1,345 research outputs found
Jacob Viner’s Reminiscences from the New Deal (February 11, 1953)
No full textThis paper presents and reproduces an unpublished oral history interview given by Jacob Viner in 1953. The interview released by Viner for the Columbia Oral History Project gives us a valuable opportunity to throw light on his advisory activity during the New Deal Era. In our introduction we attempt to make a critical appraisal of Viner's reminiscences and to state the contribution they can provide to our general knowledge of the period. In addition, we also attempt to find out some biographical and interpretative elements useful to understand Viner’s own vision and his contribution to important economic policy processes during the New Deal.
Les Mathématiques naturelles
No full text@book{OL-CHEMILLIER-2007, author = {Chemillier, M.}, editor = {}, title = {Les Mathématiques naturelles}, publisher = {Odile Jacob}, year = {2007}, address = {Paris}, series = {240 pages}
The works of Jacob Behmen, the Teutonic theosopher : to which is prefixed, the life of the author /
No full textFrontispiece, v. 1, is engraved port. of the author. Vol. 3 includes Law's diagrams. Fig. 1 is a folded, hand-colored engraving entitled: The true principles of all things. Fig. 2 is a hand-colored engraving entitled: The tree of the soul. Plates numbered I-XIII are untitled, and are mostly cosmic diagrams. Fig. I, no. 1 is entitled: The origin of things and the process of Christ; it consists of 2 folded leaves joined together to form a single plate hinged in at the center fold, with an additional folded sheet overlaying. Fig. II, a single leaf, is entitled: The constituent parts of man. Three final plates ("The first [second, third] table") are single leaves depicting the human body with up to 8 levels of overlays. The first and second tables show males, the third female.Vol. 3-4 have publisher: Printed for G. Robinson in Pater-noster Row.v. 1. The aurora. The three principles -- v. 2. The threefold life of man. The answers to forty questions concerning the soul. The treatise of the incarnation. The clavis, or, An explanation of some principal points and expressions in his writings -- v. 3. The mysterium magnum, or, An explanation of Genesis. Four tables of divine revelation -- v. 4. Signatura rerum. Of the election of grace, or, Of God's will towards man, commonly called predestination. The way to Christ. A discourse between a soul hungry and thirsty after the fountain of life, the sweet love of Jesus Christ; and a soul enlightened. Of the four complexions. Of Christ's testaments, baptism, and the supper.Hogart, R. Alchemy,Mode of access: Internet
Computer Vision and Deep Learning Methods for Measuring and Modeling Animal Behavior
No full textThe study of animal behavior is a fundamental pursuit for answering scientific questions across a variety of fields — including neuroscience, psychology, ecology, genetics, and evolution.While the task of collecting accurate and complete behavioral data has typically always been difficult, laborious, and subjective, in recent years there has been rapid progress in methods for automatically quantifying behavior objectively and at scale. This progress has been primarily driven by the emergence of new computational hardware, software, and algorithms for measuring behavior. In order to reveal core insights about how animals organize their behavior with the increased quality and resolution of these data comes the need for new methods for data-driven modeling. Here, in this thesis, I focus on computational tools—the development of new algorithms and software—for measuring and modeling behavior using methods from computer vision, deep learning, Bayesian inference, and probabilistic programming, while also synthesizing these approaches with ideas from other relevant areas such as information theory, nonlinear dynamics, and statistical physics. First, I developed a barcode tracking system for automated behavioral studies where the location and identity of individuals can be reliably tracked over several weeks (or potentially longer) using conventional computer vision (Chapter 1). Next, I developed general-purpose deep learning methods for measuring animal posture — any set of user-selected body parts — in the laboratory and field (Chapter 2). Finally, I introduce methods for using these posture data to model behavior with techniques from machine learning andBayesian statistical inference (Chapter 3). Together these methods reduce barriers to measuring and modeling animal behavior and allow researchers to answer scientific questions that were previously intractablepublishe
pinpoint: behavioral tracking using 2D barcode tags v0.0.1-alpha
No full text<p>Release for DOI</p>
behavelet: a wavelet transform for mapping behavior
No full text<p>a wavelet transform for mapping behavior</p>
De Maiestate / Praeside M. Jacobo Thomasio, Moralis Philosoph. P. P., publice disputabit Johannes Dunte, R. L. Author & Respon: ad diem 9. Septembr. H L. Q. C.
No full textDE MAIESTATE / PRAESIDE M. JACOBO THOMASIO, MORALIS PHILOSOPH. P. P., PUBLICE DISPUTABIT JOHANNES DUNTE, R. L. AUTHOR & RESPON: AD DIEM 9. SEPTEMBR. H L. Q. C.
De Maiestate / Praeside M. Jacobo Thomasio, Moralis Philosoph. P. P., publice disputabit Johannes Dunte, R. L. Author & Respon: ad diem 9. Septembr. H L. Q. C. (1)
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Funaxopsis Heyer & Castro, 2009, gen. nov.
No full textFunaxopsis gen. nov. Type species: Cunaxoides passerinae Den Heyer, 1981b. Diagnosis. This genus can be distinguished from other genera by the following set of characteristics: tibia IV with 2 sts and 1 long sts; setae c2 and h2 smooth and depression for pe organ on tarsus I lacking. Etymology. The senior author just added a few more letters to the stem-“..unaxo..” and ending it on a taxonomically recognized suffixPublished as part of Heyer, Jacob Den & Castro, Tatiane M. M. G., 2009, SiGe-Space-Synthesizer-Entwicklung eines SiGe-Synthesizerdemonstrators: SISSI; Schlussbericht, pp. 1-15 in Zootaxa 2140 on page 13, DOI: 10.2314/gbv:620362286, http://zenodo.org/record/531966
JACOB CORNELISZ VAN OOSTSANEN IN STROSSMAYER GALERIE
No full textU jednoj poslijeratnoj akviziciji Strossmayerove galerije JAZU (ulje na drvetu 1,295 x 0,840 m), autor ovog teksta prepoznaje djelo Jacoba Cornelisza van Oostsanena (oko 1470-1533). Citira komparativni materijal iz Kassela i Berlina, pa predpostavlja da su zagrebački sveti Jakob i Katarina morali nastati oko 1515. godine. Aluzije na njemački renesansni krug slikara autor objašnjava popularnošću Durerovih grafika u Nizozemskoj, što je više nego očigledno u drvorezbarskom opusu Jacoba Cornelisza. Na osnovu prenaglašenog kontraposta unutar čvrste tektonske kompozicije, otvara se ovdje pitanje o maniri kao preteči manirizma. U daljem tekstu autor povezuje zaštitničku ulogu svetaca s ondašnjom pripadnošću Nizozemske španjolskoj kruni. Naime, u toplini i bogatstvu pejzaža iza svete Katarine, autor vidi urbanizirani Sjever, za razliku od dalekog, pustog i siromašnog krajobraza Španjolske u pozadini svetoga Jakoba.In an acquisition made by the Strossmayer Gallery of the Yugoslav Academy of Sciences and Art (oil on wood 1,295 x 0,840 m) after World War II, the author of this text recognizes a work by Jacob Cornelisz van Oostsanen (c. 1470-1533). He quotes comparative material from Kassel and Berlin, supposing that the painting of St Jacob and St Catherine in Zagreb must have originated about 1515. Allusions to the German circle of Renaissance painters are explained by the author as resulting from the popularity of Durer's prints in the Netherlands, quite evident in the woodcuts of Jacob Cornelisz. The overstressed counterpoint existing within this firm tectonic composition confronts us here with the question of manner as a forerunner of mannerism. The author further relates the protective role of the saints with the fact that the Netherlands were
ruled by the Spanish crown at that period: in the warmth and lusciousness of the landscape behind St Catherine the author sees an urbanized North, contrasted to the distant, barren and deserted Spanish vista in the background of St Jacob.ln einem in den Nachkriegsjahren fur die Strossmayer-Galerie der Jugoslawischen Akademie der Wissenschaften und Kunste in Zagreb erworbenen Gemalde (Oel auf Ho/z, 1,295xO,840 m) erkennt der Verfasser ein Werk des Jacob Comelisz van Oostsanan (um 1470-1533). Er fuhrt Vergleichsmaterial aus Kassel und Berlin an, und setzt voraus, daf3 das Zagreber Bild des hl. Jakob und der hl. Katharina um 1515 entstanden ist. Anklange an den Kreis der deutschen Renaissancemaler erklart der Verfasser mit der Volkstumlichkeit von Durers graphischen Werken in Holland, was auch bei den Holzstichen von Jacob Comelis klar zutage tritt. Aufgrund des uberbetonten Kontrapostes innerhalb einer festen tektonischell Komposition stellt sich die Frage der Manier als Vo ria uf erin des Manierismus. lm weiteren Text stellt der Verfasser die Patronatsrolle der beiden Heiligen in Verbindung mit der damaligen Zugehorigkeit von Holland zur Spanischen Krone. Er sieht namlich in der Warme und Vielfa ltigkeit des landschaftlichen Hintergrunds der hl. Katharina den urbanisierten Norden, im Gegensatz zu der femen, eins amen und wi1sten Landschaft Spaniens im Hintergrund des hl. Jakobs
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