49,554 research outputs found
Mark Hall-Patch : Tomorrow, Tomorrow
No full text"Mark Hall-Patch’s series of watercolour drawings explore anarchistic art movements. But there is a psychological edge to Hall-Patch’s works which seem depictions of alienation; the figure lost in a landscape facing grave existential danger. The delicate nature of the drawing and watercolour in individual works make very stunning representations of failed utopian societies." -- Publisher's website
Appliquéd Silk Flowers quilt, by Eliza Melissa Hall
No full textImage of Appliquéd Silk Flowers quilt created by Eliza Melissa Hall, date of creation unknown. Also includes questionnaires describing the quilt completed by Hall\u27s granddaughter, Pearl Jackson Cordon, as part of the Utah Quilt Guild\u27s documentation days held from 1988-1994. A Utah pioneer of 1852, Eliza Melissa Hall was born in 1829 in Mayville, New York. She married Mark Hall in 1847 in Greencastle, Indiana. They had 10 children. She died in 1913 in Ogden, Uta
Today's My Lucky Day - Poem by Mark Hall
No full textToday's My Lucky Day - Poem by Mark Hall - Mearl Row historic photograph
The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.
No full textContemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically
Mark Hall
No full textMark Hall is pictured his sophomore year at Uintah High School. He is the son of Mark B. and Myrtle Hall
John Hsu, viola da gamba, Linda Burman-Hall, harpsichord, and Mark Kroll, harpsichord, April 19, 1985
No full textThis is the concert program of the John Hsu, viola da gamba, Linda Burman-Hall, harpsichord, and Mark Kroll, harpsichord performance on Friday, April 19, 1985 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were the following by Johann Sebastian Bach: Sonata No. 2 in D major, BWV 1028, Sonata No. 3 in G minor, BWV 1029, Sonata in F major (transcription by Mr. Hsu of the Brandenburg Concerto No. 6), and Sonata No. 1 in G major, BWV 1027. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Mark Hall
No full textMark Hall is the son of Iowa and Elizabeth Grow Hall. He was born March 2, 1880, in Dry Fork, Utah. In 1905 he married Myrtle Arnold in Vernal. She died in 1930. He then married Gertrude Harris in 1937. She preceded him in death. Mark passed away in October 1929. He had three sons and one daughter
Hall, Mark
No full textMark Hall - Faculty/Staff.https://digitalcommons.library.umaine.edu/univ_photos/2484/thumbnail.jp
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