524 research outputs found

    Disciplinare e punire

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    Geraldina Boni, oltre ad aver curato l’aggiornamento del volume, è Autrice esclusiva del Capitolo Ottavo “Disciplinare e punire”. In esso si ripercorre l’evoluzione del diritto penale canonico dal Codex Iuris Canonici del 1983 alla recente promulgazione di un nuovo Libro VI De sanctionibus poenalibus in Ecclesia. Si descrive quindi la normativa ora vigente, soffermandosi sulle sue specificità e sulle principali innovazioni introdotte, nonché su alcuni problemi ancora da risolvere. Peculiare attenzione è riservata allo sviluppo della disciplina dei delicta reservata al Dicastero per la dottrina della fede e in generale alla repressione degli abusi sessuali, di coscienza e di potere nella Chiesa.Disciplining and Punishing. In addition to editing the updated version of the volume, Geraldina Boni is also the only Author of Chapter VIII “Disciplining and Punishing”. The Chapter retraces the evolution of Penal Canon Law from the 1983 Codex Iuris Canonici to the recent promulgation of the new Book VI De sanctionibus poenalibus in Ecclesia. The now in force legislation is therefore described, by focusing on its specificities and main innovations, as well as on some problems that are still to be solved. Particular attention is reserved to the development of the regulation of the delicta reservata to the Dicastery for the Doctrine of the Faith and, in general, to the repression of sexual, conscience and power abuses in the Church

    Chirurgia: basi teoriche e chirurgia generale

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    CDrom testo completo percorsi didattici test di autovalutazion

    Geistliche Vokalmusik. Contratenor/Altus/Sexta Vox : 16. Jh.

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    GEISTLICHE VOKALMUSIK. CONTRATENOR/ALTUS/SEXTA VOX : 16. JH. Geistliche Vokalmusik. Contratenor/Altus/Sexta Vox : 16. Jh. ( - ) Cover ( - ) Blank page (*1r) Guillaume [Girolamo] Boni: Sonets chrestiens ... a quatre parties ... Premier livre. Contratenor (1r) Title page (1r) Holzschnitt (1v) Dedikationsgedicht an Guillaume Boni von S. C. S. (2r) Table (24v) Guillaume [Girolamo] Boni: Sonets chrestiens ... a quatre parties ... Second livre. Contratenor (25r) Title page (25r) Holzschnitt (25v) Gedicht von Simon Goulart Senlesien (26r) Table (48v) Philippe de Monte: Sonetz de Pierre de Ronsard. Contratenor (49r) Title page (49r) Dedikation a Monseignevr von Jaques Anthoine de la Chapelle (50r) Table (67v) Sdegnosi ardori. Altus (69r) Title page (69r) Wappen, Holzschnitt (69v) Dedikation an Giovanni Battista, Cavaliere de Santi Mauritio de Lazaro, von Giulio Gigli da Immola (70r) Nomi de gli avttori (92v) Orlando di Lasso: Cantica sacra ... sex et octo vocibus. Sexta Vox (93r) Title page (93r) Extractus privilegii (93v) Dedikation an Eitel Friedrich IV. von Hohenzollern-Hechingen (94r) Index mottetarum (112v) Orlando di Lasso: Sacrae cantiones ... quatuor vocum. Altus (113r) Title page (113r) Extractus privilegii (113v) Dedikation an Alexander Fugger II., Baron von Kirchberg und Weissenhorn (114r) Index mottetarum (136v) Orlando di Lasso: Madrigali: Novamente composti a cinque voci. Altus (137r) Title page (137r) Dedikation an Graf Mario Bevilacqua (138r) Tavola delli madrigali (138v) Blank page (*2r) Grey chart ( - ) Cover ( -

    Geistliche Vokalmusik. Discantus/Superius/Cantus : 16. Jh.

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    GEISTLICHE VOKALMUSIK. DISCANTUS/SUPERIUS/CANTUS : 16. JH. Geistliche Vokalmusik. Discantus/Superius/Cantus : 16. Jh. ( - ) Cover ( - ) Blank page (*1r) Handschriftliche Notiz (*1v) Guillaume [Girolamo] Boni: Sonets chrestiens ... a quatre parties ... Premier livre. Superius (1r) Title page (1r) Holzschnitt (1v) Dedikationsgedicht an Guillaume Boni von S. C. S. (2r) Table (24v) Guillaume [Girolamo] Boni: Sonets chrestiens ... a quatre parties ... Second livre. Superius (25r) Title page (25r) Holzschnitt (25v) Gedicht von Simon Goulart Senlesien (26r) Table (48v) Philippe de Monte: Sonetz de Pierre de Ronsard. Superius (49r) Title page (49r) Dedikation a Monseignevr von Jaques Anthoine de la Chapelle (50r) Table (66r) Sdegnosi ardori. Discantus (67r) Title page (67r) Wappen, Holzschnitt (67v) Dedikation an Giovanni Battista, Cavaliere de Santi Mauritio de Lazaro, von Giulio Gigli da Immola (68r) Nomi de gli avttori (90v) Orlando di Lasso: Cantica sacra ... sex et octo vocibus. Discantus (91r) Title page (91r) Extractus privilegii (91v) Dedikation an Eitel Friedrich IV. von Hohenzollern-Hechingen (92r) Index mottetarum (110r) Orlando di Lasso: Sacrae cantiones ... quatuor vocum. Discantus (111r) Title page (111r) Extractus privilegii (111v) Dedikation an Alexander Fugger II., Baron von Kirchberg und Weissenhorn (112r) Index mottetarum (134v) Orlando di Lasso: Madrigali: Novamente composti a cinque voci. Cantus (135r) Title page (135r) Dedikation an Graf Mario Bevilacqua (136r) Tavola delli madrigali (136v) Blank page (*2r) Grey chart ( - ) Cover ( -

    Geistliche Vokalmusik. Bassus : 16. Jh.

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    GEISTLICHE VOKALMUSIK. BASSUS : 16. JH. Geistliche Vokalmusik. Bassus : 16. Jh. ( - ) Cover ( - ) Blank page (*1r) Guillaume [Girolamo] Boni: Sonets chrestiens ... a quatre parties ... Premier livre. Bassus (1r) Title page (1r) Holzschnitt (1v) Dedikationsgedicht an Guillaume Boni von S. C. S. (2r) Table (24v) Guillaume [Girolamo] Boni: Sonets chrestiens ... a quatre parties ... Second livre. Bassus (25r) Title page (25r) Holzschnitt (25v) Gedicht von Simon Goulart Senlesien (26r) Table (48v) Philippe de Monte: Sonetz de Pierre de Ronsard. Bassus (49r) Title page (49r) Dedikation a Monseignevr von Jaques Anthoine de la Chapelle (50r) Table (66r) Sdegnosi ardori. Bassus (67r) Title page (67r) Wappen, Holzschnitt (67v) Dedikation an Giovanni Battista, Cavaliere de Santi Mauritio de Lazaro, von Giulio Gigli da Immola (68r) Nomi de gli avttori (86v) Orlando di Lasso: Cantica sacra ... sex et octo vocibus. Bassus (87r) Title page (87r) Extractus privilegii (87v) Dedikation an Eitel Friedrich IV. von Hohenzollern-Hechingen (88r) Index mottetarum (105v) Orlando di Lasso: Sacrae cantiones ... quatuor vocum. Bassus (107r) Title page (107r) Extractus privilegii (107v) Dedikation an Alexander Fugger II., Baron von Kirchberg und Weissenhorn (108r) Index mottetarum (130v) Orlando di Lasso: Madrigali: Novamente composti a cinque voci. Bassus (131r) Title page (131r) Dedikation an Graf Mario Bevilacqua (132r) Tavola delli madrigali (132v) Blank page (*2r) Grey chart ( - ) Cover ( -

    Geistliche Vokalmusik. Tenor : 16. Jh.

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    GEISTLICHE VOKALMUSIK. TENOR : 16. JH. Geistliche Vokalmusik. Tenor : 16. Jh. ( - ) Cover ( - ) Blank page (*1r) Guillaume [Girolamo] Boni: Sonets chrestiens ... a quatre parties ... Premier livre. Tenor (1r) Title page (1r) Holzschnitt (1v) Dedikationsgedicht an Guillaume Boni von S. C. S. (2r) Table (24v) Guillaume [Girolamo] Boni: Sonets chrestiens ... a quatre parties ... Second livre. Tenor (25r) Title page (25r) Holzschnitt (25v) Gedicht von Simon Goulart Senlesien (26r) Table (48v) Philippe de Monte: Sonetz de Pierre de Ronsard. Tenor (49r) Title page (49r) Dedikation a Monseignevr von Jaques Anthoine de la Chapelle (50r) Table (67v) Sdegnosi ardori. Tenor (69r) Title page (69r) Wappen, Holzschnitt (69v) Dedikation an Giovanni Battista, Cavaliere de Santi Mauritio de Lazaro, von Giulio Gigli da Immola (70r) Nomi de gli avttori (92v) Orlando di Lasso: Cantica sacra ... sex et octo vocibus. Tenor (93r) Title page (93r) Extractus privilegii (93v) Dedikation an Eitel Friedrich IV. von Hohenzollern-Hechingen (94r) Index mottetarum (112r) Orlando di Lasso: Sacrae cantiones ... quatuor vocum. Tenor (113r) Title page (113r) Extractus privilegii (113v) Dedikation an Alexander Fugger II., Baron von Kirchberg und Weissenhorn (114r) Index mottetarum (136v) Orlando di Lasso: Madrigali: Novamente composti a cinque voci. Tenor (137r) Title page (137r) Dedikation an Graf Mario Bevilacqua (138r) Tavola delli madrigali (138v) Blank page (*2r) Grey chart ( - ) Cover ( - ) Einbandfragment ( -

    Stele con iscrizione latina arcaica scoperta nel Foro romano.

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    Author, Giacomo Boni and others.Includes bibliographical references.Mode of access: Internet

    Momenti e problemi di neoplatonismo nel pensiero di Aurelio Agostino: Il De Natura Boni contra Manichaeos

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    2011 - 2012Nonostante le forti motivazioni religiose e pastorali, il De Natura Boni contra Manichaeos è un’opera altamente filosofica, in cui si raggiungono nuove e inimmaginate vette nella discussione relativa alla problematica Bene-Male. Il Bene è ancora dimostrato come fattore assoluto; il Male è sempre indicato come inesistente sul piano ontologico, ma, ed è questa la vera novità, entrambi i concetti vengono ripresi e scandagliati sul piano cosmologico. Del primo se ne dimostrerà l’esistenza, dell’altro l’inesistenza, non utilizzando più solo ed esclusivamente le argomentazioni abituali, ma coinvolgendo i due aspetti nell’economia del creato (anche materialmente inteso), della natura nelle sue differenti manifestazioni: dal cosmo astronomicamente considerabile, all’umanità nella sua grandiosa spiritualità, ma anche nella sua miseria carnale. In queste cose risiede la novità del De Natura Boni contra Manichaeos: i concetti di Dio, di Libero Arbitrio della Volontà, peccato, pena e, specialmente, quello di materia, assumono, in questa sede, un significato nuovo o sono presentati sotto una luce che ne fa risaltare caratteristiche inedite o, fino ad ora, quanto meno poco considerate anche dallo stesso filosofo. La metafisica del De Natura Boni va incontro alla fisica terrestre per giustificare il Bene negando il Male, a partire anche dagli elementi più insignificanti del creato concreto. Il tutto miscelato alla sua azione di sacerdote, all’impulso missionario, alla misericordia che, ad ogni modo, mise in campo. Una nuova teoresi, quindi, che non esclude la considerazione del Male sotto il profilo ontologico, ma lo completa introducendo l’analisi dell’elemento dinamico in cui è l’azione il vero fattore agente (quindi cosmico), che va a marcare la differenza tra ciò che è buono e ciò che non lo è; è nella considerazione della “destinazione d’uso” e le sue variabili, che si individua il divario tra il positivo e il negativo. [a cura dell'Autore]Despite strong religious motivations and pastoral, De Natura Boni contra Manichaeos is highly philosophical work, in which you can reach new and unimagined heights in the discussion on the issue Good-Evil. Good is still shown as a factor absolute evil is always referred to as non-existent on the ontological level, but, and this is the real news, both concepts are taken and probed on the cosmological. The first if they prove the existence, nonexistence of the other, using no more only through the usual arguments, but involving the two aspects in the economy of creation (also materially intended) of nature in its different manifestations, from astronomically considerable cosmos, humanity in its great spirituality, but also in its carnal misery. In these things lies the novelty of the De Natura Boni contra Manichaeos: the concepts of God, of Free Choice of the Will, sin, punishment, and especially that matter, are treated here, a new meaning or are presented in a new light which highlights characteristics or unpublished, up to now, at least little considered also from the same philosopher. The metaphysics of De Natura Boni moves towards terrestrial physics to justify Good denying Evil, even starting from the most insignificant elements of creation concrete. All mixed to its action as a priest, missionary impulse, the mercy which, however, fielded. A new theoresis, therefore, that does not exclude the consideration of Evil under the profile ontological, but the complete introducing the analysis of the dynamic element in which the action is the real factor agent (then cosmic), which goes to mark the difference between what is good and what is not, is in consideration of the "intended use" and its variables, which identifies the gap between the positive and the negative. [edited by Author]XI n.s

    Effects of abiotic stress induced by a standard mix of atmospheric pollutants in Chlorella mirabilis (Chlorophyceae)

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    This study evaluates the level of oxidative stress induced by a mix of standard atmospheric pollutants in the green microalga Chlorella mirabilis. Genus Chlorella has been found as one of the most widespread among the phototrophic organisms occurring also in urban context, where it forms biofilms on monumental and building surfaces (1, 2). Aerial and sub-aerial algae are considered suitable bio-indicators to study the effects of pollutants because their species-specific sensitivity may be greater than in higher plants along with faster physiological responses. Furthermore, they are easy to handle and to maintain in controlled conditions (3). For these reasons, Chlorella mirabilis was used in the present study as testing organism to evaluate the response to atmospheric pollutants. With the aim to apply a lot of pollutants without increase the variability of the system, we chose a standard mix of atmospheric pollutants, i.e. ASTM D-7897-2015 (American Society for Testing and Materials International). As result of studies set up on urban surfaces depositions (4,5), used to stress building materials and evaluate their “accelerate ageing” (6), it consists in four kinds of atmospheric particles: soot (carbon), dust, salts, and particulate organic matter, which together represent a dark solution called “soiling mix” (7). Chlorella mirabilis was firstly grown in a specific culture medium (Bold’s Basal Medium, BBM) in aseptic conditions at 23 °C, under 14 h photoperiod. To evaluate the effects of pollutants, algal cultures were carried out at the same time in a new medium (BBM-SM) obtained by mixing “soiling mix” with BBM (1:5 v/v). Stress level in algae growing inside BBM-SM was assessed through the quantitative determination of photosynthetic pigments (Chlorophyll a, b and carotenoids) and malondialdehyde (MDA), this last considered as marker of lipid peroxidation. The extraction of photosynthetic pigments and oxidative metabolites was performed according with the methods of Lichenthaler (8) and Heath and Packer (9), respectively. Cell density was monitored during the experimental tests and the algal growth curve was described in both cultures conditions, after 15 day of algal growth. Results of repeated tests on algae cultures stressed by pollutants underline an increase over 60% of MDA compared with control cultures, highlighting the occurrence of oxidative stress. At the same time the concentration of chlorophyll a and b and carotenoids decreases over 60%, 20% and 70%, respectively. Observation under light microscope shows shape and colour changes in algal cells during their growth in BBM-SM. Nevertheless, C. mirabilis proved to be able to survive in critical environmental conditions characterized by high concentration of pollutants and dark particulate. These results may represent an important first step to use this species in studies on cell response to different stress factors and moreover may have interesting effects on many fields of applied plant biology
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