442 research outputs found
O — Emmanuelle — Catherine M. Kobiecy trójgłos o seksie
No full textO — Emmanuelle — Catherine M. Three female voices on sex In the article the author analyses three literary texts — French erotic novels translated into Polish, which were written by women. They encompass: Pauline Reage’s Histoire d’O, Emmanuelle Arsan’s Emmanuelle, and the autobiography of Catherine Millet Sex Life of Catherine M. These novels represent three styles of talking about sex; namely, silence — d’O erotic metaphor, picturesequeness — Emmanuelle and talking directly — Catherine M. The authors named the sexual act and the parts of body connected with it drawing abundantly from the general repertoire of sexualisms and choosing consistently according to their life philosophy. Thus, they created their personal way of talking about sex. In the analysed instances sexual idiolect as “a code of an individual speaker” reveals the philosophy of life of the conspicuous, female characters.O — Emmanuelle — Catherine M. Three female voices on sex In the article the author analyses three literary texts — French erotic novels translated into Polish, which were written by women. They encompass: Pauline Reage’s Histoire d’O, Emmanuelle Arsan’s Emmanuelle, and the autobiography of Catherine Millet Sex Life of Catherine M. These novels represent three styles of talking about sex; namely, silence — d’O erotic metaphor, picturesequeness — Emmanuelle and talking directly — Catherine M. The authors named the sexual act and the parts of body connected with it drawing abundantly from the general repertoire of sexualisms and choosing consistently according to their life philosophy. Thus, they created their personal way of talking about sex. In the analysed instances sexual idiolect as “a code of an individual speaker” reveals the philosophy of life of the conspicuous, female characters
L’horizon dans Foley (2000) de Michael West : vers une poétique de la redite
No full textThis article examines how Michael West’s 2000 play Foley explores not only the eponymous character’s wandering identity but also the vagaries and traps of storytelling. Foley tramps the Irish landscape and his own mindscape. In this, he is reminiscent of the tramps, tinkers, and strangers staged by the Irish Revival in the early 20th century and of many of Samuel Beckett’s characters. West’s Foley also exposes the layers of memory composing his conflicting identity and plays with metatheatricality by exposing the artificial horizon of his own story
Author correction: Cross-ancestry genome-wide association analysis of corneal thickness strengthens link between complex and Mendelian eye diseases
No full textEmmanuelle Souzeau, who contributed to analysis of data, was inadvertently omitted from the author list in the originally published version of this Article. This has now been corrected in both the PDF and HTML versions of the Article
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Author Correction: Cross-ancestry genome-wide association analysis of corneal thickness strengthens link between complex and Mendelian eye diseases.
No full textEmmanuelle Souzeau, who contributed to analysis of data, was inadvertently omitted from the author list in the originally published version of this Article. This has now been corrected in both the PDF and HTML versions of the Article
Espaces de l’intime : l’humanité vagabonde chez John Millington Synge et Samuel Beckett
No full textCe travail interroge la possibilité de mettre à jour des modes de révélation scénique de l’intime dans The Well of the Saints (1905) de John Millington Synge, et dans En attendant Godot (1952), Fin de partie (1957) et Breath (1970) de Samuel Beckett. Il s’attachera à montrer en quoi la radicalisation des thèmes de la dramaturgie de Synge dans l’œuvre de Beckett coïncide avec une évolution de la représentation scénique de l’intime, de ce lieu caché, gardé secret, et ancré au cœur de l’humain. ..
Wandering Identities: of Bags and Plays by Wilde, Pinter, and McGuinness
No full textBags onstage are a meaningful presence: being empty shells at times or full-fledged containing devices at others, they may work as the characters’ itinerant root of identity or, on the contrary, symbolise the remains of a memory wasteland. Wilde’s The Importance of Being Earnest (1899), Pinter’s The Caretaker (1960), and McGuinness’ Baglady (1988), explore the intricate ties between wandering, identity and memory. Although the plays are set in different territories, times, and contexts, they concur on the roles bags play to question memory and identity. Wandering is either what a character’s identity is paradoxically grounded on, or the process at work in the slow but ineluctable loss of it. Bag-characters are then split between their bodily presence and the physical incarnation of their minds / bags onstage. This paper aims to show how bags help question memory and identity and participate in the reification of characters.Que ce soit dans The Importance of Being Earnest d’Oscar Wilde (1899), dans The Caretaker d’Harold Pinter (1960), ou encore dans Baglady de Franck McGuinness (1988), les sacs et valises permettent de dire l’errance des personnages. Oscillant entre le plein et le creux, entre la fonction de racine mobile identitaire et une symbolique de vestige mémoriel stérile, l’objet n’est pas un simple accessoire. Les trois pièces, de nationalités, périodes et contextes différents, s’accordent toutefois pour mettre au jour les ramifications complexes entre errance, mémoire et identité. Le sac devient le signe scénique de l’errance du personnage que celle-ci soit constitutive d’une identité ou au contraire le signe de son effacement progressif mais inéluctable; véritable matérialisation sur scène de la mémoire, il indique également sa perte, devenant un contenant sans contenu. Symbole du bag character, cet être clochardisé errant dans les zones urbaines, le sac permet également de dire ce que le personnage semble ne plus pouvoir dire
La scène envahie : pouvoirs du hors-scène dans A Slight Ache d’Harold Pinter
No full textSI « LE THÉÂTRE EST ESPACE », il est également l’un des lieux privilégiés de la marge et des confins, notamment lorsqu’il donne à voir ce qu’une société préfère oublier à la périphérie de ses préoccupations : « Si la marge peut être à certains égards considérée comme un lieu de l’effondrement du sens [...] elle est également le lieu de l’émergence du sens là où s’enracinent à la limite les forces possibles [...] d’institution de modes d’échanges que l’on croyait disparus [...] ». L’exemple de..
Author Correction:Cross-ancestry genome-wide association analysis of corneal thickness strengthens link between complex and Mendelian eye diseases
No full textEmmanuelle Souzeau, who contributed to analysis of data, was inadvertently omitted from the author list in the originally published version of this Article. This has now been corrected in both the PDF and HTML versions of the Article.</p
Author Correction: Cross-ancestry genome-wide association analysis of corneal thickness strengthens link between complex and Mendelian eye diseases
No full textEmmanuelle Souzeau, who contributed to analysis of data, was inadvertently omitted from the author list in the originally published version of this Article. This has now been corrected in both the PDF and HTML versions of the Article
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