4,510 research outputs found
Performance: Ruben Gonzalez, violin
No full textPartita No. 3 in E Major, Johann Sebastian Bach (1685-1750) -- Sonata, Arthur Honegger (1892-1955) -- Partita No. 2 in D Minor, Johann Sebastian Bac
[Memorandum from Ruben Bonilla, Jr. - August 22, 1979]
No full textCopy of a memorandum from Ruben Bonilla, Jr., League of United Latin American Citizens National President, directed to the National Executive Board. The memo advises that Bonilla has appointed a new State Director for the state of Michigan, Ramiro Gonzalez
Faculty Recital: John Perry, piano, guest artist; Ruben Gonzalez, violin
No full textSonata No. 8 in G Major, Op. 30, No. 3, Ludwig van Beethoven (1770-1827) -- Sonata No. 10 in G Major, Op. 96, Ludwig van Beethoven (1770-1827) -- Sonata in A Major for violin and piano, César Franck (1822-1890
Partita No. 3 in E Major
No full textPrelude -- Lourée -- Gavotte -- Minuet I -- Minuet II -- Bourée -- Gigu
MIG – PV : efeito da corrente negativa e proporção de eletrodo negativo sobre a penetração de cordões de solda em alumínio
No full textO processo MIG (Metal Inert Gas) com polaridade variável (PV) é um processo relativamente novo que pode ser aplicado na indústria de processos de soldagem com altas taxas de deposição e custo competitivo. O processo utiliza curvas compostas de pulsos nas polaridades positiva e negativa, e apresenta como principais benefícios, em relação ao processo convencional, alta taxa de fusão, aliada ao baixo aporte térmico, menores deformações e um melhor controle da penetração e diluição. O objetivo deste trabalho é analisar o efeito da corrente negativa (In) e da proporção de eletrodo negativo (%EN) da curva de corrente típica do processo polaridade variável sobre a penetração dos cordões de solda. Para o estudo foram usados três níveis de In de -70 A, -50 A, e -30 A e quatro níveis de percentagens de %EN de 20%, 30%, 40% e 50%, aplicando projeto de experimentos fatorial totalmente cruzado. Foram realizados cordões de solda na posição plana (1G), depositando alumínio ER5356 sobre a superfície livre da chapa de Al5052-F. Sugere-se que, para a proporção de eletrodo negativo (% EN), deve ser considerado o valor da corrente negativa, para se obter maior aproximação aos efeitos de In e %EN sobre a penetração. O efeito da In sobre a penetração é de 13,1%, entretanto o efeito de %EN é de 71,6%, também a interação entre In e %EN é estatisticamente significativa contribuindo com 11,0%. Foi concluído que um decréscimo na corrente negativa em módulo causa redução na penetração. Assim como o aumento da proporção de eletrodo negativo causa diminuição na penetração no cordão de solda.The MIG (Metal Inert Gas) process with variable polarity (PV) is a relatively new process that can be applied in the welding process industry with high deposition rates and competitive costs. The process uses curves composed of pulses in positive and negative polarities and presents as main benefits in relation to the conventional process, a high melting rate, combined with low thermal input, smaller deformations, and better control of penetration and dilution. The objective of this work is to analyze the effect of the negative current (In) and the proportion of negative electrode (%EN), of the typical current curve of the variable polarity process, on the penetration of the weld beads. For the study, three levels of In of -70 A, -50 A, and -30 A and four levels of %EN percentages of 20%, 30%, 40%, and 50% were used, applying a fully crossed factorial experiment design. Weld beads were made in the flat position (1G), depositing aluminum ER5356 on the free surface of the Al5052-F sheet. It is suggested that for the negative electrode proportion (%EN), the value of the negative current should be considered, in order to obtain a closer approximation to the effects of In and %EN on penetration. The effect of In on penetration is 13.1%, however, the effect of %EN is 71.6%, also the interaction (In and %EN) is statistically significant contributing with 11.0%. It was concluded that a decrease in negative current in modulus causes a reduction in penetration. Likewise, increasing the proportion of the negative electrode causes a decrease in penetration into the weld bead
Reorienting Critical Geographies of Global Development:A Conversation with Han Cheng, Patricia Daley, Ruben Gonzalez-Vicente, Diana Vela-Almeida, and Joseph Awetori Yaro
No full textThis roundtable on reorienting critical geographies of global development was organized in response to “The Critical Geography Conversations: ACME’s 20+ Year Anniversary”. It brought together scholars from diverse backgrounds—including Han Cheng, Patricia Daley, Jospeh Yaro, Ruben Gonzalez-Vicente, and Diana Vela-Almeida—to reflect on significant shifts in global development geographies, such as the rise of the Global South, the consolidation of Brazil, Russia, India, China, and South Africa (BRICS), especially China’s role, and the urgency to question established spatial categories. The conversation created a space for collective reflection on the possibilities and challenges of reshaping how we teach, research, and engage with the world. In an era where unlearning and rethinking are vital to envisioning alternative futures, this dialogue emphasized the importance of forging new ways of being, feeling, and thinking about development and geography
The symbols in the poetry of ruben dario
No full text碩士本論文主要分為三個章節，第一章，何為象徵符號？本章節主要藉由象徵理論學家，威爾伯 (Wilbur Marshall Urban)、弗萊(Northrop Frye)、托多羅夫(Tzvetan Todorov)、賽洛特(Juan-Eduardo Cirlot)以及其他學者的相關文獻解釋象徵符號的定義以及象徵符號在文學作品中的定義。
第二章針對達里歐的生平、作品以及達里歐在現實主義時期的重要性為論述重點。筆者根據達里歐的生平以及生長年代來了解他的作品特色，達里歐一生多采多姿，尤其感情方面更為豐富，這些人生際遇皆影響達里歐的寫作風格。達里歐不只是詩人，也是歷史的見證者，從他的作品中可以看到政治歷史的變化趨勢。達里歐著作極為豐富，筆者在本章節挑選三本可以代表達里歐的作品：《藍》(Azul)、《每日詩》(Prosas profanes)以及《生命與希望之歌》(Cantos de vida y esperanza)。達里歐與現實主義有著密不可分的關係，他的寫作風格不僅受到現實主義作家的影響，同時也是影響現實主義作家的重要人士之一。
第三章筆者不僅針對達里歐的詩集作品分析，同時也分析其散文作品，如《稀奇》(Los raros)。筆者將經常出現於達里歐作品中的象徵符號分為三個部分：顏色符號、禽鳥符號和寶石符號。顏色符號部分主要分析的顏色為藍色、綠色、白色以及黑色。禽鳥符號則針對天鵝、鴿子、孔雀和老鷹。而最後的寶石符號則以珠寶、寶石、鑽石、琥珀、黃金和水晶為主要分析內容。
最後筆者希望藉由這篇論文的研究，能讓大家了解象徵符號經由作家的詮釋，即使相同的符號，也擁有不同的意義。此外也希望大家能透過此篇論文認識文學史上重要的拉丁美洲作家盧本達里歐先生。In this thesis we explore definitions of symbols and the life of the author in the book of Ruben Dario. Dario is an author who emphasized the importance of the use of symbols though out his books. Therefore we might consider him as a master specialized in writing with symbols.
We divide the thesis into three chapters. In the first chapter, we give details to the definition of the symbols. According to scholars like Urban, Frye, Todorov and Cirlot, we are able to understand symbols in forms of signs, images and words. The concept of the symbols is relatively comprehensive, taking into consideration that a symbol is not always a sign; in fact, it is much more than a sign.
In the second chapter, we describe Ruben Dario about his life, literary works and the times when he lived. His life was interesting, colorful and varied. He was not only a poet but a public figure, having been an ambassador of Nicaragua in Spain. Dario wrote many pieces and each was important to him. Based on his narration, there are three books that can represent Ruben Dario, Azul, Prosas profanas and Cantos de vida y esperanza.
Dario was the master of Modernism, mainly because of the great influence of Latin America. Not only did Ruben Dario influence the poets of Modernism but was influenced by other poets in the same period.
In the last chapter we examine the symbols in the poetry of Dario and we divided the symbols into three parts: the colors, birds and precious stones. The first part, we examine the colors. There are blue, green, and black. In the second part, we deal with the symbols of birds, including swans, pigeons, peacocks and eagles. And in the last part, we talk about precious stones. We analyze the symbols of agate, ruby, diamond, crystal and gold. Finally, we end up with the conclusions and bibliography.INTRODUCCION 1
Motivo y objetivo 1
Metodologia de trabajo 3
CAPITULO I: ¿QUE SON LOS SIMBOLOS? 5
1.1 Teorias del simbolo 6
1.2 Los simbolos en la literatura 15
CAPITULO II: RUBEN DARIO Y SU OBRA POETICA 22
2.1 Vida 22
2.2 Obra literaria 28
2.3 Ruben Dario y el Modernismo 35
CAPITULO III: LOS SIMBOLOS EN LA POESIA DE RUBEN DARIO 40
3.1 Colores 40
3.2 Aves 45
3.3 Piedras preciosas 59
CONCLUSION 72
BIBLIOGRAFIA 77
ANEXOS 83學號: 698120028, 學年度: 10
Sonata in A Major for violin and piano
No full textAllegretto ben moderato -- Allegro -- Recitativo fantasia -- Allegro poco moss
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