41,940 research outputs found
As Logical as Possible
No full textSolo exhibition by Paul harrison and John WoodThis is a metadata only record. There are no files available for this exhibition in this repository.Funded by Kunstverein Arnsberg, German
John Wood and Paul Harrison
No full textJohn Wood and Paul Harrison interviewed on their artistic collaboration by Ellen Mara De Wachter
Interview with Dr. J. Kline Harrison
No full textDr. J. Kline Harrison, Associate Provost for Global Affairs, Kemper Professor of Business at Wake Forest University, interviewed by Paul Stroebe
Some Things are Undesigned
No full textThe exhibition at the gallery von Bartha in Basel, Switzerland, presents the full range of the current practice of the British artists John Wood and Paul Harrison
Other Plans
No full textThis is a metadata only record. There are no files relating to this exhibition available in this repository.Solo exhibition by Paul Harrison and John Wood at Vera Cortes gallery, Lisbon, Portuga
Hans Driesch to Ross Harrison, April 26, 1930
No full textExcerpts of a series of letters between Ross G. Harrison and Hans DrieschRegarding Paul Weiss and journalsCorrespondenc
Harrison Forman Diary, Paraguay, 1954
No full textHarrison Forman, photographer and journalist, describes in this diary his Dorado fishing expedition on the Paraguay River near Asunción, Paraguay. On this trip, Forman fishes with American and Paraguayan military officers, Lieutenant Colonel Paul Terry Hinkley, Colonel Van Sutherland, Captain Jack Spiller, Major Timberlake, Lieutenant Colonel Antonio Lopez-Rodriquez, and others. Forman lists his companions' fishing gear and tells of a local Dorado fishing contest. He describes the yacht owned by Colonel Domingo Mercante, an Argentine military officer and prominent Peronist political figure. Forman mentions fishing in Itá-Ibaté in the Corrientes province of Argentina, as well as on the Corrientes River at the junction of the Paraguay and Paraná rivers.The diaries are part of the Harrison Forman Papers 1931-1974 housed at the Special Collections & University Archives, University of Oregon Libraries. UWM Libraries received the dairies on a loan from the Special Collections & University Archives at the University of Oregon Libraries and digitized them to accompany the digital collection of Forman's photographs. The diaries were digitized to provide research materials for the Forman's negatives scanned as part of the NEH grant project "Saving and Sharing the AGS Library's Historic Nitrate Negative Images.
Very Clear Instructions
No full textFollowing the exhibition I DIDN’T KNOW I DIDN’T KNOW IT at the beginning of 2016, John Wood and Paul Harrison embarked on an intensive sequence of improvisatory workshops with the dancers of Ballet BC. What emerged is an ambitious commission between two of Vancouver’s most important cultural organizations, a new dance work involving movement, direction, costumes and staging.
Wood and Harrison have long been concerned with the body, characteristically employing a vocabulary that connects into the spatial concerns and material world of choreography and contemporary dance. They engage with attributes such as trust, cause and effect, action and reaction, and the physical arena and dimensions in which movement and gesture occurs with characteristic observations surrounding the human condition.
This new performance is structured as ten episodes such as “Falling”, “Right angles” or “Lean”, and combines much of their ongoing preoccupations with a keen delight, humour and reflection on human endeavor. Rooted in a distillation of everyday gestures and routine, a true conversation between the visual art world of John Wood and Paul Harrison and that of the dance corps of Ballet BC emerges. The familiar is made charmingly and compellingly strange, altering our perceptions as we move through the world
Paul Harrison, Une Afrique verte
No full textDufumier Marc. Paul Harrison, Une Afrique verte. In: Tiers-Monde, tome 34, n°134, 1993. Agriculture, écologie et développement, sous la direction de Marc Dufumier. pp. 439-441
The first thirty years (2020)
No full textJohn Wood and Paul Harrison have worked together for thirty years making videos in which they are the protagonists of ironic, paradoxical actions of a powerful visual impact. The film showcases the backstage of their works and has been defined by the artists themselves as “a documentary on how to work, on growing old, making mistakes, how to occasionally do the right things and on the everyday things in life”
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