20,613 research outputs found
Louis Guéry. Précis de mise en page.
No full textGuénot Jean. Louis Guéry. Précis de mise en page.. In: Communication et langages, n°83, 1er trimestre 1990. p. 126
Samuel Beckett and the Writers of Port-Royal
No full textIt has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Louis Guéry. Précis de mise en page.
No full textGuénot Jean. Louis Guéry. Précis de mise en page.. In: Communication et langages, n°83, 1er trimestre 1990. p. 126
Un sceau monétaire de l'atelier d'Arles sous Constantin Ier ?
No full textCharlet Jean-Louis, Guéry Roger. Un sceau monétaire de l'atelier d'Arles sous Constantin Ier ?. In: Revue numismatique, 6e série - Tome 25, année 1983 pp. 209-211
Louis Guéry et Pierre Lebedel Comment créer et animer une publication
No full textGuénot Jean. Louis Guéry et Pierre Lebedel Comment créer et animer une publication . In: Communication et langages, n°83, 1er trimestre 1990. p. 127
Justices à l'écran : Ch. Guéry
No full textL'auteur de l'ouvrage Les Avocats au cinéma, recensé sur le blog Droit et cinéma, Christian Guéry, a eu l'occasion de montrer l'ampleur de sa culture cinématographique dans un autre ouvrage : Justices à l'écran, paru aux P.U.F en 2007. Un seul regret à la lecture de ce livre : son titre réducteur. Christian Guéry ne se contente pas d'évoquer des films judiciaires, mais réalise une œuvre complète, qui traite principalement de cinéma mais ne néglige pas la littérature. Il s'agit en outre d'un e..
Roger Guéry, Cécile Morrisson et Hédi Slim, Recherches archéologiques franco-tunisiennes à Rougga. III, Le trésor de monnaies ďor byzantines.
No full textGiard Jean-Baptiste. Roger Guéry, Cécile Morrisson et Hédi Slim, Recherches archéologiques franco-tunisiennes à Rougga. III, Le trésor de monnaies ďor byzantines.. In: Revue numismatique, 6e série - Tome 26, année 1984 p. 292
Raoul Bulcourt, Louis Guéry, Adrien Hubert, Jacqueline Papelard, René Ponot, Paul Vivin. Abrégé du code typographique à l'usage de la presse.
No full textGuénot Jean. Raoul Bulcourt, Louis Guéry, Adrien Hubert, Jacqueline Papelard, René Ponot, Paul Vivin. Abrégé du code typographique à l'usage de la presse.. In: Communication et langages, n°83, 1er trimestre 1990. pp. 126-127
Raoul Bulcourt, Louis Guéry, Adrien Hubert, Jacqueline Papelard, René Ponot, Paul Vivin. Abrégé du code typographique à l'usage de la presse.
No full textGuénot Jean. Raoul Bulcourt, Louis Guéry, Adrien Hubert, Jacqueline Papelard, René Ponot, Paul Vivin. Abrégé du code typographique à l'usage de la presse.. In: Communication et langages, n°83, 1er trimestre 1990. pp. 126-127
Louis-Charles Damais, un humaniste en Indonésie. Détails d'une vie à Java à travers sa correspondance
No full textJean-Pascal Elbaz
Through a reading of the excerpts of the unpublished correpondence of Louis- Charles Damais, stored in Jakarta, the author attempts to reconstitute the life of a researcher working in Indonesia at the crucial time when the country was making its transition from Dutch colonisation to independence. This short essay points up the problems, both professional and material, which Damais had to face in a country dislocated by the rapid succession of political changes. This article also considers the humanist view of a Westerner for a people trying to regain its dignity by struggling against a colonial system, which Damais himself held to be morally unjustified.Elbaz Jean-Pascal. Louis-Charles Damais, un humaniste en Indonésie. Détails d'une vie à Java à travers sa correspondance. In: Archipel, volume 54, 1997. Destins croisés entre l'Insulinde et la France. pp. 243-252
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