137,719 research outputs found
Australias' boys in khaki and blue [music] /
No full textSergeant S.D. Hewitt served in the A.I.F. 3rd Battalion, 1st inf. Brigade, N.S.W.; Caption title.; Also available online http://nla.gov.au/nla.mus-an5972037; MUS: N, Snell ; A, MUS/233; N/A, MUSM 135421
Carl Hewitt Letter to D. Allan Bromley
No full textA letter for D. Allan Bromley from Carl Hewitt, Professor at the Department of Electrical Engineering and Computer Science at Massachusetts Institute of Technology (MIT). Hewitt thanks Bromley for meeting with him at MIT and forwards to Bromley materials related to his initiative to create a U.S.-Japan collaborative laboratory at the Manoa Innovation Center in Hawaii, including a letter he sent to Hawaii governor John Waihe'e
Hewitt, R D, NX58311
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/392051Surname: HEWITT. Given Name(s) or Initials: R D. Military Service Number or Last Known Location: NX58311. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 45068.209579
Item: [2016.0049.24344] "Hewitt, R D, NX58311
Australia's boys in khaki and blue [music] : song /
No full textFor voice and piano.; Sung with great success by Malcolm McEacharn --Cover.; Also available online http://nla.gov.au/nla.mus-an7455539; MUS: N, MUS/257
Not married yet! Ah, let me think, how horrid is the thought [first line of chorus]
No full textstrophic with choruspiano and voice3107-3Johns Hopkins University, Levy Sheet Music Collection, Box
134, Item 009Composed by Horatio D. Hewitt
Not married yet! Ah, let me think, how horrid is the thought [first line of chorus]
No full textstrophic with choruspiano and voice3107-3Johns Hopkins University, Levy Sheet Music Collection, Box
134, Item 009Composed by Horatio D. Hewitt
World 1872
No full textRelief shown by hachures ; Includes notes ; Map that accompanies the book: ""Coffee: its history, cultivation, and uses"" by Robert Hewitt, Jr ; ""Entered according to Act of Congress in the year 1872 by Robert Hewitt, Jr. in the Office of the Librarian of Congress at Washington, D.C.""Color1:63,000,00
Angela Hewitt and Sondra Tammam, Preliminaries Phase I, 5th Van Cliburn Competition (1977)
No full textEnglish suite no. 6 in D minor, BWV 811. Prelude / J. S. Bach ; Piano sonata no. 15 in D major, op. 28. Allegro / Beethoven ; Transcendental etudes, S. 139. No. 10 in F minor, Appassionata / Liszt (Hewitt) -- Keyboard partita no. 2 in C minor, BWV 826. Sinfonia / J. S. Bach ; Piano sonata no. 17 in D minor, op. 31, no. 2. Allegretto / Beethoven ; Ballade no. 1 in G minor, op. 23 / Chopin (Tamman)
Studio portrait, Bill Hewitt
No full textBill D. Hewitt. Football. Portrait. The negative contains two head and chest portraits of football player Bill Hewitt wearing a jersey with the number 35 on it
Macrophonics II
No full textMacrophonics II presents new Australian work emerging from the leading edge of performance interface research. The program addresses the emerging dialogue between traditional media and emerging digital media, as well as dialogues across a broad range of musical traditions. Recent technological developments are causing a complete reevaluation of the relationships between media and genres in art, and Macrophonics II presents a cross-section of responses to this situation. Works in the program foreground an approach to performance that integrates sensors with novel performance control devices, and/or examine how machines can be made musical in performance. The program presents works by Australian artists Donna Hewitt, Julian Knowles and Wade Marynowsky, with choreography by Avril Huddy and dance performance by Lizzie and Zaimon Vilmanis. From sensor-based microphones and guitars, through performance a/v, to post-rock dronescapes, movement inspired works and experimental electronica, Macrophonics II provides a broad and engaging survey of new performance approaches in mediatised environments.\ud
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Initial R&D for the work was supported by a range of institutions internationally, including the Australia Council for the Arts, Arts Queensland, STEIM (Holland) and the Nes Artist Residency (Iceland)
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