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    Global Photographies: Memory - History - Archives

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    How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs

    And She Wrote Backwards: Same-Sex Love, Gender and Identity in Shani Mootoo’s work and her recent Valmiki’s Daughter

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    This article traces the representation of love, gender and national identity in Shani Mootoo’s creative work in general and her most recent novel Valmiki’s Daughter (2008) in particular. In all her work, Mootoo describes the phenomenon of otherness as a part of the negotiating process of the protagonists' selves.Challenging xenophobia, homophobia and all forms of prejudices the author works with the concept of lesbian and bisexual love, cross-racial relationships in order to write identity and to create a home

    Global Photographies

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    How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial and anthropological photography. The contributions sketch the contested field of (post-)colonial photography and trace the manifold intertwinements between historical and contemporary photographs

    Children in Detention: Juvenile Authors Recollect Refugee Stories

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    'Dark Dreams: Australian Refugee Stories by Young Writers aged 11-20 Years', which is considered as one of the most original literary attempts made to grapple with the overwhelming number of often untold and nameless refugee stories in Australia, is discussed. Two short texts which cover the war and migration zones of Vietnam and Afghanistan, and are biographical accounts which differ in genre and style are considered for discussion
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