14,433 research outputs found
Anne Harte Harrison portrait, 1939 April 14
No full textBlack-and-white photograph of a Anne Harte Harrison in marching band attire at Engel Stadium. Harrison was a "majorette" and baton twirler for the East Chattanooga Boys' Band. The band and Harrison performed at games in Engel Stadium on several occasions. The text on the reverse of the image reads, "HARRISON??" The stamp on the reverse of the image reads, "APR 14 1939.
Anne Harte Harrison portrait, 1939 April 14
No full textBlack-and-white photograph of a Anne Harte Harrison in marching band attire at Engel Stadium. Harrison was a "majorette" and baton twirler for the East Chattanooga Boys' Band. The band and Harrison performed at games in Engel Stadium on several occasions. The text on the reverse of the image reads, "HARRISON??" The stamp on the reverse of the image reads, "APR 14 1939.
Pluckemin, John Harrison farmhouse 1890
No full textThe John Harrison farmhouse, 57/5, in an 1890 photo from the collection of Mrs. George Ray. The Harrison farm extended north to the present salt dome, and south behind the next three houses. Harrison was a drover; he collected chickens and drove them to Newark. The house was owned about 1900 by William Compton, and later by his son, Anson
Anne as Pagan, Anne as Queer
No full text‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
Harrison Boone Porter, father of Katherine Anne Porter, and his son, Paul Porter, Sr., brother of Katherine Anne Porter, Texas, circa 1936
No full textHarrison Boone Porter, father of Katherine Anne Porter, and his son, Paul Porter, Sr., brother of Katherine Anne Porter, in an oil field, Texas, circa 1936. Back inscription: "Harrison Boone Porter &/son, Harrison Paul Porter Sr/1936?
Harrison Boone Porter, father of Katherine Anne Porter, Houston, Texas, circa 1916-1918
No full textHarrison Boone Porter, father of Katherine Anne Porter, dressed in suit with pipe in yard of suburban house in Houston, Texas, circa 1916-1918. Back inscription: “Harrison Boone Porter, great, great grandfather.
Pluckemin, John Harrison farmhouse 1908
No full textThe John Harrison farmhouse in a 1908 photo from the collection of Henry M. Beekamn. The Harrison farm extended north to the present salt dome, and south behind the next three houses. Harrison was a drover; he collected chickens and drove them to Newark. The house was owned about 1900 by William Compton, and later by his son, Anson
Harrison Boone Porter, father of Katherine Anne Porter, and Mary Alice Hillendahl, younger sister of Katherine Anne Porter, Mission, Texas, circa January-April 1936
No full textHarrison Boone Porter, father of Katherine Anne Porter, and Mary Alice Hillendahl, younger sister of Katherine Anne Porter, standing in front of his home, Mission, Texas, circa January-April 1936. Back inscription: “Dad and I in the valley.
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[Katherine Anne Porter's French song-book]
No full textPhotograph of an 1933 edition of Katherine Anne Porter's French song-book, held by UNT Special Collections
[Katherine Anne Porter's French song-book]
No full textPhotograph of an 1933 edition of Katherine Anne Porter's French song-book, held by UNT Special Collections
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