181,614 research outputs found
Gustafson Collection; no.06668
No full textSepia image; cabinet card of two young girls identified as Sadie and Lottie, posed for a portrait photograph. Image mounted on a white matte board. Printed in gold colored ink on lower middle edge of matte board; ""A. Miller.""Master file: image/tiff; 259,975 KB: Computer Hardware: Intel Pentium (R) 4 3.20 GHz/ 1.99 GB RAM manufactured by Dell; Operating system: Windows XP 2002; Creation software: Adobe Photoshop CS2 version 9.0.2; Scanner: flatbed reflective scanner Microtek 1000XL; Scanner software: Microtek SilverFast Ai 6.4.2r2b; Scanned by Jackie Becker on 2010-03-31
Gustafson Collection; no.06672
No full textSepia image; cabinet card of Sadie Abraham, age one, posed for a portrait photograph. Image mounted on a yellowed matte board. Printed in brown ink on the lower edge of matte board; ""L. A. Skelly, art studio, Silver City, New Mex.""Master file: image/tiff; 293,467 KB: Computer Hardware: Intel Pentium (R) 4 3.20 GHz/ 1.99 GB RAM manufactured by Dell; Operating system: Windows XP 2002; Creation software: Adobe Photoshop CS2 version 9.0.2; Scanner: flatbed reflective scanner Microtek 1000XL; Scanner software: Microtek SilverFast Ai 6.4.2r2b; Scanned by Jackie Becker on 2010-03-31
Gustafson Collection; no.06674
No full textSepia image; cabinet card of Mamie Abraham pictured as a young woman, dressed in late 19th century clothing. Verso; written in blue ink; ""Mamie Abraham Born 1872- died 1888."" Image mounted on an off white colored matte board. Printed in brown ink on the lower edge of matte board; ""Silver City, Bonanza Studio. New Mexico.""Master file: image/tiff; 293,101 KB: Computer Hardware: Intel Pentium (R) 4 3.20 GHz/ 1.99 GB RAM manufactured by Dell; Operating system: Windows XP 2002; Creation software: Adobe Photoshop CS2 version 9.0.2; Scanner: flatbed reflective scanner Microtek 1000XL; Scanner software: Microtek SilverFast Ai 6.4.2r2b; Scanned by Jackie Becker on 2010-04-08
Gustafson Collection; no.06673
No full textSepia image; cabinet card of Mamie Abraham pictured as a young woman, dressed in late 19th century clothing. Verso; written in blue ink; ""Mamie Abraham Born 1872 died 1888."" Image mounted on an off white colored matte board. Printed in brown ink on the lower edge of matte board; ""Silver City, Bonanza Studio. New Mexico.""Master file: image/tiff; 252,898 KB: Computer Hardware: Intel Pentium (R) 4 3.20 GHz/ 1.99 GB RAM manufactured by Dell; Operating system: Windows XP 2002; Creation software: Adobe Photoshop CS2 version 9.0.2; Scanner: flatbed reflective scanner Microtek 1000XL; Scanner software: Microtek SilverFast Ai 6.4.2r2b; Scanned by Jackie Becker on 2010-04-08
Peter August Abrahamson and Anna Marie (Israelson) Gustafson, residents of Gregg, Texas, with their children
No full textL-R: Paul, Will, Augusta, Wesley, Ira, Aaron, Lillie, and Ed Gustafson
Higgins Beach - R. Gustafson Appl. #16854
No full textHiggins Beach - R. Gustafson Appl. #16854https://digitalmaine.com/mgs_geologic_field_photos/4912/thumbnail.jp
R. Gustafson Appl. #L-16854_4H-A-N
No full textR. Gustafson Appl. #L-16854_4H-A-Nhttps://digitalmaine.com/mgs_geologic_field_photos/4910/thumbnail.jp
'Meet me at the left lion': encounters within Nottingham's Old Market Square
No full textArchitecture can form the structure for internal or external gathering places, however, geographer Doreen Massey defnes places, not by their physical characteristics, but as the points of interconnecting fows of people, goods, communications, memories, and imagination, positing that all places are meeting places. At the heart of the city centre, Nottingham’s Old Market Square is where the local inhabitants go to work and play; protest, mourn and celebrate. It is a place of formal and informal encounters, where friends and acquaintances meet, by chance or design; where strangers might exchange a glance or a few words; where people watch other people. Originally a shared market place for Saxon and Norman settlements, the earliest maps of the city show that the footprint of the square has remained the same for many hundreds of years, though its design and edge have gone through numerous transformations. The latest remodelling was undertaken by internationally renowned landscape architecture practice Gustafson Porter: unveiled in 2007, it has won a raft of awards including the inaugural RIBA CABE Public Space Award. Drawing on work undertaken with architecture students to explore individual experiences of the square, the paper will outline some of the fows, past and present, as well as the physical elements, which contribute to the square’s success as a place of encounter
R. Gustafson Appl. #L-16854-4H-A-N
No full textR. Gustafson Appl. #L-16854-4H-A-Nhttps://digitalmaine.com/mgs_geologic_field_photos/4911/thumbnail.jp
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