9,327 research outputs found
Max Dupain [picture] /
No full textTitle from inscription l.l.; Reproduced on p. 6 of Olive Cotton, photographer.; P1421/E; Also available in an electronic version via the Internet at: http://nla.gov.au/pic-an12767099; P1421/E
Max Dupain with Olive Cotton in Artarmon Studio, 1990 [picture] /
No full textTitle from inscription on reverse.; Condition: Good.; Inscription: "Max Dupain with Olive Cotton in Artarmon Studio, 1990. Photographer: Jill White. Printed from the original negative. Jill White, 2001"--Handwritten in ink on reverse.; Part of collection: Max Dupain's life and career, 1929-1992
Talk: Olive Coberley
No full textCollected by Max Hunter (H-13)
For Mary C. Parler
Transcribed by Frances Majors
Max Hunter speaking of Mrs. Olive
Coberley of
Weaubleau, Missouri
October, 1953
Reel 257-58, Item 12
I would like to tell you something about Mrs.
Coberley. As you heard her say, she is ninety-one
years old. She is very hard of hearing and
practically totally blind. And all the songs
that Mrs. Coberley sings she says it's strictly
from memory, without the use of any written
ballad or book whatsoever. She's been in the
Ozarks for approximately forty years. And
before moving into Wheatland and Weaubleau,
she lived up around Breckenridge, in the northern
part of the state. Her husband's parents came
from England, and the song "The Nine Blessings
of Mary" is one that she learned from her
husband before he died, and is one which he
had learned from his parents.Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Happy frisky Jim; You ought to see your dear aunt laugh; Frisky Jim
No full textVoiceCollected by Max Hunter
Transcribed by Nathaniel Lucy
Sung by Olive Coberly
Wheaton, Arkansas
November 26, 1959
Reel 346, Item 1
I’m My Daddy’s Only Son
[A complete text transcription from the same recording can be found in the Max Hunter Collection at maxhunter.missouristate.edu titled “Happy Frisky Jim”]Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Don't take me home;
No full textvoiceCollected by Max Hunter (H-16),
For Mary C. Parler
Transcribed by Frances Majors
Sung by Mrs. Olive Coberley
Wheatland, Missouri
May 12, 1959
Reel 260 , Item 9
Augustus James McCann
Augustus James McCann
Is a hen-pecked married man;
He's been fighting with his wife
Since their married life began.
One night at half past three,
While out upon a spree,
A voter knocked him down and out,
And it nearly broke his knee.
The chauffeur raised Mac's head.
He said, This man is dead.
We'll take this man home to his wife.
Then Max rose up and said.
Chorus:
Don't take me home;
Please don't take me home.
Tell me what I did to you.
Oh, have a little pity;
I'm a poor married man.
In search of peace I roam
I'm with you in anything you do,
But don't take me home.Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
With shouting and singing
No full textVoiceColl. by Max Hunter Dubbed by M.C. Parler
Mrs. Olive Coberley Wheatland, Mo. July 29, 1959
Reel 351, Item 1
Tell Ye the Story
With shouting and singing And jubilant ringing The king of rebellion cast down, At last every nation The voice of salvation His beauty shall enter therein.
The kingdom is coming Oh tell. ye the story God's banner exalted shall be The earth shall be full of Of his knowledge and glory
As waters that cover the sea.Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Max Retouching, 1940 [picture] /
No full textTitle from inscription on verso.; Inscriptions: title and date in pencil on verso; signed "Sally McInerney" in pencil below photographer's stamp; "This photograph is limited to an edition of 90 of which this is number 2"--Stamped on verso.; Limited ed. of 90.; Also available in an electronic version via the Internet at: http://nla.gov.au/nla.pic-vn4703728; Purchased from Josef Lebovic Gallery, 2009.; Library's photograph is no. 2 of 90
Enseñanza de la escritura de Max Aub: comprensión y memoria
No full textEste texto analiza a obra testimonial de Max Aub sobre su experiencia en los campos de concentración en Francia desde una perspectiva de discursos comparados. Para destacar las estrategias de la escritura del autor recuperables por otros proyectos discursivos que persigan la sensibilización y la denuncia a través del cruce entre la comunicación y la éticaThis text analyses the testimonial work of Max Aub about his experience in the French concentration camps in France from comparative discourses approach. It emphasizes the writing strategies used by the author useful for other awareness and denounce discourses through the dialogue among communication and ethic
A new species of Tamasa Distant from an unusual cave-like habitat in Australia (Cicadidae: Cicadinae: Tamasini)
No full textFigure 3. Close up of the large bolders of Black Mountain inhabited by Tamasa caverna n. sp. Photo by Fanie Venter.Published as part of Moulds, Max S. & Olive, John C., 2014, A New Species of Tamasa Distant from an Unusual Cave-like Habitat in Australia (Cicadidae: Cicadinae: Tamasini), pp. 265-270 in Records of the Australian Museum 66 (5) on page 267, DOI: 10.3853/j.2201-4349.66.2014.1637, http://zenodo.org/record/468480
Max Brooks literary reading flier
No full text2012 Bismarck State College Visiting Writers Series and ArtsQuest present: Max Brooks. April 25, 7:30 p.m.; Belle Mehus Auditorium. Max Brooks is the author of World War Z: An Oral History of the Zombie War and the graphic novel The Zombie Survival Guide: Recorded Attacks
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