6,491 research outputs found

    The marriage record of Small, Henry S. and Rivers, Amanda

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    Marriage license for Amanda Rivers and Henry S. Small

    Groundwater resources of the Harney Basin, southeastern Oregon

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    authors: Stephen B. Gingerich, C. Amanda Garcia, and Henry M. Johnson.Title from PDF caption (viewed on November 22, 2022).This archived document is maintained by the State Library of Oregon. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references (page 6).Mode of access: Internet from the State Library of Oregon U.S. Government Publications Collection.Text in English

    Marriage record of Aiken, Henry and Mack, Amanda

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    Marriage license for Henry Aiken and Amanda Mack. C.C. Smith was the officiant

    The David Henry Likes Room Plaque

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    This image was taken by Amanda Smith '11, Rhodes Student Associate in the College Archives.Plaque inscription:"The David Henry Likes Room in memory of Colonel David Henry Likes, department chair and professor of international studies 1963 - 1983."This plaque is located outside Room 105 in Buckman Hall

    The monastic patronage of King Henry II in England, 1154-1189

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    The subject of this study is Henry II’s monastic patronage in England 1154-1189. Past studies have examined aspects of Henry II’s patronage but an in-depth survey of Henry’s support of the religious houses throughout his realm has never been completed. This study was therefore undertaken to address modern notions that Henry’s monastic patronage lacked obvious patterns and medieval notions that the motivations behind his patronage were vague. The thesis seeks to illustrate that Henry’s motivations for patronage may not have been driven by piety but rather influenced by a sense of duty and tradition. This hypothesis is supported by examining and analyzing both the chronology and nature of Henry’s patronage. This thesis has integrated three important sources to assess Henry’s patronage: chronicles, charters, and Pipe Rolls. The charters and Pipe Rolls have been organized into two fully searchable databases. The charters form the core of the data and allow for analysis of the recipients of the king’s patronage as well as the extent of his favour. The Pipe Rolls provide extensive evidence of many neglected aspects of Henry’s patronage, enhancing, and sometimes surpassing, the charter data. The sources have allowed an examination of Henry’s patronage through gifts of land and money rents, privileges, pardons and non-payment of debt, confirmations and intervention in disputes. The value, geography and chronology of this patronage is discussed throughout the thesis as well as the different religious orders that benefited and the influences Henry’s predecessors and family had upon the king. Quantitative analysis has been included where possible. Henry II was a steady patron throughout his reign and remained cautious with his favour. He maintained many of the benefactions of his predecessors but was not an enthusiastic founder of new monasteries in England. There is no sign that neither the killing of Thomas Becket, nor the approach of Henry’s own death, had a marked effect on his patronage

    Oral history interview with Henry Perez

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    I interview my childhood friend Henry Perez in order to discuss his family history, Latino culture, and life as a DACA participant

    Censorship and claims making regarding problem framing in 5 published RCT's on social anxiety (as identified by the author and Amanda Reiman, PhD).

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    <p>Censorship and claims making regarding problem framing in 5 published RCT's on social anxiety (as identified by the author and Amanda Reiman, PhD).</p

    Oral history interview with Henry Perez

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    I interview my childhood friend Henry Perez in order to discuss his family history, Latino culture, and life as a DACA participant

    Unveiling Melodies in Shadows: An Analysis of Swedish Female Composer Amanda Maier’s Sonata for Violin and Piano in B Minor

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    Amanda Maier (1853−1894), a pioneering Swedish violinist and composer of the late nineteenth century, holds a unique place in music history as the first-ever female music director in Sweden. Despite her significant achievements, her compositions have remained relatively unknown. Therefore, the document aims to illuminate Amanda Maier's violin works, focusing on investigating her violin sonata in terms of violin performance and pedagogy. Specifically, the study offers insights into the performance techniques employed and provides other pertinent pedagogical suggestions for each movement. The document features an introductory chapter and a review of the historical context of Maier's life and the violin sonata. Subsequent chapters shift the focus to performance practice and pedagogical suggestions with theoretical analysis. One distinctive feature of the study is the inclusion of practice exercises composed originally by the author, tailored specifically to the techniques found in the sonata. These exercises aid practitioners in incorporating Maier's violin sonata into their program. The study assists violinists in diversifying their performance and teaching literature. It seeks to inspire renewed appreciation for Amanda Maier's artistic legacy because it is important to recognize the remarkable contributions of women in the classical music industry, and Amanda Maier, an underrepresented composer, exemplifies this. The document not only contributes to music research but also enhances pedagogical practices, fostering a more inclusive and equitable environment for female composers in the classical music world
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