1,721,060 research outputs found
Modes of Collection
No full textThe collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers.
New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries
Curating Behaviours; New Media Art
No full textGraham, Beryl (2023) “Curating Behaviours; New Media Art.” Curating and Art History course, Curatorial Practice Now module invited speaker. 27 October. York: University of York
Sentient Systems: Exhibiting Interaction, Participation or Collaboration?
No full textGraham, Beryl (forthcoming 2021) “Sentient Systems: Exhibiting Interaction, Participation or Collaboration?” Surrey Art Gallery: TechLab 20th Anniversary [TBC]. Vancouver, Canada: Surrey Art Gallery
Digital Dark Ages Artists’ Panel
No full textGraham, Beryl (2016) Digital Dark Ages Artists’ Panel. 22 Sep. Castleton: AND Festival. http://andfestival.org.uk. Invited Chair and framing
Rethinking Curating: Art After New Media [Chinese edition, in Chinese]
No full textGraham, Beryl and Sarah Cook Rethinking Curating: Art After New Media. [Chinese edition, in Chinese]. Beijing: Tsinghua University Press /MIT Press
Chair’s Introduction - Equal Collaborations?
No full textGraham, Beryl (2016) “Chair’s Introduction - Equal Collaborations?” Thinking Digital in the Arts: Unusual Collaborations. 10 May. Gateshead: Sage Gateshead http://thinkingdigitalconf.tumblr.com/post/142679272968/tdarts. [Invited Chair and presenter]
Rethinking Curating, Art After New Media
No full textA 355-page book with 68 illustrations, colour cover with commissioned data visualisation of the book text. The book examines how new media art has changed modes of curating in contemporary art
IRL to URL: Image Objects. Bloomberg New Contemporaries. 2-day Symposium.
No full textInvited chair and introductory lecture for panel. Graham, Beryl (2017) In: 24 Nov IRL to URL: Image Objects. Bloomberg New Contemporaries. 2-day Symposium. Gateshead: BALTIC/ Bloomberg New Contemporaries. http://www.newcontemporaries.org.uk/exhibitions-and-events/events/irl-to-url https://vimeo.com/257506878/ffb265ddcf
Peking Seminar: New Media Art
No full textGraham, Beryl (2017) “Peking Seminar: New Media Art.” Peking University seminar series: Prof. Laozhu, staff and PhD researchers of Media Lab (National Committee of Experimental Art), Annual of Contemporary Art of China. 26 November. Beijing: Peking University. Invited seminar leader
Collecting New Media Art
No full textGraham, Beryl (2016) “.” In: 14 July Media in the Expanded Field: Curators and museum professionals’ Think Tank. July 12-18. Casa Wabi, Puerto Escondido, Mexico: Montabonel Foundation. http://montabonel.com/research/media-in-the-expanded-field/
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