47,202 research outputs found
Condyloderes multispinosus Higgins 1969
No full textCondyloderes multispinosus (McIntyre, 1962) Higgins, 1969 Centroderes multispinosus McIntyre, 1962: p. 505, fig. 1. Condyloderes multispinosus comb. nov. — Higgins, 1969: pp. 3–6, figs 1–9, table 1. Condyloderes multispinosus — Higgins 1971: p. 26.— Moore 1973: p. 341, 350.— Brown 1985: p. 93.— Higgins 1986: p. 115.— Higgins 1988: fig. 28.1d.— Huys & Coomans 1989: pp. 211, 213, fig. 1.— Nebelsick 1993: p. 221, 226.— Adrianov & Malakhov 1994: p. 229, fig. 130b.—— Bamber 1997: pp. 65, 424.—Adrianov & Malakhov 1999: pp. 114, 253, 254, fig. 5.10B, C.— Adrianov et al. 2002: p. 205, 206, 214, 215.— Martorelli & Higgins 2004: pp. 88–90, tables 1, 2.— Sørensen & Pardos 2008: pp. 52, 53.— Sørensen et al. 2010b: pp. 234, 241, [not Centroderes].—Neuhaus 2013: pp. 291, 326, tables 6, 11 [not Centroderes multispinosus].— Neuhaus & Sørensen 2013: p. 73.— Adrianov & Maiorova 2016: pp. 11, 18.— Dal Zotto & Todaro 2016: p. 99.Published as part of Neuhaus, Birger, Zotto, Matteo Dal, Yamasaki, Hiroshi & Higgins, Robert P., 2019, Revision of Condyloderes (Kinorhyncha, Cyclorhagida) including description of Condyloderes shirleyi sp. nov., pp. 1-91 in Zootaxa 4561 (1) on page 20, DOI: 10.11646/zootaxa.4561.1.1, http://zenodo.org/record/262789
Condyloderes storchi Higgins, 2004 in Martorelli & Higgins 2004
No full textRe-description of Condyloderes storchi Higgins, 2004 in Martorelli & Higgins, 2004 (Figs 29–31; Tables 1, 2, 7) Condyloderes storchi Higgins, 2004 in Martorelli & Higgins, 2004: pp. 86–88, figs 2–5, tables 1, 2. Condyloderes storchi — Sørensen & Pardos 2008: pp. 53, 54 [species erroneously cited as C. storchi Martorelli & Higgins, 2004].— Shirley 2009: p. 1129 [species erroneously cited as C. storchi Martorelli & Higgins, 2004].— Neuhaus et al. 2010: p. 468.— Sørensen et al. 2010b: pp. 235, 241 [species erroneously cited as C. storchi Martorelli & Higgins, 2004].— Neuhaus 2013, pp. 297, 332, tables 6, 12.— Adrianov & Maiorova 2016: pp. 11, 18 [species erroneously cited as C. storchi Martorelli & Higgins, 2004]. Diagnosis. Neck placids with condyles in one basal row in narrower placids and three rows in broader placids; narrower placids with one basal condyle; broader placids with two condyles each in apical, intermediate, and basal row; midventral placid with three apical and basal condyles and two in intermediate row; acicular spine middorsally on segments 1–10, midterminally on segment 11, lateroventrally on segments 1–9, and laterodorsally on segment 10; cuspidate spine ventrolaterally on segments 5 and 9, lateral accessorily on segments 1, 4 and 8, and middorsally on segments 5 and 7; type-5 (?) sensory spot ventromedially on segment 11; type-6 sensory spot ventromedially on segments 1 (slightly more paraventrally) and 2–9, lateroventrally on segment 10, sublaterally on segments 1–3, 5–7 and 9, midlaterally on segments 1 and 2, laterodorsally on segments 1–9, subdorsally on segment 10, and paradorsally on segments 1 (almost subdorsally), 2, 4–6, 8 and 9. Material examined. Holotypic male (USNM 1025879) mounted laterally (Fig. 1; Table 1).Published as part of Neuhaus, Birger, Zotto, Matteo Dal, Yamasaki, Hiroshi & Higgins, Robert P., 2019, Revision of Condyloderes (Kinorhyncha, Cyclorhagida) including description of Condyloderes shirleyi sp. nov., pp. 1-91 in Zootaxa 4561 (1) on page 56, DOI: 10.11646/zootaxa.4561.1.1, http://zenodo.org/record/262789
Author Tom Keneally back stage at the Nimrod Theatre, Sydney, 1980 /
No full textTitle from acquisitions documentation.; Part of the collection: Robert McFarlane collection of photographs.; Inscriptions: "Author Tom Keneally back stage Nimrod Theatre 1980 Robert McFarlane"--In pencil on reverse.; Also available online at: http://nla.gov.au/nla.pic-vn6615438
Portrait of Patillo Higgins with inset of his father, Robert James Higgins
No full textPhotograph shows bust portrait of Patillo Higgins above inset of a bust portrait of his father, Robert James Higgins
Condyloderes Higgins 1969, sp. nov.
No full textCondyloderes Higgins, 1969 Included species. Condyloderes kurilensis Adrianov & Maiorova, 2016; C. multispinosus (McIntyre, 1962) Higgins, 1969; C. paradoxus Higgins, 1969; C. setoensis Adrianov, Murakami & Shirayama, 2002; C. shirleyi sp. nov. Neuhaus & Higgins; C. storchi Higgins, 2004 in Martorelli & Higgins, 2004. Emended diagnosis. Mouth cone with 9 individual outer oral styles with broader base and thin and flexible anterior part; 14 trichoscalids each originating from trichoscalid plate and accompanied anteriorly by two pointed filamentous appendages; 16 placids with broader midventral placid, neighboured by two narrower placids and alternatingly a broader and a narrower placid; all placids with knobby projections (= condyles) in one or two rows in narrower placids and two or three rows in broader placids; midventral placid with three apical condyles, two in intermediate row, and 3–6 in basal row; ventromedial to midventral free flap and primary pectinate fringe of segment 1 at least partly reduced; acicular spine middorsally on segments 1–9, midterminally on segment 11 (= midterminal spine), lateroventrally on segments 1–9, laterodorsally on segment 10 (male only in species with irregularly distributed or almost no cuticular hairs), and lateral accessorily on segment 11 (= lateral terminal accessory spine); cuspidate spines present; type-3 sensory spot ventrolaterally next to lateral terminal accessory spine and subdorsally on segment 11; type-6 sensory spot elevated above trunk surface giving the impression to be half-drowned in the trunk cuticle; ventromedial appendage at least on two segments of segments 5–8 in female; area of micropapillae ventromedially on segment 9 in female of species with irregularly distributed or almost no cuticular hairs.Published as part of Neuhaus, Birger, Zotto, Matteo Dal, Yamasaki, Hiroshi & Higgins, Robert P., 2019, Revision of Condyloderes (Kinorhyncha, Cyclorhagida) including description of Condyloderes shirleyi sp. nov., pp. 1-91 in Zootaxa 4561 (1) on pages 13-14, DOI: 10.11646/zootaxa.4561.1.1, http://zenodo.org/record/262789
Author Tom Keneally and actor Justine Saunders backstage during the rehearsals of Bullie's House, Nimrod Theatre, Sydney, 1980 /
No full textTitle from acquisitions documentation.; Part of the collection: Robert McFarlane collection of photographs.; Inscriptions: "Author Tom Keneally + Actor Justine Saunders backstage Nimrod Theatre 1980 during rehearsal's 'Bulli'es House' Robert McFarlane"--In pencil on reverse.; Also available online at: http://nla.gov.au/nla.pic-vn6615450
intermedia: The Dick Higgins Collections at UMBC
No full textACKNOWLEDGMENTS
Lisa Moren;
PREFACE
Tom Beck;
[1] “The Wind is a Medium of the Sky”
Lisa Moren;
[2] Eleven Snapshots of Dick Higgins
Hannah Higgins;
[3] Intermedia (reprint)
Dick Higgins;
[4] The Art of Dick Higgins
Piotr Gwiazda;
[5] Boredom as Technique
Ina Blom;
[6] Robert Filliou’s Ample Food for
Stupid Thought
Chris Thompson;
[7] Prints and Plates, Hugs and Kisses
KathyO’Dell;
[8] Friedmanswerk
Ken Friedman;
[9] Joe Jones’s Solar Music Hot House
Timothy Nohe;
[10] Not Just the Start of Something Else
Owen Smith;
A Special Line of Reading Within
the Collection: The Fluxus Challenge!
Marina GrzinicRichard Carter Higgins (1938 - 1998) coined the term “intermedia” to describe an emerging international and interdisciplinary direction in art in his landmark essay of the same name published in the first issue of his Something Else News letter: “I would like to suggest that the use of intermedia is more or less universal throughout the fine arts, since continuity rather than categorization
is the hallmark of our new mentalityWe are fortunate to receive funding from the National Endowment for the Arts (NEA), whose generous support enabled us to pursue a project of this breadth and scale. We are especially grateful to David Bankcroft, Museum Specialist of the NEA, for his careful guidance and assistance throughout our grant application. Additional support has been provided by the Maryland State Arts Council, the Baltimore County Commission on Arts & Sciences, and the Friends of the Library & Gallery. We are also grateful for UMBC support from the Dean of Arts & Sciences, the Department of Visual Arts, the Graduate School, and the Humanities Forum . The enormous task of researching and documenting the contents of this collection making this project possible is thankful to the Dean of the Graduate School Scott Bass and the Designated Research Initiative Funds (DRIF) for their support. I also wish to ack n owledge the passion and skill of Cyriaco Lopes Pierera, who photographed and helped organize the on-line archive segment of this project.
We are grateful that the shape of this publication took place under the guidance of Hannah Higgins, Kathy O’Dell, Eugenie Nable, and Rosemary Klein. Rosemary’s thoughtful and broad editorial work shaped the content and direction of this publication. For the contents of the exhibition, I wish to acknowledge the energy and counseling of Alison Knowles, Jessica Higgins, Sara Seagull, Larry Miller, Geoffrey Hendricks, Ken Friedman, Barbara Moore, and the Robert Watts Archive.
I wish to thank my many colleagues whose on-going support made this project viable and enjoyable at its many stages : primarily, Vin Grabill and Kathy O’Dell whose blind trust supported the unusual circumstances in which we acquired this collection; John Sturgeon, Franc Nunoo-Quarco, Larry Wilt, and Steve Bradley whose faith continuously backed this project through its many phases, and Guenet Abraham, whose expertise applied to the design of this catalog was both valuable and invaluable. I also appreciate the guidance of my colleagues Tim Sparklin, Alex Nathan, and especially Peggy Re for her advice throughout many project phases, particularly in navigating funding procedures. Tom Moore has graciously offered enthusiastic support and ideas throughout the project, especially introducing it to a wide audience. Timothy Nohe has generously supported this project in many ways, especially offering his conceptual and technical skills in the audio portion of the exhibition. This project is grateful to be enriched by Art Johnson, Provost. Thanks to Jack Protsko, and the many people in their respective offices, for the Freshman Year Seminar initiative, which among other things, makes the opportunity possible for our students to participate in an unforgettable live performance presentation of historical Fluxus events. I also wish to thank Melissa Parris for her extraordinary professional level of performance and dedication, and I thank the on-going generosity of John Beck and the skills of Drew Alfgren and all the students and staff of the Special Collections Department and Library Gallery. Finally, I wish to thank Tom Beck for his faith and invitation that allowed me to expand the boundaries of my own research into this subject and curatorial platform, and I wish to highlight the energy of Cynthia Wayne, Curator of the Albin O. Kuhn Library Gallery. Cynthia facilitated each stage of this project, ensuring superb organization. Her experience provided knowledgeable guidance that was imperative at every stage for a successful outcome. In her true positive spirit, Cynthia never ceased to support this endeavo r, even in its most expansive moments, and she at all times dedicatedly established a professional atmosphere both creative and enjoyable. Most significantly, I wish to thank the soul of this project, Alison Knowles, who invited me to work on an acquisition of her recently deceased husband. Through Alison, I have learned that her everyday life, her work, and her generosity are a single gesture . Rarely do artists today embody their ideas so fully into their personal lives. She has taught me the distinction between those who h ave learned conceptual art through training and those who have bravely fought for its definition and acceptance. Through Alison, I hope this project will inspire future generations to understand that the meaning of art is truly inseparable from life . My heartfelt appreciation goes to Dick Higgins. He was a man who gave more to inspire the people and the institutions.https://userpages.umbc.edu/~lmoren/pdf/intermediaCatalog.pd
Oral history interview with Robert Swaim
No full textRobert Swaim, born in 1935, participated in ROTC (Reserve Officers' Training Corps) and in 1957 received a commission for the U.S. Air Force. He talks about his early interest in planes and his ROTC experience as well as how that led to his time in the military. He discusses his training as pilot and then his work with the military in aeronautical engineering research. He mentions his work with NASA and his involvement and understanding of their research and space programs. He comments on various positions in academia including his work at Oklahoma State University.The Armed Forces in Oklahoma Collection is a series of interviews with Oklahomans who have served or are serving in the United States military. This is one of several interviews conducted in 2014 by Jason Higgins, while interning with the Oklahoma Oral History Research Program, primarily focusing on post-military experiences
Sagging Screen
No full textThis Image of a screen sagging off of a window of a dilapidated house was entered into the Boise Camera Club and received a score of 22
Security
No full textThis image of an eery lock keeping a door locked was entered into the Boise Camera Club and received a score of 23
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