1,374,841 research outputs found
Reading television after 25 years: A new foreword by John Hartley
No full textReading Television was the first book to push the boundaries of television studies beyond the insights offered by cultural studies and textual analysis, creating a vibrant new field of study. Using the tools and techniques in this book, it is possible for everyone with a television set to analyze both the programmes, and the culture which produces them.\ud
In this edition, Hartley reflects on recent developments in television studies, and includes suggestions for further reading. His new foreword underlines the continuing relevance of this foundational text in the study of contemporary culture. \u
Dorothy Wordsworth and Hartley Coleridge : the poetics of relationship
No full textMy thesis studies Hartley Coleridge and Dorothy Wordsworth to redress the unjust neglect of Hartley’s work, and to reach a more positive understanding of Dorothy’s conflicted literary relationship with William Wordsworth and Samuel Taylor Coleridge. I provide a complete reassessment of the often narrowly read prose and poetry of these two critically marginalized figures, and also investigate the relationships that affected their lives, literary self-constructions, and reception; in this way, I restore a more accurate account of Hartley and Dorothy as independent and original writers, and also highlight both the inhibiting and cathartic affects of writing from within a familial literary context.
My analysis of the writings of Hartley and Dorothy and the dialogues in which they engage with the works of STC and William, argues that both Hartley and Dorothy developed a strong relational poetics in their endeavour to demarcate their independent subjectivities. Furthermore, through a survey of the significance of the sibling bond – literal and figurative – in the texts and lives of all these writers, I demonstrate a theory of influence which recognizes lateral, rather than paternal, kinship as the most influential relationship. I thus conclude that authorial identity is not fundamentally predetermined by, and dependent on, gender or literary inheritance, but is more significantly governed by domestic environment, familial readership, and immediate kinship.
My thesis challenges the long-standing misconceptions that Hartley was unable to achieve a strong poetic identity in STC’s shadow, and that Dorothy’s independent authorial endeavour was primarily thwarted by gender. To replace these misreadings, I foreground the successful literary independence of both writers: my approach reinstates Hartley Coleridge’s literary standing as a major poet who bridged Romanticism and Victorian literature, and promotes Dorothy Wordsworth as one of the finest descriptive writers of nature and relationship
Annual Dallam-Hartley Fair
No full textA pamphlet containing the program, rules and prizes for the Dallam-Hartley fair.'For Dallam, Hartley, Sherman, Moore, Oldham Counties in Texas; Quay, Union counties in New Mexico; Cimarron, Texas Counties in Oklahoma.'
Faith, feeling and gender in the writing of Hartley, Wollstonecraft and Blake
No full textThis thesis examines David Hartley’s Observations on Man (1749) and elucidates how Hartley’s mechanical approach to mind, his conception of emotion, and the religious status he awards the body were newly relevant after 1791. In this way it identifies a ‘Hartlean culture’ within the Romantic period and seeks to explore how such an intellectual climate influenced the radical writers William Blake (1757–1827) and Mary Wollstonecraft (1759–1797). Blake and Wollstonecraft were acquainted with the famous bookseller Joseph Johnson, who republished Observations on Man in various forms and versions between 1775 and 1801. They also had an association with Johnson’s circle; the Hartlean concepts found throughout their work evidence Hartley’s latent popularity within intellectual culture, as well as the writers’ engagement with contemporary philosophical ideas. I propose that the renewed curiosity in Hartley during the 1790s reveals a specific religious and revolutionary culture wherein non-conformist views about Christianity and new ideas about the body, emotion and women flourished. Such a cultural moment renders Hartley a particularly important figure for debate since he integrated progressive values about equality and faith alongside advancing understanding of anatomy and mind. Hartley identified how God and happiness could be found physically within each person. He did this by combining a complex theory of vibrations and theory of association, where the body and mind functioned mechanically through a person’s feelings of pleasure and pain. These feelings manifested as physical vibrations and eventually led every person to desire goodness until finally, they can become ‘Godlike’ themselves. Hartley’s amalgamation of Christian and new theoretical concepts appealed to Blake and Wollstonecraft, and was much unlike the approach of Joseph Priestley who abridged Observations in 1775 to promote a wholly ‘scientific’ text. In this way, we can see resonances between Hartley, Blake and Wollstonecraft, even if they existed in different cultural contexts. In rethinking Blake and Wollstonecraft through Hartley, I offer new insights into their feminism. In particular I attend to how Hartlean culture enabled these writers to re-imagine gender and emotion: Wollstonecraft reinstates the female experience back into Hartlean concepts in order to promote women’s emotional potential and what she understands as the special power of the female-female bond. Blake responds to both Wollstonecraft and Hartley with his elevation of the feminine, one that envisions new potential for both sexes, emotionally and spiritually. In both cases, the writers share a fascination for the image of the female saviour, and they use terminology and concepts found in Hartley’s work to communicate their views. In being attentive to the shared vocabulary and ideas of these three writers’ works, this thesis highlights the importance of David Hartley and Hartlean culture for the field of Romantic Studies. It also illuminates Observations on Man as a vital contribution to the intellectual context of the 1790s
Willard A. Montana Bill Hartley Reminiscence, August 29, 1991
No full textWillard “Bill” Hartley describes the logging techniques, equipment and methods of the early 20th century in western Montana. He details how the loggers moved logs from the logging camps all the way down to the train and load them. Hartley recalls the specific kinds of equipment, including slide jammers and Shay engines, that were used in the logging process. He talks about the Anaconda Copper Mining Company’s logging division which operated in Nine Mile and Blackfoot, Montana. Hartley also describes growing up in Stark, Montana, attending school there, and later attending high school in Missoula, Montana.https://scholarworks.umt.edu/forestrylanduseconservation_interviews/1002/thumbnail.jp
From creative industries to creative economy: flying like a well-thrown bird? [in Chinese]
No full textIn 2001, I established the first 'Creative Industries Faculty' at Queensland University of Technology in Australia. The idea behind this initiative was to bring together the performing and creative arts, media and communication, and the analogue and digital design disciplines, in order to train graduates for the creative aspects of the new knowledge economy. How has this initiative internationalised? This chapter outlines the issues, and shows how the development of the creative industries idea, and with it the growth of creative markets as part of an 'open innovation network,' are of benefit to China
Painting No. 4 (A Black Horse)
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This painting was bequeathed to the Museum by Alfred Stieglitz, whose "291" gallery in New York was the focus of early modernism in the United States. It was Stieglitz who gave Marsden Hartley his first one-person show in 1909 and helped finance his trip to Europe in 1912. There Hartley came into contact with the works of Paul Cézanne, Pablo Picasso, and Henri Matisse as well as German Expressionists such as Wassily Kandinsky and Franz Marc. Hartley made Painting No. 4 while in Germany at the outbreak of World War I. A part of his "Amerika" series, it combines the bright colors, flattened space, and simplified forms of French and German modern painting with symbols loosely drawn from Native American culture. While conveying Hartley's interest in representing spiritual values, the symbolism--such as the horse in front of the tepee flanked by plant forms--intentionally resists precise interpretation. In the face of his immersion in European modernism, his use of Native American motifs underscored Hartley's own American identity. He also spoke of the Native Americans as a gentle race, a counterbalance to European cultures preparing for a world war. John B. Ravenal, from Philadelphia Museum of Art: Handbook of the Collections (1995), p. 311.full vie
A science of beauty? Femininity, fitness and the nineteenth-century physiognomic tradition in mid-nineteenth century Britain
No full textHartley discusses the place of beauty in scientific debates about human nature, primarily as the representation of symmetry and in particular its association with Woman. It was often held that superior physical appearance was the expression of superior moral and mental development in mid-nineteenth-century Britain. Indeed, an analysis of beauty derived from the connection between appearance and character (as emblems of body and mind respectively) deems physicality the index of mental and sometimes, but not always, moral development. Hartley suggests that the particular alignment of beauty and science in the period draws on biological narratives of improvement in order to sustain a vision of the stability of the social order. One of the sources for these narratives is the physiognomical teachings of Johann Caspar Lavater which were responsible for popularizing physiognomy in the nineteenth century. Physiognomy, the practice of seeing the expression of emotion as signs of character and mind, supports and sustains a belief in the connection between body and mind; by seeing physical appearance, and especially beauty, as an index of mental and moral development, Hartley shows how nineteenth-century writers such as Rev. W. T. Clarke, Alexander Walker and Herbert Spencer were sometimes directly and sometimes indirectly drawing on the physiognomical tradition. The accounts of beauty offered by Clarke, Walker and Spencer present beauty as proportion, most often embodied in the fitness of the female body, while at the same time expressing the impossibility of maintaining proportionate sexual relations. It is this contradiction that is explored, starting with Clarke's description of personal beauty, followed by a short summary of Lavater's physiognomical teachings, and then a consideration of the explanations of beauty and fitness offered by Walker and Spencer
A short history of cultural studies
No full textThis is the first volume to capture the essence of the burgeoning field of cultural studies in a concise and accessible manner. Other books have explored the British and North American traditions, but this is the first guide to the ideas, purposes and controversies that have shaped the subject. The author sheds new light on neglected pioneers and a clear route map through the terrain. He provides lively critical narratives on a dazzling array of key figures including, Arnold, Barrell, Bennett, Carey, Fiske, Foucault, Grossberg, Hall, Hawkes, hooks, Hoggart, Leadbeater, Lissistzky, Malevich, Marx, McLuhan, McRobbie, D Miller, T Miller, Morris, Quiller-Couch, Ross, Shaw, Urry, Williams, Wilson, Wolfe and Woolf. Hartley also examines a host of central themes in the subject including literary and political writing, publishing, civic humanism, political economy and Marxism, sociology, feminism, anthropology and the pedagogy of cultural studies
Empirical likelihood inference for the Rao-Hartley-Cochran sampling design
No full textThe Hartley-Rao-Cochran sampling design is an unequal probability sampling design which can be used to select samples from finite populations. We propose to adjust the empirical likelihood approach for the Hartley-Rao-Cochran sampling design. The approach proposed intrinsically incorporates sampling weights, auxiliary information and allows for large sampling fractions. It can be used to construct confidence intervals. In a simulation study, we show that the coverage may be better for the empirical likelihood confidence interval than for standard confidence intervals based on variance estimates. The approach proposed is simple to implement and less computer intensive than bootstrap. The confidence interval proposed does not rely on re-sampling, linearization, variance estimation, design-effects or joint inclusion probabilities
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