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    Hancke & Ullmann // Berlin Neue Friedrichstr. 12

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    HANCKE & ULLMANN // BERLIN NEUE FRIEDRICHSTR. 12 Hancke & Ullmann // Berlin Neue Friedrichstr. 12 ( -

    Hancke an Herman Grimm (1 Brief)

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    HANCKE AN HERMAN GRIMM (1 BRIEF) Hancke an Herman Grimm (1 Brief) (Br2820) Brief 2820 (Br2820

    Hancke (Lode). Jan Van Rijswijch. Boegbeeld van het sociale liberalisme

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    Van Velthoven Harry. Hancke (Lode). Jan Van Rijswijch. Boegbeeld van het sociale liberalisme. In: Revue belge de philologie et d'histoire, tome 73, fasc. 4, 1995. Histoire medievale, moderne et contemporaine - Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 1204-1205

    Gwendoline Hancke, L’Amour, la sexualité et l’Inquisition

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    Gwendoline Hancke, docteur en Histoire et vivant du côté de Montségur, près des espaces qui la passionnent, propose ici une enquête visant à mieux comprendre les comportements amoureux des gens du Sud, surtout du Languedoc et du Toulousain, entre XIIe et XIVe siècles principalement. Pour ce faire, l’auteur a décidé de se pencher sur des sources qui pourraient paraître très en marge du sujet, à savoir les registres de l’Inquisition. En fait, les différents interrogatoires sont emplies d’anecdo..

    Hancke (Lode). Jan Van Rijswijch. Boegbeeld van het sociale liberalisme

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    Van Velthoven Harry. Hancke (Lode). Jan Van Rijswijch. Boegbeeld van het sociale liberalisme. In: Revue belge de philologie et d'histoire, tome 73, fasc. 4, 1995. Histoire medievale, moderne et contemporaine - Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 1204-1205

    Gwendoline Hancke, Les femmes nobles languedociennes à l’époque du catharisme

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    Le sujet de notre thèse résulte de deux points de départs complémentaires : le premier est lié aux caractéristiques des sources, les registres d’Inquisition, qui, particulièrement riches concernant la vie quotidienne en général, donnent aussi la parole aux femmes, sensiblement absentes d’une grande partie des sources contemporaines ; le deuxième procède d’une approche de l’existence religieuse des femmes cathares cherchant à l’insérer dans le contexte de son époque et de sa société et notamme..

    The mysterious provenance and uncommon repertoire of the music collection belonging to the Dominican Pius Hancke

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    Father Pius Hancke’s music collection includes numerous pieces written for harp. Its outstanding repertoire and provenance distinguishes it from other monastic collections. Hancke expanded it throughout his life and took it with him when moving home. He spent the last thirty years of his life in the Dominican monastery in Nysa. Music for the liturgy contained in his collection (masses, litanies) was certainly used there and is currently the only testimony of that monastery’s musical culture. Besides liturgical compositions, Hancke’s collection includes a number of instrumental pieces for harp with the accompaniment of other instruments and contrafacta of operatic arias. The latter often include parts arranged for harp, probably by Hancke himself. The scriptors’ names link this collection to a unique manuscript containing a Credo ascribed to Antonio Vivaldi

    The mysterious provenance and uncommon repertoire of the music collection belonging to the Dominican Pius Hancke

    Get PDF
    Father Pius Hancke’s music collection includes numerous pieces written for harp. Its outstanding repertoire and provenance distinguishes it from other monastic collections. Hancke expanded it throughout his life and took it with him when moving home. He spent the last thirty years of his life in the Dominican monastery in Nysa. Music for the liturgy contained in his collection (masses, litanies) was certainly used there and is currently the only testimony of that monastery’s musical culture. Besides liturgical compositions, Hancke’s collection includes a number of instrumental pieces for harp with the accompaniment of other instruments and contrafacta of operatic arias. The latter often include parts arranged for harp, probably by Hancke himself. The scriptors’ names link this collection to a unique manuscript containing a Credo ascribed to Antonio Vivaldi
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