4,949 research outputs found
Organisatorische Strukturentwicklung (I)
No full textOrganisatorische Strukturentwicklung / Friedrich Hoffmann ; Dirk Meissner. - In: Das Wirtschaftsstudium. 6. 1977. S. 204-207, 253-25
Insights on motor-manual tree felling in Germany, recent developments to ensure efficient operations in singletree selection harvest
No full text
Organisatorische Strukturentwicklung
No full textOrganisatorische Strukturentwicklung / Friedrich Hoffmann ; Dirk Meissner. - In: Das Wirtschaftsstudium. 6. 1977. S. 204-207, 253-25
Adapting Chinese Forest Operations to Socio-Economic Developments: What is the Potential of Plantations for Strengthening Domestic Wood Supply?
No full textOver recent decades, China’s forestry sector went through a transition phase characterized by a management and institutional reform process, with a constant rethinking of the ecological and societal role of forests within a unique political system. Nevertheless, despite impressive achievements in forest restoration and conservation efforts, the enhancement of ecosystem services and forest area expansion through plantation development, China was not able to improve its domestic timber supply capacities according to its demands. Consequently, the continually growing wood processing industry is facing a severe demand-and-supply gap, causing high dependencies on timber imports. Outdated forest operations practices, dominated by manual labour, are not able to meet supply demands or to implement new silvicultural strategies for enhancing forest quality and productivity and are a widely unnoted disruption of a sustainable development. Therefore, this review presents the status quo of China’s forest operations sector, how it is shaped by forest policy reforms and recent socio-economic developments. In addition, suggestions are developed how the sector can progress through policy adaptations in order to develop sustainable timber supply capacities based on a domestic plantation sector
Entertainer: Pieter-Dirk Uys
No full textThis booklet celebrates the life and work of Pieter-Dirk Uys, internationally acclaimed playwright, author, role-model and one of South Africa's living treasures
Entertainer: Pieter-Dirk Uys
No full textThis booklet celebrates the life and work of Pieter-Dirk Uys, internationally acclaimed playwright, author, role-model and one of South Africa's living treasures
Entertainer: Pieter-Dirk Uys
No full textThis booklet celebrates the life and work of Pieter-Dirk Uys, internationally acclaimed playwright, author, role-model and one of South Africa's living treasures
Formal Techniques and Self/Other Relations in the Novels of Dirk Bogarde
No full textThe thesis foregrounds the distinctive contribution Dirk Bogarde made to
contemporary writing in a second career that developed in parallel to his screen
commitments. It dispels the notion that Bogarde followed a familiar path as an actor
who wrote books. Instead it establishes his reputation as an innovative writer whose
formal technique was substantially influenced by the textual systems of cinema and
the cross-fertilisation from acting to writing.
In examining the formative factors that steered Bogarde towards authorship, the
thesis addresses the role of performance as a generative factor in the evolution of the
novels, establishing a discursive link with Bakhtinian dialogism, and specifically,
transgredience as a formal imperative. Secondly, it affords a critical insight into why
the major concerns with staging and performativity preoccupy his writing career.
The thesis claims that Bogarde was an empirically dialogical writer whose use
of camera-eye narration fostered the proliferation of competing discourses across the
fiction. This formal dynamic is centred on the relationship between stages and
dialogism, which incorporates the work of Erving Goffinan as a complementary
critique to Bakhtinian theory with its emphasis on self-presentation. The concern
with socially-constructed behaviour leads the thesis to address the associated issues of
stereotyping and 'otherness', which in terms of body politics is articulated by the
mono logic drive to confine the sexual 'other' to a fixed representation.
Bogarde's ability to draw on cinematic and performance techniques identifies
an area of expertise unavailable to most other writers. This is an unusual repository
of skills to bring to writing which is why the thesis makes the claim for his singular
achievement as a contemporary author. There are fruitful points of intersection to be
explored in this respect with the work of Christopher Isherwood, whom Bogarde read
and admired, as a basis for further research. It is hoped that the thesis will play its
part in opening up new possibilities for Bogarde's writing to be re-visited by future
critics
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