189,716 research outputs found
17 Michael R. Greenberg: "Are Nuclear Facilities LULUs? A Review of U.S. Data"
No full textIncludes descriptive metadata provided by producer in MP3 file: "engineering - Parker Symposium - 17 Michael R. Greenberg: 'Are Nuclear Facilities LULUs? A Review of U.S. Data.'" By Vanderbilt University. Composer is Regan Brown. Greenberg approaches the issue of nuclear waste management from the point of view of a social scientist. Are waste sites examples of "locally unwanted land use?" The data are inadequate to tell due to inadequacies in the construction of surveys.School of Engineerin
Robert R. Greenberg
No full textROBERT R. GREENBERG
NBS/NIST: 1976-2008
INDUCTED: 2016
Birth: 21 May 1949, Brooklyn, New York
EDUCATION:
Brooklyn College (CUNY), BS (Chemistry), 1971
University of Maryland, PhD (Chemistry), 1976
CITATION:
For exceptional contributions to the field of radioanalytical metrology, instrumental and radiochemical activation analysis, and gamma-ray spectrometry, leading to unprecedented accuracy and precision for elemental determinations.
POSITIONS HELD AT NBS/NIST:
Research Chemist, Inorganic Analytical Research Division, National Measurement Laboratory, 1976-1989 Group/Team Leader, Nuclear Methods Group/Team, Analytical Chemistry Division, Chemical Science and
Technology Laboratory, 1989-2007
Scientist Emeritus, Chemical Sciences Division, Materials Measurement Laboratory, 2008-present
HONORS:
Fellow, American Nuclear Society (1998)
CSTL Technical Achievement Award (2000)
NIST Judson C. French Award (2003)
NIST Bronze Medal (2007)
George Hevesy Medal A ward (2007)
MEMBERSHIPS:
National Academy of Sciences Committee on Scientific Assessment of Compositional Analysis of Bullet Lead American Nuclear Society Biology and Medicine Division
American Nuclear Society Isotopes and Radiation Division
International Committee on Activation Analysis
PUBLICATIONS:
More than 100 publications including:
Greenberg, R.R, "Trace Element Characterization of the NBS Urban Particulate Matter Standard Reference
Material by Instrumental Neutron Activation Analysis," Anal. Chem. 51, 2004-6 (1979)
Greenberg, R.R., "Elemental Characterization of the National Bureau of Standards Milk Powder Standard
Reference Material by Instrumental and Radiochemical Neutron Activation Analysis," Anal. Chem. 58, 2511- 16 (1986)
Greenberg, R.R. and Carpenter, B.S., "High Accuracy Determination ofU-235 in Nondestructive Assay
Standards by Gamma Spectrometry," J. Radioanal. Nucl. Chem. 111, 177-97 (1987)
Greenberg, R.R., Lindstrom, R.M. and Simons, D.S., "Instrumental Neutron Activation Analysis for
Certification oflon-Implanted Arsenic in Silicon," J. Radioanal. Nucl. Chem. 245, 57-63 (2000) Greenberg, R.R., "Pushing The Limits ofNAA: Accuracy, Uncertainty and Detection Limits," J. Radioanal.
Nucl. Chem. 278, 231-40 (2008)
Greenberg, R.R., Bode, P. and Fernandes, E.A., "Neutron Activation Analysis - A Primary Method of Measurement," Spectrochimica Acta Part B, 66, 193-241 (2011
GREENBERG BUILDING
No full textThis glass building was designed by Mitchell/Giurgola and completed in 2010. Named for benefactors Maurice R. and Corinne P. Greenberg, the Greenberg Building holds meeting rooms, open collaborative spaces and a café.
Photo by Lubosh Stepanekhttps://digitalcommons.rockefeller.edu/campus/1045/thumbnail.jp
Appropriate Similarity Measures for Author Cocitation Analysis
No full textWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
O modernismo de Clement Greenberg : forma e conteúdo
No full textPassados vinte e três anos da sua morte, Clement Greenberg continua a ser um nome a ter em conta na crítica de arte contemporânea, nomeadamente quando falamos de Modernismo. Não se pode escamotear a importância da sua teoria, geralmente apelidada de formalista, nem a influência que a mesma teve em gerações de artistas, desde os anos 30 do século XX até aos nossos dias. Também é um facto que, se por um lado, encontramos múltiplos defensores e até discípulos, por outro gerou fortes críticas e tentativas várias de desconstrução dos seus princípios artísticos. Partindo da leitura de um corpus de textos de Greenberg escritos desde o final da década de 30 até à década de 80 do século XX, procura-se, ao longo desta dissertação, analisar as implicações da teoria de Greenberg no percurso da arte moderna, essencialmente na pintura mas também na escultura, explicitando as dissensões entre Greenberg e outros críticos de arte. Mostrar-se-á, assim, o percurso da arte modernista desde o Impressionismo até Jasper Johns e Robert Rauschenberg, polemizando as referências que nomes maiores da crítica de arte, como sejam Michael Fried, Leo Steinberg e Rosalind Krauss, fazem à obra de Greenberg. No final, pretende-se que o percurso feito ao longo de cerca de 80 anos de pintura e escultura demonstre como a visão de um só homem se revelou tão importante e fundamental quanto a dos artistas.Twenty-three years after his death, Clement Greenberg is still someone to be taken into account in the world of contemporary art criticism, especially when we speak of Modernism. One cannot minimize the importance of his theory, usually referred to as formalist, or the influence it has had on the generations of artists from the 1930s to the present day. It is also a fact that, on one hand, there are multiple defenders and followers of his theory, but on the other hand, he also generates strong criticism and meets several attempts to challenge his aesthetic principles. The goal of this dissertation is to analyze the implications of Greenberg’s theory in the course of modern art, basi-cally in painting but also in sculpture, using a corpus of texts written by Greenberg since the end of the 1930s to the 1980s, explaining the dissensions between Greenberg and the other art critics. This will encompass the course of Modernist art from Impressionism to Jasper Johns, and Robert Rauschenberg, and then polemizing the commentary that major names in art criticism, such as Michael Fried, Leo Steinberg, and Rosalind Krauss made to the work of Greenberg. Consequently, it is argued that the journey made across 80 years of painting and sculpture by Greenberg demonstrates how the vision of one man became as important and critical as that of the artists themselves
On the sensitivity of Von Neuman and Morgenstern abstract stable sets : the stable and the individual stable bargaining set
No full textO modernismo de Clement Greenberg : forma e conteúdo
No full textPassados vinte e três anos da sua morte, Clement Greenberg continua a ser um nome a ter em conta na crítica de arte contemporânea, nomeadamente quando falamos de Modernismo. Não se pode escamotear a importância da sua teoria, geralmente apelidada de formalista, nem a influência que a mesma teve em gerações de artistas, desde os anos 30 do século XX até aos nossos dias. Também é um facto que, se por um lado, encontramos múltiplos defensores e até discípulos, por outro gerou fortes críticas e tentativas várias de desconstrução dos seus princípios artísticos. Partindo da leitura de um corpus de textos de Greenberg escritos desde o final da década de 30 até à década de 80 do século XX, procura-se, ao longo desta dissertação, analisar as implicações da teoria de Greenberg no percurso da arte moderna, essencialmente na pintura mas também na escultura, explicitando as dissensões entre Greenberg e outros críticos de arte. Mostrar-se-á, assim, o percurso da arte modernista desde o Impressionismo até Jasper Johns e Robert Rauschenberg, polemizando as referências que nomes maiores da crítica de arte, como sejam Michael Fried, Leo Steinberg e Rosalind Krauss, fazem à obra de Greenberg. No final, pretende-se que o percurso feito ao longo de cerca de 80 anos de pintura e escultura demonstre como a visão de um só homem se revelou tão importante e fundamental quanto a dos artistas.Twenty-three years after his death, Clement Greenberg is still someone to be taken into account in the world of contemporary art criticism, especially when we speak of Modernism. One cannot minimize the importance of his theory, usually referred to as formalist, or the influence it has had on the generations of artists from the 1930s to the present day. It is also a fact that, on one hand, there are multiple defenders and followers of his theory, but on the other hand, he also generates strong criticism and meets several attempts to challenge his aesthetic principles. The goal of this dissertation is to analyze the implications of Greenberg’s theory in the course of modern art, basi-cally in painting but also in sculpture, using a corpus of texts written by Greenberg since the end of the 1930s to the 1980s, explaining the dissensions between Greenberg and the other art critics. This will encompass the course of Modernist art from Impressionism to Jasper Johns, and Robert Rauschenberg, and then polemizing the commentary that major names in art criticism, such as Michael Fried, Leo Steinberg, and Rosalind Krauss made to the work of Greenberg. Consequently, it is argued that the journey made across 80 years of painting and sculpture by Greenberg demonstrates how the vision of one man became as important and critical as that of the artists themselves
O modernismo de Clement Greenberg : forma e conteúdo
No full textPassados vinte e três anos da sua morte, Clement Greenberg continua a ser um nome a ter em conta na crítica de arte contemporânea, nomeadamente quando falamos de Modernismo. Não se pode escamotear a importância da sua teoria, geralmente apelidada de formalista, nem a influência que a mesma teve em gerações de artistas, desde os anos 30 do século XX até aos nossos dias. Também é um facto que, se por um lado, encontramos múltiplos defensores e até discípulos, por outro gerou fortes críticas e tentativas várias de desconstrução dos seus princípios artísticos. Partindo da leitura de um corpus de textos de Greenberg escritos desde o final da década de 30 até à década de 80 do século XX, procura-se, ao longo desta dissertação, analisar as implicações da teoria de Greenberg no percurso da arte moderna, essencialmente na pintura mas também na escultura, explicitando as dissensões entre Greenberg e outros críticos de arte. Mostrar-se-á, assim, o percurso da arte modernista desde o Impressionismo até Jasper Johns e Robert Rauschenberg, polemizando as referências que nomes maiores da crítica de arte, como sejam Michael Fried, Leo Steinberg e Rosalind Krauss, fazem à obra de Greenberg. No final, pretende-se que o percurso feito ao longo de cerca de 80 anos de pintura e escultura demonstre como a visão de um só homem se revelou tão importante e fundamental quanto a dos artistas.Twenty-three years after his death, Clement Greenberg is still someone to be taken into account in the world of contemporary art criticism, especially when we speak of Modernism. One cannot minimize the importance of his theory, usually referred to as formalist, or the influence it has had on the generations of artists from the 1930s to the present day. It is also a fact that, on one hand, there are multiple defenders and followers of his theory, but on the other hand, he also generates strong criticism and meets several attempts to challenge his aesthetic principles. The goal of this dissertation is to analyze the implications of Greenberg’s theory in the course of modern art, basi-cally in painting but also in sculpture, using a corpus of texts written by Greenberg since the end of the 1930s to the 1980s, explaining the dissensions between Greenberg and the other art critics. This will encompass the course of Modernist art from Impressionism to Jasper Johns, and Robert Rauschenberg, and then polemizing the commentary that major names in art criticism, such as Michael Fried, Leo Steinberg, and Rosalind Krauss made to the work of Greenberg. Consequently, it is argued that the journey made across 80 years of painting and sculpture by Greenberg demonstrates how the vision of one man became as important and critical as that of the artists themselves
Detailed ultrasonographic findings in Greenberg dysplasia
No full textA case of Greenberg dysplasia [hydrops fetalis. ectopic calcifications, 'moth-eaten' skeletal dysplasia (HEM)] is presented. Fetal ultrasonography at 20 weeks' gestation showed hydrops fetalis, severe micromelia, irregular hyperechogenic foci in the ribs and vertebral bodies, irregular hypo- and hyperechogenic areas and abnormal contour within the long bones. and flattened and 'T'-shaped appearance of the vertebrae. Findings on postmortem histological and radiographic examination were consistent with Greenberg dysplasia. Copyright (C) 2001 John Wiley & Sons, Ltd
- …
