9,055 research outputs found
Stuart (Graham), The international city of Tangier, 1931
No full textReussner A. Stuart (Graham), The international city of Tangier, 1931. In: Revue d'histoire moderne, tome 7 N°5,1932. pp. 522-523
Stuart (Graham), The international city of Tangier, 1931
No full textReussner A. Stuart (Graham), The international city of Tangier, 1931. In: Revue d'histoire moderne, tome 7 N°5,1932. pp. 522-523
Tennessee roads / Jesse Stuart. In Mountain herald / Lincoln Memorial University.
No full textThis picturesque poem was written by then-sophomore (and future celebrated author) Jesse Stuart about the roads of Tennessee
Interview with Graham Gunn
No full textDon Dunstan Oral History Project interview transcripts. The transcript of this interview is not available online until 31 December 2015. Conditions of use: Anyone wanting to edit, reproduce, publish (including electronic publication on the Internet), broadcast, transmit, perform or adapt the interview in the interviewee's lifetime or before 31st December 2015 must get the interviewee's written permission first. Applications for access should be made to the Special Collections Librarian, Flinders University Library, [email protected] with Graham Gunn by George Lewkowicz. Graham Gunn was elected the Member for Eyre on the 30th May 1970 and was the Member for Stuart from 1997 to 2010. The interview was held on the 18th August 2009
Patents and the Economy
No full textDr. Stuart Graham is the Chief Economist of the United States Patent and Trademark Office. He has a PhD, J.D., M.B.A., and an M.A. in Information Systems. Dr. Graham\u27s key function at the USPTO is to manage a team of economists who examine the impact of intellectual property on the economy.
Much of Dr. Graham\u27s work focuses on the effects of patents on business growth, high-tech startups and entrepreneurs. Dr. Graham\u27s opening remarks will comment on the economic effects of the recent overhaul in the patent system, due to the Leahy-Smith America Invents Act, which will be relevant to business owners and entrepreneurs, economists, and intellectual property practitioners
No. 617 Stuart Ruckman
No full textTranscript (12, 40 pages) of two interviews by Matt Driscoll with Stuart Ruckman on April 9, 2010, and July 7, 2011Ruckman (b. 1966) was born in Salt Lake City, Utah. Stuart shares how his family, particularly his father, played a significant role in introducing him to the outdoors. Some of his initial explorations included a hike to the top of Mount Olympus when he was five years old, backpacking trips in the Wasatch and Uinta Mountains, and a successful summit attempt on the Grand Teton when he was twelve. Stuart discovered technical rock climbing due to the influence of his older brother Bret, five years Stuart\u27s senior. Bret learned under Dennis Turville, a well-respected Salt Lake climbing instructor. Stuart shares his observations on the Salt Lake climbing community of the late 1970s and 1980s, noting the intimacy of the community, while also pointing out the significant influence of a handful of climbers, including Merrill Bitter, Les Ellison, and Brian Smoot. He briefly describes the proliferation of new-route development in the Wasatch during his first decade in climbing. In collaboration with his brother Bret, Stuart published comprehensive guidebooks on climbing in the Wasatch Mountains. Stuart\u27s contributions as a first-ascensionist and co-author of Rock Climbing the Wasatch Range attest to his lasting impact on Utah climbing. Interview is part of the Outdoor Recreation History Project. Interviewer: Matt Driscol
San Francisco, California 1851
No full textRelief shown by hachures and spot heights; depths shown by soundings.; Shows drainage, roads, etc.; "Constructed, projected and drawn by Fred D. Stuart, hydrographer, late of the U.S. Ex. Ex."; "Sheet no. 1."; Place names in English and Spanish.; Soundings in fathoms.; Inset view: Entrance to San Francisco.1:151,50
Redemption in the work of Francis Stuart
No full textThe idea of redemption is central to an understanding of the work
of Francis Stuart. Through an examination of its development and
expression, it is possible to demonstrate the integrity of his work and
its distinctive qualities. Such a demonstration is necessary because
Stuart's writing has been subjected to comparatively little scholarly
inquiry, although reviews of his work, especially that produced since
1949, suggest that it is impressive and important.
First, a general background to Stuart's work, a discussion of the
special problems associated with reading it, and a summary of his corpus
is provided. This indicates that the idea of redemption is important to
his earliest writing. The state of redemption is shown to be a
necessary apotheosis for Stuart's outcast heroes; it involves spiritual
suffering through which may be found a sense of reintegration and a
higher reality. This is expressed through interrelated themes such as
those of gambler, artist and ordinary man; mystic and criminal; sacred
and profane love; and spirituality and the mundane. The nature of the
redemptive experience is further elaborated by distinctive, complex
motifs, especially the hare, the ark and the woman-Christ. Their
recurrence provides an important element in the unity of Stuart's work.
Because Stuart's idea of the outcast raises important biographical
questions, an examination of the relationship between Stuart's life and
his work is made. Finally, the way in which the idea of redemption
exists in the language structures of Stuart's novels is examined, with
especial reference to his most recent work, The High Consistory. The
thesis shows that the development of the these of redemption
demonstrates the integrity of Stuart's work
George MacLeod’s open-air preaching: performance and counter-performance
No full textStuart Blythe uses the methodology of performance to analyse George MacLeod’s open-air preaching. He points out that MacLeod’s preaching was derived from a theology of the incarnation, and an understanding of the paradoxes and dichotomies of common human life. This preaching, Blythe suggests, was also a counter-performance in the context of outlooks and ideologies inimical to the gospel. The paper raises interesting issues related to preaching as performance, and the further question as to whether or not the life and work of the Church as a whole might now be better understood as a counter-performance.Publisher PD
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