1,721,235 research outputs found
Glowczewski Barbara, Adolescence et sexualité. L'entre-deux.
No full textFabre Gérard. Glowczewski Barbara, Adolescence et sexualité. L'entre-deux.. In: Revue française de sociologie, 1996, 37-4. pp. 667-669
Glowczewski (Barbara). Adolescence et sexualité. L'Entre-deux. Paris : PUF, 1995
No full textDe Linares Chantal. Glowczewski (Barbara). Adolescence et sexualité. L'Entre-deux. Paris : PUF, 1995. In: Agora débats/jeunesses, 4, 1996. Pédagogie, illusion de la technicité. pp. 116-117
Glowczewski (Barbara). Adolescence et sexualité. L'Entre-deux. Paris : PUF, 1995
No full textDe Linares Chantal. Glowczewski (Barbara). Adolescence et sexualité. L'Entre-deux. Paris : PUF, 1995. In: Agora débats/jeunesses, 4, 1996. Pédagogie, illusion de la technicité. pp. 116-117
Between spectacle and politics: indigenous singularities
No full textThe chapter calls for a anthropological approach, which not only recognises the specificities of particular human groups, but also their dynamism and strength. Anthropologist are called upon to analyse how the agency of local groups is affected in global contexts, how people become agents in their own empowerment, and strategically resist colonisation. Such strategies of resistance include expressions of cultural creativity, such as visual arts, music, dance, theatre. Art, in particularly the performative aspect in all forms of art, is means by which indigenous groups enact and claim cultural singularities
Dancing with the flow: political undercurrents at the 9th Festival of Pacific Arts, Palau 2004
No full text[Extract] In this excerpt from an interview published in a local Palauan newspaper, a representative from Pohnpei, in the Federated States of Micronesia, identifies the Festival of Pacific Arts as a site where participants confront profound existential contradictions in their attempts to reconcile tensions between tradition and modernity. Since 1972, the Festival has reunited delegations of dancers, musicians, artists, artisans and politicians from the member states of the Council of Pacific Arts in a different host country every four years. l In 2004, the small island state of Palau (Belau) with a population of 20,000, welcomed over 2,700 members from 26 other countries and territories of the Pacific: American Samoa, Australia,Cook Islands, Federated States of Micronesia, Fiji Islands, Guam, Hawai'i, Kiribati, Marshall Islands, Nauru, New Caledonia, New Zealand, Niue, Norfolk Island, Commonwealth of the Northern Marianna Islands, Papua New Guinea, Rapa Nui (Easter Island), Pitcairn Island, French Polynesia, Samoa, Solomon Islands, Tokelau, Tonga, Tuvalu, Vanuatu, and Wallis and Futuna. In addition, thirty dancers from Japan and a hundred performers representing Indigenous minorities in Taiwan, approximately 2% of the population of this country, were invited to attend
Dancing with the current: ebb and flow at the 9th Festival of Pacific Arts, Palau 2004
No full textIn 2004, the Festival of Pacific Arts was hosted by the Republic of Palau in Micronesia. The authors provide a discussion and analysis of various political undercurrents and performances of indigeneity at this festival
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