8,168 research outputs found
Contribution à l'étude du Paléolithique inférieur et moyen de la région de Barfleur. Le Paléolithique inférieur de Gatteville-Phare (Manche)
No full textMichel Denise, Coutard J.-P., Helluin M., Lautridou J.-P., Ozouf J.C., Pellerin Joël. Contribution à l'étude du Paléolithique inférieur et moyen de la région de Barfleur. Le Paléolithique inférieur de Gatteville-Phare (Manche). In: Bulletin de la Société préhistorique française, tome 79, n°10-12, 1982. Études et Travaux. pp. 319-329
II. Contexte quaternaire
No full textCoutard Jean Pierre, Helluin M., Ozouf Jean-Claude, Pellerin J. II. Contexte quaternaire. In: Gallia préhistoire, tome 25, fascicule 1, 1982. pp. 69-77
Letter from unknown author to Michel-Dmitri Calvocoressi, undated
No full textAn undated letter from an unknown author to French critic and musicologist Michel-Dmitri Calvocoressi
Letter from unknown author to Michel-Dmitri Calvocoressi, undated
No full textAn undated letter from an unknown author to French critic and musicologist Michel-Dmitri Calvocoressi
Letter from unknown author to Michel-Dmitri Calvocoressi, undated
No full textAn undated letter from an unknown author to French critic and musicologist Michel-Dmitri Calvocoressi
Analyse structurale à différentes échelles d'un paysage granitique (Massif de Fougères, Bretagne). Implications géomorphologiques et hydrologiques
No full textPellerin J, Helluin M, Curmi Pierre. Analyse structurale à différentes échelles d'un paysage granitique (Massif de Fougères, Bretagne). Implications géomorphologiques et hydrologiques. In: Bulletin de l'Association de géographes français, 70e année, 1993-2 ( mars). Morphogénèse et pédogénèse. Communications de l'étranger, sous la direction de Joël Pellerin. pp. 86-87
Michel Houellebecq : humanity and its aftermath /
No full textMichel Houellebecq is perhaps the single most successful and controversial of all contemporary novelists writing in French. Houellebecq has become a global publishing phenomenon: his books have been translated worldwide, three film adaptations of his work have been produced, and the author has been the subject of million-euro publishing deals and of successive media scandals in France. His novels narrate a metaphysical mutation or paradigm shift through which humanity as we know it ceases to be the over-riding value or focus of our world when it comes into conflict with a competitor in the form of a post-human or neo-human species. It is the aim of this book to appraise the global significance of Houellebecq's novelistic visions while at the same time situating them within the context of French literature, culture and society.Michel Houellebecq is perhaps the single most successful and controversial of all contemporary novelists writing in French. Houellebecq has become a global publishing phenomenon: his books have been translated worldwide, three film adaptations of his work have been produced, and the author has been the subject of million-euro publishing deals and of successive media scandals in France. His novels narrate a metaphysical mutation or paradigm shift through which humanity as we know it ceases to be the over-riding value or focus of our world when it comes into conflict with a competitor in the form of a post-human or neo-human species. It is the aim of this book to appraise the global significance of Houellebecq's novelistic visions while at the same time situating them within the context of French literature, culture and society.Includes bibliographical references (pages 203-209) and index.Sex and politics -- Work and leisure -- Science and religion -- Conclusion : humanity and its aftermath.Print version record.JSTO
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Séminaire Michel de Certeau (17)
No full textSéminaire dirigé par Christian Delacroix, François Dossé, Patrick Garcia et Michel Trebitsch. Enregistré par l'IHTP (Paris) entre 1994 et 2000
Séminaire Michel de Certeau (08)
No full textSéminaire dirigé par Christian Delacroix, François Dossé, Patrick Garcia et Michel Trebitsch. Enregistré par l'IHTP (Paris) entre 1994 et 2000
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