8,173 research outputs found
Barbara GRAZIOSI, Inventing Homer. The Early Reception of Epic.
Donnet Daniel. Barbara GRAZIOSI, Inventing Homer. The Early Reception of Epic.. In: L'antiquité classique, Tome 73, 2004. p. 329
4. The Oxford Handbook of Hellenic Studies, ed. Georges Boys-Stones, Barbara Graziosi, Phiroze Vasunia
Samama Evelyne. 4. The Oxford Handbook of Hellenic Studies, ed. Georges Boys-Stones, Barbara Graziosi, Phiroze Vasunia. In: Revue des Études Grecques, tome 126, fascicule 2,2013. pp. 649-652
4. The Oxford Handbook of Hellenic Studies, ed. Georges Boys-Stones, Barbara Graziosi, Phiroze Vasunia
Samama Evelyne. 4. The Oxford Handbook of Hellenic Studies, ed. Georges Boys-Stones, Barbara Graziosi, Phiroze Vasunia. In: Revue des Études Grecques, tome 126, fascicule 2, Juillet-décembre 2013. pp. 649-652
Barbara James
Date:1943Barbara was born in Holdredge, Nebraska in the United States of America in 1943. In 1960 she arrived in Darwin working in a variety of occupations such as a journalist, historian, author, activist, advocate and editor. Barbara wrote 13 books including "No Man's Land" which explored the contributions of women in the Northern Territory. She also received a number of awards including 2001 NT Heritage Award, the 2000 NT Literary Essay Awards and the Chief Minister's Women's Achievement Award in 1999.JournalistHistorianAuthorActivistEditorAmerica
Barbara Ras - Sowell Conference 2017
Barbara Ras, San Antonio, Poet, author of "Bite Every Sorrow" and "The Last Skin
Exclusive interview with author Barbara Kingsolver
Exclusive interview with author Barbara Kingsolver for her 2018 novel *Unsheltered
Dataset for publication: Post‐war architecture and urban planning as means of reinventing Opole’s past and identity
The collection includes files related to the publication: Barbara Szczepańska, Post‐War Architecture and Urban Planning as Means of Reinventing Opole’s Past and Identity, „Urban Planning”, Vol 8, No 1 (2023): Bombed Cities: Legacies of Post-War Planning on the Contemporary Urban and Social Fabric, pp. 266-278, https://doi.org/10.17645/up.v8i1.6079. The collection includes figures used in the publication:Opole_plan A plan of Opole, with areas of Ostrówek (left), Market Square (center) and Central Square (right) highlighted in red. Originally published in: "Guidebook to the city of Opole" ("Przewodnik po mieście Opolu", Opole: Księgarnia Opolska, 1948, https://polona.pl/preview/2f383a4a-5e9e-444d-9e94-366b8ac8610d). Author: Z. Streer. Licence: CC0Opole_Monument to the Opole Silesian Fighters for Freedom A photograph depicting Monument to the Opole Silesian Fighters for Freedom (Pomnik Bojownikom o Wolność Śląska Opolskiego) in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_monument of Kazimierz I Opolczyk A photograph depicting the monument of Kazimierz I Opolczyk in the Market Square in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_Market Square_eastern frontage A photograph depicting eastern frontage of the Market Square in Opole. Author: Barbara Szczepańska. Licence: CC0Opole_Market Square_eastern frontage_before 1945 A photograph depicting eastern frontage of the Market Square in Opole before 1945. Originally published on Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Market_Square_in_Opole,_eastern_frontage.jpg. Author: unknown. Licence: CC0Opole_monument of Frederick the Great A photograph depicting monument of Frederick the Great in Opole, before 1945. Originally published on Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Opole_Oppeln_Denkmal_Friedrich_der_Große.jpg. Author: unknown. Licence: CC0</ul
Barbara Graziosi. <i>Homer</i>, Oxford University Press, Oxford, 2016, 154 pp.
Barbara Graziosi (Universidad de Durham), autora -entre muchas otras publicaciones- de Inventing Homer (2002) y The Gods of Olympus: A History (2013), autora junto con Johannes Haubold de Homer: The Resonance of Epic (2005) y editora y comentarista de Homer: Iliad VI (2010), nos ofrece en esta oportunidad Homer. Según expresa ella misma en las primeras páginas, el libro que reseñamos es producto de haber estado a cargo de la dirección del proyecto de investigación “Living Poets: A New Approach to Ancient Poetry” (European Research Council). El doble objetivo que plantea la autora es, por un lado, facilitar la comprensión e interpretación de Ilíada y Odisea a través de un sucinto pero actual recorrido por los estudios homéricos, ya sean literarios, históricos, culturales o arqueológicos. Por otro lado, la autora señala su intención de evidenciar cómo los lectores de Homero se enlistan en una vasta comunidad de lectores y no-lectores del poeta arcaico en relación con las reescrituras de la tradición épica de Ilíada y Odisea.Universidad Nacional de La Plata (UNLP) - Facultad de Humanidades y Ciencias de la Educació
'A date with Barbara': paracosms of the self in biographies of Barbara Newhall Follett
In 1927, 13-year-old Barbara Newhall Follett published her first book, the critically acclaimed novel, The House Without Windows and Eepersip's Life There.
Twelve years later, on December 7, 1939, 25-year-old Barbara quarrelled with her husband and left her apartment in Boston with $30 in her pocket, and a notebook. She was never seen again.
The House Without Windows is set in a paracosm (Farksolia) she invented, and ends with the metamorphosis of the titular character into a 'fairy-a wood nymph … invisible for ever to all mortals, save those few who have minds to believe, eyes to see'.
In Barbara's (auto)biography, The Unconscious Autobiography of a Child Genius (1966), written by Harold Grier McCurdy 'in collaboration with Helen Follett' (Barbara's mother), the authors wonder: 'Can we be far wrong in substituting Barbara's name for Eepersip's in the closing scenes of [House Without Windows]?
In this paper, I grapple with the formal and ethical challenges of writing about Barbara Newhall Follett, and the ways her family and others have approached the problem of writing her unresolved life story: a child raised and educated in solitude, a celebrated 'natural' child author, a young woman whose disappearance remains unsolved. The paper will explore the ways in which adults write the stories of children's lives, as nostalgia and fable, as fairytale and paracosmic narrative, and the ways in which Barbara's biographers have, consciously and unconsciously, created biographical concordances, or paracosms of the self, in seeking to make meaning of her life's story
Barbara Ehrenreich: Blood Rites: A New Evolutionary Perspective on Violence
Barbara Ehrenreich, author, social critic and political essayist, discusses the emotional and social aspects of warfare and violence.
Barbara Ehrenreich is an American author and political activist who describes herself as a myth buster by trade” and has been called a veteran muckraker by The New Yorker.During the 1980s and early 1990s she was a prominent figure in the Democratic Socialists of America. She is a widely read and award-winning columnist and essayist, and author of 21 books. Ehrenreich is perhaps best known for her 2001 book Nickel and Dimed: On (Not) Getting By in America
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