers: Alexandra Huss, Hannah McCoy, Jennifer Lingenfelter and Maribeth Van Hecke Ripples Choreography: Matthew Farmer Lighting Design: Erik Alberg Costume Design: Darlene K. Veenstra Rehearsal Assistant: Sarah Rolain Dancers: Kathleen Cook, Nicki Hames, Chloe Heckaman, Elise Johnson, Catherine Lewis, Margaret Losey, Sarah Rolain and Cryssanne Wittlief En Passant II [captured in passing, game II] Choreography: Linda Graham Lighting Design: Erik Alberg Student Costume Designer: Alexa Duimstra Design Mentor: Darlene K. Veenstra Weapons: Angela Harder Player 1: Dr. James Boelkins Player 2: Lucas Van Wieren Magenta: K:Lydia Pagel, Q: Lydia Wathen, R: Kelsey Baker, B: Molly Gritt, Kn: Kjersten McKinniss, P: Tessa Fredal, Anna Snyder and Rachael Pshock Teal: K: Hannah Gibbs, Q: Jordan Ippolito, R: Noelle Hannah, B: Hannah Spahn, Kn: Ellie Campbell, P: Jessica Loper and Christina Sarosiak Ladies\u27 Night Choreography: Crystal Frazier Lighting Design: Erik Alberg Costume Design: Darlene K. Veenstra Rehearsal Director: Adrianna Brown Dancers: Allie Boeve, Erica Dunham, Caitlin Kozack, Sarah McClure, Elise Riddell, Abigail Smith and Katelyn Torres you and me in relative time Choreography: Angie Yetzke in collaboration with the dancers Lighting and Sound Design: Erik Alberg Costume Design: Darlene K. Veenstra Dancers: Erin Colba, Molly Crino, Carly McShane, Elizabeth Schubkegal and Jennifer Yerks 9 Choreography: Anne-Rene Petrarca Lighting and Sound Design: Erik Alberg Costume Design: Darlene K. Veenstra Rehearsal Assistant: Emma Zagar Dancers: Helen Grdina, Rachel Hibbard, Faith Koleczek, Jamie Kreindler, Alexandria LeGare, Caprianna Schwartz, Sydne Stuk, Lauren Uhrig and Emma Zagar. Understudy: Lindsay O\u27lear
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