1,373 research outputs found
The author as actor: a defense of Quentin Skinner
No full textIn this thesis, I defend Quentin Skinner's work against some criticisms raised by three of his interlocutors: John Keane, Kennet Minogue, and Joseph Femia. All three of these critics take issue with Skinner's author-centered approach to the historical interpretation of texts. Femia, invoking Roland Barthes 'death of the author' thesis, argues that Skinner's attempt to recover the intentions of authors is impossible. While Minogue and Keane do not dispute the possibility of recovering an author's intentions, they question the unity of such an enterprise. In order to answer Femia's criticism of Skinner, I draw an analogy between Skinner's figure of the author, and Arendt's figure of the political actor. I argue that just as it is possible for someone to know what a political actor is doing in performing a political act, it is similarly possible for an intellectual historian to understand what political acts an author was doing in writing his or her text. To refute Minogue's and Keane's claims that a Skinnerian approach to intellectual history is of no use to the political theorist, I point to three examples of how Skinner's recovery of forgotten political discourses have been applied to contemporary debates in political theory.Graduat
Closing the gap: Building capacity in Pacific fisheries governance and institutions
No full textGovernance and institutions must function effectively if sustainable development and growth are to occur within the Pacific Islands region. In 2007, the FFA and the Australian Department of Agriculture, Fisheries and Forestry (DAFF), supported by funding from AusAID, contracted Quentin Hanich, Feleti Teo and Professor Martin Tsamenyi to research governance and institutional gaps within the region that undermine the effective management and development of the region\u27s fish stocks. Following an intensive round of interviews throughout the Pacific islands region by all three consultants, Mr Hanich authored a comprehensive report that discussed relevant governance and institutional gaps and recommended a number of potential capacity building responses
Drawing Sacred Forests and Courtyards in South Benin
No full texthttps://drawingmatter.org/drawing-sacred-forests-and-courtyards-in-south-benin/The following conversation between the editors of Accattone and Quentin Nicolaï was first published in Accattone 6 (2019). It documents research carried out by Quentin Nicolaï in Abomey, Benin, between January 2014 and June 2018.Drawing Matter would like to thank the author and the magazine’s editors for allowing us reproduce the essay on www.drawingmatter.org.info:eu-repo/semantics/nonPublishe
Features of auteur cinema in Quentin Tarantino's works
No full textMultimediju komunikācijaInformācijas un komunikācijas zinātnesMultimedia CommunicationInformation and Communication SciencesBakalaura darba tēmas nosaukums ir “Autorkino iezīmes Kventina Tarantīno daiļradē.”
Pētījumā izvirzītā hipotēze apgalvo, ka režisora Kventina Tarantīno (Quentin Tarantino) filmās ir
atrodamas autorkino iezīmes.
Bakalaura darba mērķis ir noskaidrot autorkino iezīmes Kventina Tarantīno sešās
ietekmīgākajās un skatītāju atzītākajās filmās, kuras tika atlasītas pēc Internacionālās filmu datu
bāzes. Darbā tiek apskatītas un analizētas sešas no Kventina Tarantīno filmām, kuras ir “Trakie
suņi” (Reservoir Dogs), “Lubene” (Pulp Fiction), “Nogalināt Bilu: 1. daļa” (Kill Bill: Vol. 1) un
“Nogalināt Bilu: 2. daļa” (Kill Bill: Vol. 2), kas pēc paša režisora uzskatiem ir, viena vesela, filma
sadalīta divās daļās, kā arī filmas “Bēdīgi slavenie mērgļi” (Inglorious Bastards), “Atsvabinātais
Džango” (Django Unchained) un “Reiz Holivdā” (Once Upon a Time... in Hollywood).
Darba mērķa izpildei teorētiskajā daļā tika aplūkots autorkino jēdziens, Holivudas
klasiskais kino stils, kino valoda, kā arī Kventina Tarantīno biogrāfija, lai palīdzētu izprast un
analizēt atlasītās filmas. Par pētījuma metodi tika izvēlēta kvalitatīvā kontentanalīze.The title of the bachelor's thesis is "Features of auteur cinema in Quentin Tarantino's
works" The study’s hypothesis states that directors Quentin's Tarantino's films have the features
of an author.
The purpose of the bachelor's thesis is to find out the influence of author cinema on Quentin
Tarantino's six most influential and audience-recognized films selected from the International Film
Database. Work is discussed and analyzed in six of Quentin Tarantino films, which are “Reservoir
Dogs”, “Pulp Fiction”, “Kill Bill: Vol. 1” and “Kill Bill: Vol. 2”, which the director says is a whole
movie divided into two parts, as well as “Inglorious Bastards”, “Django Unchained” and “Once
Upon a Time ... in Hollywood”.
The theoretical part of the paper explored the concept of author cinema, Hollywood classic
cinema, film language, and the biography of Quentin Tarantino to help understand and analyze
selected films. Qualitative content analysis was chosen as the research method
Influence and interest: a snapshot of the Western and Central Pacific tropical tuna fisheries
No full textThere are 89 States and territories that have some form of current or historical interest in the tropical tuna fisheries (i.e., bigeye, yellowfin, and skipjack) of the Western and Central Pacific Ocean (WCPO).
However, only 14 of them ultimately control access to the most productive fishing grounds and the vessels that fish in them. All but one of these States are full members of the Western and Central Pacific Fisheries Commission (WCPFC), and all have some form of vested interest in the long-term sustainability of some part of the tropical tuna fisheries. This paper studies the mix of interests in the WCPO tropical tuna fisheries.
These interests are likely to influence each delegation’s national interest and drive negotiating positions to support or oppose certain measures, depending upon how they affect that State’s interests. Given the complex nature of the WCPO tuna fisheries and their conservation challenges, it is important to understand these interests and consider how States might compromise their interests in an equitable manner that allows for the adoption of a new conservation and management measure for tropical tuna
Saint-Quentin et sa région
No full textThe author insists on the seriousness of the trade depression in Saint-Quentin last years (ten per cent workmen out of work, unemployed period above eleven months.). Metallurgy is the principal industry and «Motobécane» the first firm, making the famous «Mobylette» since 1951. Therefore, the difficulties of «Motobécane», of the engineering industry, have effects on the social situation. The town is, from now on, the starting point of an urban emigration. Old fortress on the right bank, protecting the crossing of the river Somme, Saint-Quentin has been destroyed during the first World War and rebuilt without large transformation. The town keeps an heptagonal shape with cross-roads on the both sides of the valley, canal and railway. The attraction area is, to-day, smaller than the Vermandois, very industrialized and populated region. For the future, Saint-Quentin shall have to expect : the «A-26 » motorway, the négociation of an employment agreement («Contrat de Bassin d'Emploi») and, later, the construction of the large-gauge canal «Seine-Nord» from Compiègne to Valenciennes.L'auteur insiste sur la gravité de la crise de remploi à Saint-Quentin aujourd 'hui (taux de chômage supérieur à 1 0%, durée moyenne de chômage supérieure à 11 mois). L'industrie est dominée par la métallurgie et celle-ci par la firme «MOTOBECANE» qui fabrique depuis 1951 les fameuses «mobylettes». Aussi les difficultés de Motobécane ou de l'industrie de la manutention rejaillissent-elles immédiatement sur la situation sociale. La ville est désormais le point de départ d'un véritable exode urbain. Ancienne place forte gardant, sur la rive droite , le passage de la Somme, presque complètement détruit en 1918, mais reconstruit largement à l'identique, St-Quentin a hérité d'une double structure heptagonale et en «patte d'oie» de part et d'autre de la coupure majeure de la vallée de la Somme (canal et voie ferrée). Son aire d'attraction s'est réduite par rapport à la région qui l'entoure, le Vermandois, relativement peuplé et industrialisé lui-même. Pour l'avenir, St-Quentin doit compter surtout, sur l'arrivée de l'autoroute A 26 et sur les efforts qui s'inscriront dans un «Contrat de Bassin d'Emploi», et, à long terme sur la liaison fluviale à grand gabarit «Seine-Nord» utilisant le tracé du canal de St-Quentin.Oudart Paul. Saint-Quentin et sa région. In: Hommes et Terres du Nord, 1981/2. Spécial Picardie. pp. 43-56
Distributing the bigeye conservation burden in the western and central pacific fisheries
No full textThe Western and Central Pacific Ocean is home to the world\u27s most productive tuna fisheries, with the majority of tuna catches occurring inside the exclusive economic zones (EEZs) of the region\u27s developing coastal States. It is important that these fisheries are managed effectively throughout their range, both within and between EEZs and on the high seas. Unrestrained exploitation in a particular EEZ or on the high seas has the potential to significantly impact on catches elsewhere with potentially devastating consequences for developing coastal States, some of which have few alternate resources. The Western and Central Pacific Fisheries Commission (WCPFC) was established in 2004 to manage the region\u27s highly migratory tuna fisheries. However, the WCPFC has since repeatedly failed to adopt conservation and management measures that are sufficient to meet the WCPFC\u27s conservation and sustainable use objectives. This paper analyses catch data from the WCPFC and suggests that the weak position of bigeye (in a strategic political context), the unwillingness of members to compromise their interests and the lack of a transparent framework for distributing the burden of conservation are key factors in the WCPFC\u27s failure to adopt sufficiently strong conservation and management measures. (C) 2011 Elsevier Ltd. All rights reserved
Australia and the United States' defence diplomacy
No full textThis chapter continues the focus on specific tools of statecraft, by analysing defence diplomacy. While diplomacy has traditionally been understood as the role of civilian diplomats, defence diplomacy has long played an important role in the Pacific Islands region. Defence diplomacy involves the peaceful use of defence resources to pursue foreign and strategic policy objectives. Therefore, defence diplomacy does not include offensive military operations, but it can involve ones for peaceful purposes, such as humanitarian and disaster relief. However, defence diplomacy is often not well-understood, partly because diplomacy is commonly seen only as the domain of civilian diplomats, and partly because there is scepticism about its value. This chapter assesses the nature and effectiveness of defence diplomacy in the Pacific Islands region, with a focus on Australia and the United States, which have long been active partner states. It analyses the following different elements of defence diplomacy: defence cooperation and assistance, maritime surveillance and support, people-to-people links, humanitarian and disaster relief, and minilateral and bilateral arrangements. It concludes by arguing that, while defence diplomacy can be an effective tool of statecraft, more needs to be done to emphasise partnership with Pacific Island countries and to support continued localisation.Joanne Wallis, Quentin Hanich, Michael Rose, Alan Tidwel
A Hundred Years of Photo Wallets:Quentin Blake Centre for Illustration's Book of the Month
No full textAn interview with Annebella Pollen, author of More Than a Snapshot: A Visual History of Photo Wallets, which was selected as the May 2023 Book of the Month by the Quentin Blake Centre for Illustration
Quentin Meillassoux: Facticity and Scientific Methods
No full textThis paper examines Quentin Meillassoux’s critique of correlationism, specifically focusing on the Principle of Factuality and the mathematization of hyperchaos as tools to access the "ancestral." While acknowledging Meillassoux’s significance in overcoming Kantian limits, the author argues that his refusal to return to metaphysics stems from political hesitation rather than ontological necessity. The text critiques the concept of the "God to come" as an ideological compromise. Instead, the author advocates for an "experimental metaphysics" grounded in scientific method, positing that science offers rational access to the absolute and effectively resolving the tension between facticity and the thing-in-itself
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