3,049 research outputs found
The human-dog relationship in early medieval England and Ireland (c. AD 400-1250)
No full textThis thesis aims to explore the human-dog relationship in early medieval England and Ireland (c. AD 400-1250) and so develop an improved understanding of how people perceived and utilised their dogs. In 1974, Ralph Harcourt published a seminal paper reviewing the metrical data for archaeological dog remains excavated from British antiquity. Nearly forty years on, many more dog bones have been excavated and recorded. His results from the Anglo-Saxon period illustrated that the degree of skeletal variability had reduced after the end of the Roman occupation, with an increase in the average size. He also observed two distinct groups in the estimated shoulder height measurements.The key areas that have been considered include: dog functionality, morphology, and treatment. Influences that may have led to changes in people’s perception of dogs during this time period have been examined. Differences between England and Ireland are assessed, but variation in recording methods has meant the data obtained on the Irish dogs were limited. An interdisciplinary approach has been taken, combining archaeological, historical and anthrozoological information. New evidence has shown that humans’ relationships with dogs were more complex and varied than previous research would suggest, especially in the treatment of dogs at their death. This was particularly evident in England, where a change in the burial location of dogs was observed from the end of the seventh century, and could be linked to the development of Christianity and its negative teachings towards the dog. More metrical data from English sites have shown that the two distinct groups observed in Harcourt’s Anglo- Saxon results were no longer apparent
Censorship and claims making regarding problem framing in 5 published RCT's on social anxiety (as identified by the author and Amanda Reiman, PhD).
No full text<p>Censorship and claims making regarding problem framing in 5 published
RCT's on social anxiety (as identified by the author and Amanda
Reiman, PhD).</p
Unveiling Melodies in Shadows: An Analysis of Swedish Female Composer Amanda Maier’s Sonata for Violin and Piano in B Minor
No full textAmanda Maier (1853−1894), a pioneering Swedish violinist and composer of the late nineteenth century, holds a unique place in music history as the first-ever female music director in Sweden. Despite her significant achievements, her compositions have remained relatively unknown. Therefore, the document aims to illuminate Amanda Maier's violin works, focusing on investigating her violin sonata in terms of violin performance and pedagogy. Specifically, the study offers insights into the performance techniques employed and provides other pertinent pedagogical suggestions for each movement. The document features an introductory chapter and a review of the historical context of Maier's life and the violin sonata. Subsequent chapters shift the focus to performance practice and pedagogical suggestions with theoretical analysis. One distinctive feature of the study is the inclusion of practice exercises composed originally by the author, tailored specifically to the techniques found in the sonata. These exercises aid practitioners in incorporating Maier's violin sonata into their program. The study assists violinists in diversifying their performance and teaching literature. It seeks to inspire renewed appreciation for Amanda Maier's artistic legacy because it is important to recognize the remarkable contributions of women in the classical music industry, and Amanda Maier, an underrepresented composer, exemplifies this. The document not only contributes to music research but also enhances pedagogical practices, fostering a more inclusive and equitable environment for female composers in the classical music world
Belonging: natural histories of place, identity and home
No full textCanongate's synopsis:
"Reflecting on family, identity and nature, Belonging is a personal memoir about what it is to have and make a home. It is a love letter to nature, especially the northern landscapes of Scotland and the Scots pinewoods of Abernethy – home to standing dead trees known as snags, which support the overall health of the forest.
Belonging is a book about how we are held in thrall to elements of our past. It speaks to the importance of attention and reflection, and will encourage us all to look and observe and ask questions of ourselves.
Beautifully written and featuring Amanda Thomson’s artwork and photography throughout, it explores how place, language and family shape us and make us who we are."
Longlisted for the Highland Book Prize, 2023
Some of the reviews...
Outstanding - ROBERT MACFARLANE
Amanda Thomson’s new book manages to carve out a distinctive niche for itself . . . This is a passionate book and infused with a sense of rootedness - STUART KELLY, The Scotsman
In recent years rural landscapes have turned into battlegrounds, and nature writing has become increasingly polemical. Belonging is a quiet book of questions in a genre full of answers, but it is all the more powerful and beautiful for this - PATRICK GALBRAITH, TLS
One of the best things I have read in ages . . . Quiet and beautiful and powerful - ALYS FOWLER
Thomson writes of the natural in a way I have yet to encounter before. There is no real hoo-haa, no flowery description of which to speak yet somehow, I came away with that ache inside me — that renewed obsession with the world that is only borne of a very particular kind of writing — poetic, loving, raw . . . Like no other - KERRI Ní DOCHARTAIGH, Caught by the River
In strikingly original takes on Scottish history, environmentalism, Black feminist theory, artmaking, list-making, memory, and memoir, Thomson crafts a cadence that is as wise as it is vitally alive. - MARGOT DOUAIHY, author of Scorched Grac
Interview with Amanda Huron, author, Carving Out the Commons: Tenant Organizing and Housing Cooperatives in Washington, D.C.
No full textIs modern capitalism too far advanced in the U.S. to create common property regimes? Are there models for what an Urban Commons might look like? Join us as we speak with Amanda Huron, author of Carving Out the Commons: Tenant Organizing and Housing Cooperatives in Washington, D.C. (University of Minnesota Press, 2018). She’ll help us understand the theory and practice of Limited Equity Housing Cooperatives and the affordability, control, stability, and community they can provide to low-income communities and the people who live in them
Kathleen Jamie, Chitra Ramaswamy & Amanda Thomson: Antlers of Water - Live Event
No full text‘When we read and write, when we love our fellow creatures, when we walk on the beach, when we just listen and notice, we are not little cogs in the machine, but part of the remedy.’ These luminous words by Kathleen Jamie form part of the introduction to Antlers of Water, an outstanding collection of contemporary Scottish writing about nature and landscape.
The generosity of Jamie’s approach as editor of the collection goes beyond the stellar selection of contributors such as Amy Liptrot, Karine Polwart and Malachy Tallack: she also invokes the agency of readers to make a difference. ‘If, by reading, you are encouraged or confirmed in your love of the natural world, if you’re inspired simply to… look outside, then our job is done.’
In a discussion led by the BBC's Clare English, Jamie is joined by award-winning journalist Chitra Ramaswamy as well as visual artist and writer Amanda Thomson – both contributors to the anthology – to discuss Scotland, landscape and the more-than-human world around us.
This is a live event, with an author Q&A.
Part of the Edinburgh International Book Festival Making Climate Change Personal festival theme
An invitation to grieve: reconsidering critical incident responses by support teams in the school setting
No full textThis article proposes that consideration could be given to an invitational intervention rather than an expectational intervention when support personnel respond to a critical incident in schools. Intuitively many practitioners know that it is necessary for guidance/counselling personnel to intervene in schools in and following times of trauma. Most educational authorities in Australia have mandated the formulation of a critical incident intervention plan. This article defines the term critical incident and then outlines current intervention processes, discussing the efficacy of debriefing interventions. Recent literature suggests that even though it is accepted that a planned intervention is necessary, there is scant evidence as to the effectiveness of debriefing interventions in stemming later symptoms of posttraumatic stress disorder. The authors of this article advocate for an expressive therapy intervention that is invitational rather than expectational, arguing that not all people respond to trauma in the same way and to expect that they will need to recall and retell what has happened is most likely a dangerous assumption. A model of invitation using Howard Gardner's (1983) multiple intelligences is proposed so that students are invited to grieve and understand emotionally what is happening to them following a critical incident
Amanda Galvan Huynh, 46th Annual ODU Literary Festival
No full textAmanda Galvan Huynh (she/her) is a Xicana writer and educator from Texas. She is the author of a chapbook, Songs of Brujería (Big Lucks September 2019) and Co-Editor of Of Color: Poets’ Ways of Making: An Anthology of Essays on Transformative Poetics (The Operating System 2019). Her debut poetry collection, Where My Umbilical is Buried, is forthcoming in March 2023 with Sundress Publications. Amanda has been nominated for the Pushcart Prize, Best New Poets, and Sundress Publications’ Best of the Net. She was a 2016 AWP Intro Journal Project Award Winner, 2018 Best of the Net Winner, a finalist for the 2015 Gloria Anzaldúa Poetry Prize, and a finalist for the 2017 Poetry Society of America Chapbook Fellowship. Her poetry can be read in print and online journals such as Hayden’s Ferry Review, Puerto del Sol, The Southampton Review, and others.
Amanda earned her MFA in Poetry at Old Dominion University, BA in English at the University of Texas at Arlington, and BA in Biology at the University of Texas at Dallas. Currently, she is a doctoral student in English at the University of Hawaiʻi at Mānoa
Amanda Galvan Huynh, 44th Annual ODU Literary Festival
No full textAmanda Galvan Huynh is a Mexican American writer and educator from Texas. She is the author of Lotería (Sundress Publications, 2022), Songs of Brujería (Big Lucks, 2019) and co-editor for Of Color: Poets’ Ways of Making: An Anthology of Essays on Transformative Poetics (Operating System, 2019). Her writing has been supported by fellowships and scholarships from MacDowell, Vermont Studio Center, Robert Rauschenberg Foundation, Virginia Center for the Creative Arts, and others. She received a Master of Fine Arts in creative writing from Old Dominion University, and she is a doctoral student in English at the University of Hawai’i at Mānoa
Women, Work, More: Working Mothers & the Pressures of Motherhood — with Amanda Watson
No full textAmanda Watson is an author, lecturer, researcher, and mother of two. Her new book, The Juggling Mother: Coming Undone in the Age of Anxiety, is available from UBC Press. She is a Lecturer in the Department of Sociology and Anthropology at Simon Fraser University, and has a focus on feminist teaching and learning. Amanda teaches and studies theories of labour, capitalism, motherhood, care, representation, and popular culture. She also writes opinions for newspapers and magazines. Her next book project explores the politics of the BirthStrike movement for climate justice. Resources:— The Juggling Mother: Coming Undone in an Age of Anxiety: www.ubcpress.ca/the-juggling-mother— Amanda\u27s website: www.amandadwatson.com/— Amanda Watson & the birthstrike movement: www.sfu.ca/sociology-anthropol…on-sshrc-grant.htm
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