64,564 research outputs found
[Report to Chief J. E. Curry, by an unknown author #1]
No full textReport to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
[Report to Chief J. E. Curry, by an unknown author #2]
No full textReport to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney
Notes by the way, Memoranda of a journey across the plains from Sundee, Ill., to Olympia, W. T., May 7, to November 3, 1862
No full textMemoir of Randall Hewitt\u27s journey from Illinois to Olympia in Washington Territory. This copy of Journey Across the Plains was given by Randall Hewitt to his sister, Cynthia E. Hewitt, a school teacher and pioneer of Washington Territory. University of Utah copy donated by Emily-Ellen Hewitt, granddaughter of the autho
F. A. J. Ianni with E. Reuss-Ianni, A Family Business. Kinship and Social Control in Organized Crime. — J. P. Hewitt, Social Stratification and Deviant Behavior
No full textFrancillon Gérard. F. A. J. Ianni with E. Reuss-Ianni, A Family Business. Kinship and Social Control in Organized Crime. — J. P. Hewitt, Social Stratification and Deviant Behavior. In: L'Homme, 1976, tome 16 n°4. pp. 153-155
F. A. J. Ianni with E. Reuss-Ianni, A Family Business. Kinship and Social Control in Organized Crime. — J. P. Hewitt, Social Stratification and Deviant Behavior
No full textFrancillon Gérard. F. A. J. Ianni with E. Reuss-Ianni, A Family Business. Kinship and Social Control in Organized Crime. — J. P. Hewitt, Social Stratification and Deviant Behavior. In: L'Homme, 1976, tome 16 n°4. pp. 153-155
All is chang'd at home they tell me, since I went beyond the main [first line]
No full textstrophicpiano and voice1905Johns Hopkins University, Levy Sheet Music Collection, Box
127, Item 004Written by Mrs. Mary E. Hewitt. Music by J.A. Fowler
All is chang'd at home they tell me, since I went beyond the main [first line]
No full textstrophicpiano and voice1905Johns Hopkins University, Levy Sheet Music Collection, Box
127, Item 004Written by Mrs. Mary E. Hewitt. Music by J.A. Fowler
Is air pollution exposure linked to household income? Spatial analysis of Community Multiscale Air Quality Model results for Madrid
No full textThis study explores the potential correlation between income and exposure to air pollution for the
city of Madrid, Spain and its neighboring municipalities. Madrid is a well-known European air
pollution hotspot with a high mortality burden attributable to nitrogen dioxide (NO2) and fine
particulate matter (PM2.5). Statistical analyses were carried out using electoral district level data
on gross household income (GHI), and NO2 and PM2.5 concentrations in air obtained from a
mesoscale air quality model for the study area. We applied linear regression, bivariate spatial
correlation analysis, spatial autoregression and geographically weighted regression to explore the
relationship between contaminants and income. Three different strategies were adopted to
harmonize data for analysis. While some strategies suggested a link between income and air
pollution, others did not, highlighting the need for multiple different approaches where uncertainty is high. Our findings offer important lessons for future spatial geographical studies of air
pollution in cities worldwide. In particular we highlight the limitations of census-scale socioeconomic data and the lack of non-model derived high-resolution air quality measurement data
for many cities and offers lessons for policy makers on improving the integration of these types of
essential public information.Richard J Hewitt gratefully acknowledges support provided by the European Union under Programme H2020-EU.1.3.2, MSCA-IF2019 (INTRANCES project, Ref 886050) and a Ramón y Cajal Research Fellowship award (IMOSET project) from the State Research Agency (AEI) of the Spanish Ministry of Science and Innovation (MCIN) 10.13039/501100011033 through the “ESF Investing in your
future” funding frameworkPeer reviewe
Angela Hewitt and Sondra Tammam, Preliminaries Phase I, 5th Van Cliburn Competition (1977)
No full textEnglish suite no. 6 in D minor, BWV 811. Prelude / J. S. Bach ; Piano sonata no. 15 in D major, op. 28. Allegro / Beethoven ; Transcendental etudes, S. 139. No. 10 in F minor, Appassionata / Liszt (Hewitt) -- Keyboard partita no. 2 in C minor, BWV 826. Sinfonia / J. S. Bach ; Piano sonata no. 17 in D minor, op. 31, no. 2. Allegretto / Beethoven ; Ballade no. 1 in G minor, op. 23 / Chopin (Tamman)
Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue
No full textIncludes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A brief historical survey of the guitar in South Africa provides the context within which this study was conducted. The primary sources of quantitative data collection were through the archival catalogues of the South African Music Rights Organisation and through personal contact with guitarists, composers and guitar teachers. Other sources consulted were publishers, broadcasting corporations, recording companies, libraries and the internet. The body of the dissertation comprises biographical sketches, background notes, analyses and technical notes on 17 selected solo and chamber works dating from 1947 to 2007 by some of South Africa's most prominent composers and guitaristcomposers. The repertoire ranges in style from the traditional and ethnically inspired to the experimental and abstract. As this is an empirical survey, each selected entry includes details on instrumentation, duration, level of difficulty, number of pages, scordatura, commissions or requests, sources or publishers, premières and recordings. A biography of each composer is provided as well as background notes which offer an overview of the selected work. The notes discuss historical, cultural, musical and extra-musical influences, and frequently include references to interview material. The commentaries on the selected works, with musical examples, include an analytical component describing structure, form, stylistic and compositional elements, while the technical observations include performance suggestions and a grading for each work
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