925 research outputs found

    CALDER: Cryogenic light detectors for background-free searches

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    CALDER is a R&D project for the development of cryogenic light detectors with an active surface of 5x5cm2 and an energy resolution of 20 eV RMS for visible and UV photons. These devices can enhance the sensitivity of next generation large mass bolometric detectors for rare event searches, providing an active background rejection method based on particle discrimination. A CALDER detector is composed by a large area Si absorber substrate with superconducting kinetic inductance detectors (KIDs) deposited on it. The substrate converts the incoming light into athermal phonons, that are then sensed by the KIDs. KID technology combine fabrication simplicity with natural attitude to frequency-domain multiplexing, making it an ideal candidate for a large scale bolometric experiments. We will give an overview of the CALDER project and show the performances obtained with prototype detectors both in terms of energy resolution and efficiency

    Who should be an author?

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    Making Our Way toward Teacher Education Programs in the Slavic Languages.

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    Reflecting on the state of the field of teacher training in Slavic language programs in the 1990s, the author recommends programs build alliances for teacher training with other programs in the Less Commonly Taught Languages. Beginning teachers should focus on three areas the continuing development of their own language skills, their ability to analyze classroom dynamics and implement changes in them, and expansion of their “pedagogical content knowledge.” Technology may be available to help teachers in all three of these areas

    Maine Interview piece with Nigel Calder of Alna, author of the Boatowners\u27s M

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    Maine Interview piece with Nigel Calder of Alna, author of the Boatowners\u27s Mechanical and Electrical Manual, which has sold over 90,000 copies, and a number of other books, including The Cruising Guide to the Northwest Caribbean and Cuba: A Cruising Guide

    Increasing transparency in the British Journal of Nutrition

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    Keen readers of the BJN will have noticed the recent appearance of ‘conflict of interest’ statements and of more complete descriptions of the contribution of each author to the publication. I have introduced these innovations in order to increase the transparency of the articles that we publish in the BJN; further strategies to increase accuracy, transparency and accountability of papers published in the journal will follow in order to encourage a climate of intellectual honesty and to decrease the risk of misconduct. In particular, the journal will follow as closely as possible the recommendations and guidelines of the Committee on Publishing Ethics (COPE)(1) and of the International Committee of Medical Journal Editors (ICMJE)(2). COPE and ICMJE have made available a range of guidelines aimed at establishing best practice in scientific publishing. These include guidelines for authors and for the conduct of reviewers, editorial boards and editors. Many of the guidelines are already followed by the BJN, but others are not yet fully in place

    The construction of Karen Karnak: The multi-author-function

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    This thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author

    Donald Comer: New Southerner, New Dealer

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    Donald Comer became a leader in the cotton manufacturing industry in the 1920s. That decade and the next were a time when both the New South ideology and labor-management relations underwent change. Those years were also watershed years in terms of changes in the political scene. During those years Progressivism changed and the New Deal arrived.As the son of Alabama Governor B. B. Comer, and as the leader of both Avondale Mills and Cowikee Mills, Donald was poised to act on those changes and to help shape both the economic and political side of life in the South. The Barbour County native acted to promote traditional New South goals of industrialism and diversified farming. The prominent Alabama cotton manufacturer also acted as a Progressive and as a New Deal advocate.The interaction of Comer with both the New South philosophy of economic development and the political reforms of both Progressivism and the New Deal are explored. Both the extent of his acceptance and the limits to his belief in both economic and political reform are examined. Specific points investigated include New South issues such as industrialization and diversified farming, Progressive reforms such as education, the use of child labor, night work of women and children, the development of the Tennessee Valley, and Prohibition; New Deal issues of relief and recovery, particularly rural relief, the ending of tenant farming, and the limiting of cotton acreage, and government intervention in the economy and in labor relations.Source: Dissertation Abstracts International, Volume: 52-01, Section: A, page: 2750.Advisors: Alan Kraut.Ph.D. American University 1990.Englis

    Diary kept Laura Beecher Comer, documenting her domestic and social life.

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    Laura Beecher (niece of abolitionist Henry Ward Beecher and cousin of Harriet Beecher Stowe) moved from New Haven, Connecticut, to Alabama in 1848. On August 15, 1848, she married James Comer, a planter in Russell County. Despite her family's strong ties to the abolitionist movement, Laura Beecher and her husband were staunch supporters of slavery and the Confederacy, providing money and supplies for the Confederate cause. In this diary she writes about religion, education, and her travels between Alabama and New Hampshire. In notable passages, she describes Henry Clay's funeral procession and discusses reading her cousin's new book, Uncle Tom's Cabin. A transcription is included

    The theatre of promiscuity : a comparative study of the dramatic writings of Wole Soyinka and Howard Barker

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    The word 'artist serves as a pivot to the major concerns of this study. Consideration of its application and meaning in relation to contemporary society facilitates a detailed exploration and analysis of selected dramatic writings by Wole Soyinka and Howard Barker. The comparative nature of this work begins by charting the parallel journeys of these writers - within widely differing cultural contexts - from a critique of social determinations which serve to define and bound authorial intent to a process of "promiscuous" self-definition whereby the artistic imagination is used to name and designate a specific relationship to the cultural and social structures within which their work will be received. Working from a theoretical base which, in the case of Soyinka, finds its foundations in critique and commentary upon nationalist discourse, and in the case of Barker, rests upon contemporary critiques of Enlightenment reason, the study debates their development of theatrical form within both social and cultural contexts. Emphasis is placed upon the relationship of the author to the dramatic text, the creation of character and the defined channels of communication through which dramatic performance is to be received by the spectator. The concept of 'transgression' is explored as a key principle by which to define the 'theatrical' as opposed to the 'social' text. Chapters Four and Five link the work of Howard Barker and Wole Soyinka through the application of Nietzschean philosophy, with especial emphasis being placed upon the concept of genealogical history, the creation of the aesthetic, and the consideration of 'tragedy' as a means by which to offer resistant critique to the social imperative of national citizenship as a badge and boundary to identity. The formation of the 'tragic' or 'catastrophic' individual is explored through key dramatic texts, thus allowing dramatic form the status of a discourse in its own right. Throughout the study an attempt is made to develop an argument which allows the artist to be distinguished as one who speaks to his nation, rather than for his nation. With regard to the work of Barker and Soyinka this has involved both the exposure and exploration of a theatrical space unmapped by social cartography, and a peopling of the stage with creations who could be described as 'ethical' rather than 'political' individuals
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