203,108 research outputs found
Kolaiti, C. (2023) 'Lines Indent' [Poem] 'Rowan' [Image], The Paper (June 2023). Glasgow: Good Press.
No full textKolaiti, C. (2023) 'Lines Indent' [Poem] 'Rowan' [Image], The Paper (June 2023). Glasgow: Good Press.
In Print and Online.
Available at: https://cdn.shopify.com/s/files/1/0603/5338/0582/files/THEPAPER_JUNE2023.pdf?v=170119776
GPOD (Good Press on Demand)
No full textOn the invitation of Grafixx Festival, Belgium, Good Press were asked to produce a workshop. An alternative proposition was created whereby the facilitators of the workshop carried out the production of publications in a service-role, giving the visitor reward for their time and knowledge. An 'On Demand' service was considered, inspired by the nature of sharing, duplicating, bootlegging, community and economy.
Each individual and group that Museums Press and Good Press had worked with over its existence (400+) was asked to provide an 8-page publication which would be printed on-site at the festival in exchange for a conversation. It highlighted the sprawling generosity in current independent and DIY practices and subverted the publisher’s role to become the laboured printer. Taking influence and cues from local printers, the giveaway ethos of contemporary festivals and a subversion of the anonymous 21st century publisher, the service became performance with a stylised environment, uniforms and stressed outlook
Melbourne University Press Author Portraits
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/71561These photographs are of authors published at some stage by Melbourne University Press, and were taken for the purposes of furnishing author pictures on the covers of titles published by the Press.114553
Series: [2003.0130] "Melbourne University Press Author Portraits
'Chaotic Good' musical performance
No full textPhotograph taken for the Columbus Free Press showing a musical group called "Chaotic Good" performing during the opening of the HAADCO Global Store on October 20 (year unknown). The acoustic trio plays a guitar, bowed psaltery and percussion instruments.
The Columbus Free Press began as a bi-weekly publication in Columbus, Ohio, in 1970. An underground newspaper, it replaced the Ohio State University publication The People, Yes. The earliest known issue of the newspaper appeared on January 4, 1971. The newspaper underwent a series of name changes over the decades, with titles including the Columbus Free Press & Cowtown Times (1972-1976), the Columbus Freepress (1976-1992) and The Free Press (1992-1995). The paper, which covered many liberal and progressive causes, was an alternative to mainstream news sources in central Ohio with the slogan “The Other Side of the News.”
In 1995, the paper ceased publication briefly before reemerging as a website in early 1996, and returning as a print publication under the Free Press title in the form of a quarterly journal in 1998. Published under various frequencies during the first part of the 21st century, the Free Press again became a nonprofit monthly publication in 2017 with both a print and web presence, published by the Columbus Institute for Contemporary Journalism and operated by a volunteer staff and board
Columbus Free Press advertising rates
No full textPhotocopied flyer listing advertising rates and available discounts for publication in the Columbus Free Press newspaper. In addition to an illustration of the Columbus city skyline, the sheet includes "five good reasons" for advertisers to consider advertising in the paper.
The Columbus Free Press began as a bi-weekly publication in Columbus, Ohio, in 1970. An underground newspaper, it replaced the Ohio State University publication The People, Yes. The earliest known issue of the newspaper appeared on January 4, 1971. The newspaper underwent a series of name changes over the decades, with titles including the Columbus Free Press & Cowtown Times (1972-1976), the Columbus Freepress (1976-1992) and The Free Press (1992-1995). The paper, which covered many liberal and progressive causes, was an alternative to mainstream news sources in central Ohio with the slogan “The Other Side of the News.”
In 1995, the paper ceased publication briefly before reemerging as a website in early 1996, and returning as a print publication under the Free Press title in the form of a quarterly journal in 1998. Published under various frequencies during the first part of the 21st century, the Free Press again became a nonprofit monthly publication in 2017 with both a print and web presence, published by the Columbus Institute for Contemporary Journalism and operated by a volunteer staff and board
Good Water
No full textIn essays that combine memoir with biography of place, Kevin Holdsworth creates a public history of the land he calls home: Good Water, Utah. The high desert of south-central Utah is at the heart of the stories he tells here--about the people, the 'survivors and casualties' of the small, remote town--and is at the heart of his own story. Holdsworth also explores history at a personal level: how Native American history is preserved by local park officials; how Mormon settlers adapted to remote, rugged places; how small communities attract and retain those less likely to thrive closer to population centers; and how he became involved in local politics. He confronts the issues of land use and misuse in the West, from the lack of water to greed and corruption over natural resources, but also considers life's simple pleasures like the value of scenery and the importance of occasionally tossing a horseshoe. Good Water's depiction of modern-day Utah and exploration of friendships and bonding on the Western landscape will fascinate and entice readers in the West and beyond.--Provided by publisher.Prelude: Winter Light -- Introduction: Hantavirus -- Part One -- 1. Moving Water -- 2. Town Owl -- 3. Blue and Gray -- 4. Burning Fields -- 5. Reliquary -- 6. H2O: Use it or Lose It -- Part Two -- 7. Joe's Mesa -- 8. Two Chairs -- 9. Wild Currants -- 10. Bonita Bacchanalia -- 11. High Plateau Blues -- 12. The Mighty Blizzard of 1995 -- 13. Drowning -- Part Three -- 14. South Wind from the West -- 15. National Monuments -- 16. In Loving Memory: the Good Water Dump -- 17. Bob's Truck -- 18. Clementine -- 19. The Hayrack -- 20. House Rules -- 21. The Egyptian -- 22. Burning Elvis -- 23. To Remember What Is Lost
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
[Portrait of Dr. Keith Rayner addressing the National Press Club, 1997] [picture] /
No full textCondition: good.; Part of the collection of portraits of Dr. Keith Rayner addressing the National Press Club, 1997. Photograph of Dr Keith Rayner, an Archbishop in the Anglican Church of Australia, making an address at the National Press Club on 12/2/1997
Wealth and common good
No full textChristianity is not always anti-wealth per se but has much to say about the use of wealth for common good not merely personal advantage. Wealth can be a trust held in the service of God. This essay revisits some of Jesus’ most famous sayings about wealth to consider the acquisition, use and relative value of earthly wealth, and the realities of economic inequality. The cost of wealth can be damnation or the responsibility of using it well for common good.Chapter from “Together for the common good: towards a national conversation”, ed. by Nicholas Sagovsky, Peter McGrail. SCM Press, 2015. 9780334053248. Deposited with the publisher's permission
Thomas, Good, & Gross (2015)
No full textThis project includes the data and materials used in:
Thomas, G., Good, J. J., & Gross, A. R. (in press). Racial athletic stereotype confirmation in college football recruiting. Journal of Social Psychology
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