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Zum 50jährigen Bestehen der Firma Gust. Hauber in Schwäb. Gmünd
ZUM 50JÄHRIGEN BESTEHEN DER FIRMA GUST. HAUBER IN SCHWÄB. GMÜND
Zum 50jährigen Bestehen der Firma Gust. Hauber in Schwäb. Gmünd (-)
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Gustav Hauber (Tafel 1)
Friedrich Hauber (Tafel 2)
[1] (5)
[2] (7)
[3] (13)
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[Hauber Technical Ink Drawings 13]
Ascaris lumbricoides intestinal roundworm. Cross-section is [Hauber Technical Ink Drawings 09]Tiff file: 4360x1750 pixels, 21.8 Mb; Display: jpeg, 600x241 pixels, 75dp
[Hauber Technical Ink Drawings 09]
Cross-section of Ascaris lumbricoides intestinal roundworm. Full view is [Hauber Technical Ink Drawings 13]Tiff file: 2330x2650 pixels, 17.7 Mb; Display: jpeg, 583x662 pixels, 75dp
Das Wiederaufleben der geistlichen Orden und Klöster in unserer Zeit, eine erfreuliche Sache : dargestellt in Erzählungen aus der Geschichte des 19ten Jahrhunderts, ein Lehr- und Erbauungsbuch für die Freunde des klösterlichen Lebens
von Ignaz Hauber ..
Schediasma philosophicum existentiam mediatoris ex poenarum ab hominibus peccatoribus in hac vita exactarum et illorum peccatis comparatarum iusto minori gravitate demonstrans
auctore J.M.H. [i.e. Johann Michael Hauber] C.P. censurae facultatis philosophicae celeberrimae Universitatis Basileensis subiectumPhil. Abhandlung, Basel, 175
Dissertatio philosophica de via salutis aeternae deistae inaccessa
quam ... summi numinis auspiciis publico eruditorum examini d. 24. Ian. 1752 ... subiicit Io. Mich. Hauber, C.P.Enth. 55 ThesenDisp. pro gradu mag. phil. Basel, 175
Fig. 1 in Natural And Artificial Scents Do Not Increase Egg Rejection Rates Of Model Brood Parasitic Eggs By American Robins (Turdus Migratorius)
Fig. 1. Experimental clutches of American Robins, each with a robin-blue (mimetic; left) or a deep-blue (non-mimetic; right) model egg 3D printed in the size, shape, and weight ofPublished as part of Hauber, Mark Erno, 2020, Natural And Artificial Scents Do Not Increase Egg Rejection Rates Of Model Brood Parasitic Eggs By American Robins (Turdus Migratorius), pp. 309-317 in Acta Zoologica Academiae Scientiarum Hungaricae 66 (4) on page 312, DOI: 10.17109/AZH.66.4.309.2020, http://zenodo.org/record/716056
The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.
Contemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically
The evolutionary causes of egg rejection in European thrushes (Turdus spp.): a reply to M. Soler
Peter Samas, Mark E Hauber, Phillip Cassey, and Tomas Gri
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