4,103 research outputs found
Geisterchor aus Goethes "Faust" / Hugo Herrmann = Der Landchor, Reihe F ; 4.1936
No full textGEISTERCHOR AUS GOETHES "FAUST" / HUGO HERRMANN = DER LANDCHOR, REIHE F ; 4.1936
Geisterchor aus Goethes "Faust" / Hugo Herrmann = Der Landchor, Reihe F ; 4.1936 (1)
Cover (1)
Geisterchor aus Goethes "Faust". (2
Hugo Herrmann Collection 1982
No full textThe collection contains cassette tapes and transcript of Hugo Herrmann's oral history recounting his life in Siegen, Germany, from 1905 to the time of his aliyah to
Israel after World War II. Also included are Herrmann's remembrances of his teacher Simon Grünewald. A letter from Hugo Hermann to the Leo Baeck Institute describing the contents of
the cassette tapes accompanies the collection.Hugo HerrmannThe original German-language inventory is available in the folderProcessed for digitizationSent for digitizationReturned from digitizationLinked to online manifestationdigitize
Jüdisches Volksblatt.
No full text“Jüdisches Volksblatt” (“Jewish people’s newspaper”) intended to serve the national cultural and economic interests of “der bewussten Judenschaft” (“the self-aware Jewry”) of Czechoslovakia and Galicia. Its editor from 1919 to 1921 was the Zionist Hugo Herrmann. In 1922, “Jüdisches Volksblatt” was absorbed by “Selbstwehr,” a Zionist weekly published in Prague. (Sources: “Jüdisches Volksblatt” Jg. 3, Nr. 1 (Jan. 7, 1921); Naor, Uri. "Selbstwehr." Encyclopaedia Judaica; Kressel, Getzel. "Herrmann, Hugo." Encyclopaedia Judaica)Recataloging - added item and HOL records, geographic subject headings and language notes; deleted holdings information from 245Recataloging - added city subject heading; changed country subject heading from Czech Republic to CzechoslovakiaRecataloging - edited recordDescription based on: Jahrgang 3, Nr. 1 (1921); title from caption.Lastest issue consulted: Jahrgang 3, Nr. 69 (1921).Digitization proposed by Compact Memory as of March 2005Cataloging complete 20170727. Information verified against digital surrogates.Digital imag
Hugo Herrmann : An assessment of the man and his music
No full textThis study, a critical and comparative analysis of selected compositions by Hugo Herrmann (Liturgische Fantasien, Marienminne, Konzert Etueden, Sonata fuer Violine und Klavler, and Drittes Streichquartett), was made in the hope that it might bring some added recognition to the composer, and that the present author's intense, personal interest in him will inspire others to investigate more works by Professor Herrmann.Music, Moores School o
Music of Hugo Weisgall
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan on October 21, 1981, 8:00 p.m., program no. 34 of the School of Music's 1981-1982 season.1st work: Marilyn Rose Nicholson, soprano ; Robert Byrens, piano. 2nd work: Joyce Zastrow, soprano ; Robert Byrens, piano. 3rd work: Elizabeth Patches, mezzo-soprano ; Phyllis Rappeport, piano. 4th work: Gail Smith, stepdaughter ; Corinne O'Heran, mother ; Rick Knapp, son ; Mark Cummings, father ; Rick Krzeczkowski, the director ; Monica Whitaker, the prompter ; Nadine Vorenkamp, the coloratura ; Mary Rempalski, the mezzo ; Matthew Elliott, the basso cantante ; Tom Manguem, the tenore buffo ; Sarah Coley, the wardrobe mistress ; Jennifer Little, the understudy.Reel 1: Introductory remarks by the composer -- Two madrigals. Nuptual song ; No more I will thy love importune -- Translations. Song ; Poem ; The rebelReel 2: Di goldene pave. Di Goldene Pave ; Undzer Rebenyu ; Der Rebe Elimeylekh ; Mayn Harts Veynt in Mir ; Baleboste Zisinke ; Shlof Mayn Kind, Sholf Keyseyder ; Lomir Zikh Bafrayen -- Six characters in search of an author. Act I / libretto by Dennis Johnston, based on the play by Luigi Pirandell
<i>No se sabe</i>: entrevista a Hugo Luis López
No full textEntrevista al Dr. Hugo Luis López, ictiólogo y responsable de la División Zoología Vertebrados del Museo de Ciencias Naturales de la Universidad Nacional de La Plata. Autor de numerosos trabajos sobre zoología e ictiología, además de difusor y propulsor de estos estudios en nuestro país. Director y editor de la publicación ProBiota, dedicada a la ictiología, limnología, zoología, herpetología y otras disciplinas conexas.Al hacer clic en el enlace que figura en "Documentos relacionados", pueden accederse a todos los trabajos de Hugo Luis López presentes en el repositorio.Radio Universidad Nacional de La Plat
[Soliloquium de arrha animae]
No full text[(Pseudo-)Augustinus Aurelius]Impressum: Datum in der Vorlage genannt, Ort und Drucker nach ISTCThe true author is Hugo de S. Victore: R. Goy, Die Überlieferung der Werke Hugos von St. Viktor, 1976, p.328Digitalisierung=Digitization=Numérisation Juli 2024 TIF
Hugo Brehme. Los prototipos mexicanistas. Num. 16 Año 6 (2002-2003) invierno. Alquimia. Sistema Nacional de Fototecas
No full text- Hugp Brehme o la construcción nacional - Hugo Brehme: un gigante de la fotografía mexicana, por Dennis Brehme - Hugo Brehme y Sergei Eisenstein: una convergencia, por Aurelio de los Reyes - El imagunario de Hugo Brehme / Arno Brehme, un acto olvidado - La exportación de lo mexicano: Hugo Brehme en casa y en el extranjero, por Jesse Lerner - El artista fotógrafo Hugo Brehme / Nada se salvó en la conocida casa artísitica - La colección Hugo Brehme, por Mayra Mendoza Avilés - El horizonte técnico en Hugo Brehme, por Heladio Vera Trejo
The Political Communication of Hugo Chávez: The Evolution of Aló Presidente
No full textAló Presidente was a weekly television programme anchored and produced by Hugo Chávez during his presidency in Venezuela. The show, a version of a phone-in, was broadcast live on national television at 11am on Sundays and lasted on average six hours. It followed the presidential agenda to a new location every week, where Hugo Chávez would inaugurate factories, read Latin American poetry, interview Fidel Castro, and sing llanero songs. This thesis investigates the role that Aló Presidente played in the making of the “Bolivarian Revolution”, Hugo Chávez’s political project. Through a critical reading of the transcripts of the show, it explores the 378 episodes, or 1656 hours, that aired between 1999 and 2012. Aló Presidente was the cornerstone of Chávez’s political communication, replacing press conferences and interviews. Chávez was known for his continuous presence on radio and television and his daily presidential addresses. However, only on the Sunday show could the audience phone the president and share their ideas, emotions and everyday life concerns. This thesis reviews the narratives that underlined the relationship between the audience/electorate and the host/president on Aló Presidente. It is argued that Aló Presidente played a fundamental role in articulating the identity of a public that shared the values and ideas of Chávez’s hegemonic project. Moreover, it is argued that the show Aló Presidente and the ideological process called the “Bolivarian Revolution” can be read as two co-related arms of a same project, and that they informed and defined each other throughout Chávez’s presidency. In this context, this thesis assesses the evolution of the programme in light of the political events taking place in Venezuela during that time. Aló Presidente is thus seen as a repository, or “black box”, of the discourses that articulated the Bolivarian identity and constructed the legitimacy of Hugo Chávez as the leader of a populist movement in Venezuela. Finally, the core of this thesis is that the co-relation between the show and the hegemonic project evolved over time to strengthen the authoritarian tendencies of Hugo Chávez’s regime. Following the activities of Aló Presidente over 13 years, the investigation charts that evolution in three different stages: 1) participation, 2) education, and 3) obedience, arguing that what started as a seemingly participatory space, progressively became a platform that presented Hugo Chávez’s figure as the ideologue of a populist movement, and ultimately secured his position as the indisputable leader and sole authority of Venezuela’s “Bolivarian Revolution”
Interview with Armando Hugo Ortiz Guerrero
No full textCathy Ragland interviews music historian and author, Armando Hugo Ortiz Guerrero.https://scholarworks.utrgv.edu/cathyraglandrec/1003/thumbnail.jp
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