55 research outputs found
Memorial to Mrs. Alfred Watt
No full textNote - Handwritten letter, memorial to Mrs. Alfred WattAlberta Women's Institute
The occurrence and energetics of doubly charged ions in chlorinated and brominated alkanes
No full textM.S
Come from Far and Near to Attend Institute Meetings
No full textNewspaper Article - 'Come from Far and Near to Attend Institute Meetings' - 'Mrs. Watt Says Peaceful Home Is Safeguard' - Edmonton Journal, Tuesday, October 10, 1939AWI CollectionEDMONTON JOURNAL, TUESDAY, OCTOBER 10, 1939
Come from Far end Near to Attend Institute Meetings
Officials of the Federated Women's Institutes of Ca
they greeted one another in the foyer of the Macdon
William Stewart of Peace River extends a welcome
president of the Associated Country Women of the Wo
background are Mrs. Elizabeth Bailey Price of Vanco
dian Home and Country, official W. I. organ ( left), am
president.
ia in session here this week, are seen above as
on Monday, opening day. On the right, Mrs.
' Irs. Alfred Watt, O. B. E. of London, England,
d founder of the Women's Institutes. In the
director of publicity and editor of the Cana-
. M. McGregor of Penticton, B. C., national
Mrs. Wat Says
Peaceful Home
Is Safeguard
International President Addresses
Federated
Institutes
AT MONDAY MEETING
Mrs. Alfred Watt, O. B. E., of
London, England, president of the
Associated Country Women of the
World, speaking to the Federated
Women's Institutes of Canada in
session at the Macdonald here Monday,
said that " every home that
maintains peace and a sense of
moral values is a bulwark in times
like these."
Home- making and nation- building
are now and always have been
the essential work of the W. I. in
Canada, she said, pointing out that
the time has come for members to
show the dominion government how
strong they are nationally and how
well they can assist in time of war.
Mrs. Watt impressed upon the
delegates the importance of having
their machinery ready to go into
motion for any emergency. " We
may find that Canada will become
a refuge for the homeless abroad,
and great demands may be made
upon our food supply. In the conservation
of food and in the careful
use of wool, skins, wood, and other
resources members of the W. I. can
make a valuable contribution," she
said.
" We're inclined to think that
what we do every day normally is
not war work, but we must learn
that the thing to do is to ' carry on'
as usual, keeping the machinery of
our organization in order so that
when an emergency comes and the
government makes immediate demands
we will be ready.
Making vision into power : Britain's acquisition of the world's first radar-based integrated air defence system 1935 - 1941
No full textThis thesis represents the first application of a current conceptual model of defence acquisition to analyse the historical process, the 1935 - 1941 British acquisition of an integrated air defence system pivoted upon the innovative technology of radar. For successful acquisition of a military capability, the model posits that balanced attention must be focused acoss eight 'lines of developmen' - not only equipment, but also doctrine and concepts, logistics, structures, personnel, organisation, training and information with an overarching requirement for interoperability. This thesis contrasts what turned out to be a successful acquisition, of radar to achive air interception capability by day in the Battle of Britain, with less successful acquisition, or radar to achieve the same capability at night, where an effective system arrived too late to ward off the Blitz. The results establish the validity of the model and its attendant lines of development concepts, and furnish new insights into acquisition processes and military history. Acquisition lessons are derived for the capability-based involvement of industry, for the experience and personality necessary for key managers at different 'life stages' of an acquisition and for the avoidance of over-rapid 'dysfunctional diffusion' of innovative technologies. Historical insights for the Battle of Britain include the sub-optimal performance, for trivial reasons, of key South Coast radars, and the critical importance of the human elements of the radar-based air defence system. For the Blitz, airborne radar hardware has previously been identified as a key problem, whereas research here exposes the greater need for accurate ground control radar, the sound selection and training of pilots and operators in new tactics, and provision of equipment maintainers and test gear. New evidence illustrates that pursuit of an alternative to radar significantly delayed the optimal solution, and throws fresh light both on personalities and on development process management
Reading acts of narrative appropriation: four instances of fraudulent memoir
No full textPhDThis thesis examines acts of narrative appropriation, the telling of purportedly‘authentic’ life stories by those for whom the stories are not theirs to tell. This
misuse or subversion of genre - the discipline of historical writing and the category
of autobiography - becomes a means for cultural, social and political dissimulation,
and the analysis focuses both on the act: the event, trespass, or ‘theft’ of another’s
life story, and on the cultural meaning that this event reveals. These narrative acts
are approached theoretically through discussions of what it means to be an author, a
reader, and through the consideration of literary and social genre, category and form.
In exploring identities at particular risk of appropriation, this thesis shows how
fraudulent appropriated narratives affect our reading of the world, and in turn
influence our perception of already marginalized social groups. My primary
examples include prostitution ‘narratives’, Native North American ‘memoir,’ and
fraudulent Holocaust survivor ‘testimony,’ with each text providing decoded
evidence of ‘genre-bending’ exhibiting a social and political intent. These works
seek to be read as authentic personal narratives, as autobiography, and that is how
they have been presented to the reader. However, they are imposters – fictional tales
desiring the elevated status of historical authenticity and willing to bend the rules
and contracts of genre to achieve their end. Here the appearance of authenticity is
achieved through the use of cultural and social ‘myth,’ or perceptions of cultural
identity, and as such its fraudulent construction is first and foremost a social act,
with a social and economic motivation. As this thesis concludes, these texts are
most successful when their own political and social ideologies echo and confirm that
of the readership; when their subjects, the fraudulent ‘I’ at the center of the text is
also a performative elaboration of cultural belief
Lawrence Durrell and the Alexandria quartet: influences shaping his fiction.
No full textNot availabl
Economic inequality and social differentials in mortality
No full textThis paper was presented at the conference "Unequal incomes, unequal outcomes? Economic inequality and measures of well-being" as part of session 1, "Health status of children and households in poverty." The conference was held at the Federal Reserve Bank of New York on May 7, 1999. This paper discusses health as a direct measure of economic well-being and draws attention to those suffering the worst outcomes. The author identifies a set of young people at particular risk of high mortality rates. She observes that in some U.S. communities - especially urban areas in the North - young people cannot expect to survive through middle-adulthood. Whites generally fare substantially better than African-Americans, yet whites in poor neighborhoods in northern cities experience mortality rates roughly comparable to those of African-Americans nationwide. Furthermore, among the urban African-American poor, mortality rates worsened relative to those of whites from 1980 to 1990. The author also indicates that circulatory disease - not homicide - has been the most important contributor to the higher mortality rates across all poor populations.Income distribution ; Medical care
Writing from the shadowlands: how cross-cultural literature negotiates the legacy of Edward Said
No full textThis thesis examines the impact of Edward Said's influential work Orientalism and its legacy in respect of contemporary reading and writing across cultures. It also questions the legitimacy of Said's retrospective stereotyping of early examples of cross-cultural representation in literature as uncompromisingly 'orientalist'.
It is well known that the release of Edward Said's Orientalism in 1978 was responsible for the rise of a range of cultural and critical theories from multiculturalism to postcolonialism. It was a study that not only polarized critics and forced scholars to re-examine orientalist archives, but persuaded creative writers to re-think their ethnographic positions when it came to the literary representations of cultures other than their own. Without detracting from the enormous impact of Said, this thesis isolates gaps and silences in Said that need correcting. Furthermore, there is an element of intransigence, an uncompromising refusal to fine-tune what is essentially a binary discourse of the West and its other in Said's work, that encourages the continued interrogation of power relations but which, because of its very boldness, paradoxically disallows the extent to which the conflict of cultures indeed produced new, hybrid social and cultural formations.
In an attempt to challenge the severity of Said's claim that 'every European, in what he could say about the Orient, was consequently a racist, an imperialist, and almost totally ethnocentric', the thesis examines a number of different discursive contexts in which such a presumption is challenged. Thus while the second chapter discusses the 'traditional' profession-based orientalism of nineteenth-century E. G. Browne, the third considers the anti-imperialism of colonial administrator Leonard Woolf. The fourth chapter provides a reflection on the difficulties of diasporic 'orientalism' through the works of Michael Ondaatje while chapter five demonstrates the effects of the dialogism used by Amitav Ghosh as a defence against 'orientalism'. The thesis concludes with an examination of contemporary writing by Andrea Levy that appositely illustrates the legacy of Said's influence.
While the restrictive parameters of Said's work make it difficult to mount a thorough-going critique of Said, this thesis shows that, indeed, it is within the restraints of these parameters and in the very discourse that Said employs that he traps himself. This study claims that even Said is susceptible to 'orientalist' criticism in that he is as much an 'orientalist' as those at whom he directs his polemic
The visceral screen: Between the cinemas of John Cassavetes and David Cronenberg, a Barthesian perspective
No full textThe thesis discusses two directors who are never considered together in academic discourse. Cassavetes’ perceived focus on events led by the dynamics of performance and his looseness of technique opposes the calculated compositions of the Cronenberg film, with its aesthetic of horrific images and its gallery of emotionally detached protagonists. Yet it is between such opposing methods of cinematic expression that the ineffable qualities of film aesthetics can be discovered. Cassavetes’ cinema achieves this by revelling in a surplus of activity that exceeds narrative, while the indescribable characteristics of the Cronenberg oeuvre is achieved through a systematic emptying of the image’s meaning through a simultaneous commitment to paring back emotion and portraying of images that are controversial and inconceivable. Taken together, the thesis identifies these aspects of film as ‘the visceral,’ a facet of the moving image that most certainly exists, but is resolutely, and disturbingly resistant to interpretation.
Roland Barthes’ writings are integral to a theory of the visceral. His re-evaluation of Saussurean semiology as a method of analyzing and undoing ideologically-imposed meanings informs readings of sequences from Cassavetes and Cronenberg’s films. Following Barthes, the thesis suggests that the existence of the visceral is realized as a resistance to ideological interpretations of the image, and so cannot be described. Ultimately, the inability of semiology to fully grasp certain aspects of the filmed image is put forward as a rejoinder to theories of the fiction film as principally a narrative medium
Heraldic Imagery in Seventeenth-Century English Poetry
No full textThe significance of heraldic references in literature has been the subject of both antiquarian interest and recent scholarship. In the field of seventeenth-century poetry, there exists a small body of published work concerned with the use of heraldry by William Shakespeare, Ben Jonson and Jolin Cleveland. The aim of this thesis is to demonstrate the existence and significance of heraldic references in a wider range of seventeenth-century verse and poetry. It eschews assumptions regarding the use of heraldry by, or with reference to, a narrow social elite, and examines heraldic references published in broadsheets and used in songs, as well as in the privately- circulated manuscripts of the nobility. Chapter One offers a critical examination of a range of current scholarship concerned with heraldic readings of literature. Chapter Two demonstrates that formal heraldic references, affirming or celebrating their subject’s identity, were used in diverse genres, including dedicatory verses, encomia, epitaphs, elegies, epithalamia and anagrams. Chapter Three determines the social implications of the use of heraldry, with particular reference to epic and satirical verse, arguing that heraldic references in this period develop beyond their traditional, chivalric associations. Chapter Four discusses those works that include heraldic references as expressions of authority or political power, and considers their use in different contexts to affirm or undermine the position of individuals and groups within society. Chapter Five establishes the use of heraldry within religious or spiritual poetry and addresses whether its vocabulary was regarded as an expression of particular Christian values. Chapter Six explores the engagement of women writers with heraldry and considers how far their use of the language offered a challenge to the prevailing patriarchal culture. The Conclusion draws attention to the significance of the evolution of heraldry from the seventeenth century to the present day
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