1,221 research outputs found
Proteomic analysis of the oxidative stress response of Salmonella enterica serovar Typhimurium
No full textEThOS - Electronic Theses Online ServiceGBUnited Kingdo
Dr. Yvonne Howell – Faculty Author Interview
No full textDr. Yvonne Howell, Professor of Russian and International Studies, discusses her edited collection, Red Star Tales : A Century of Russian and Soviet Science Fiction, published recently by Russian Life Books. Red Star Tales brings together 18 Russian science fiction works, translated into English for the first time, spanning from path-breaking, pre-revolutionary works of the 1890s, through the difficult Stalinist era, to post-Soviet stories published in the 1980s and 1990s
VOLT Volume 4, 1998
No full textContents: Bill Barich / Antonio’s Cousin – Cal Bedient / One is Hardest Ice -- David Bromige / Two Poems -- Andrew Chandler / Vocat Pastoral -- Lisa Chen / Poem for Four Hands -- Joshua Clover / Nine Poppies or, Trance Records -- Dana Curtis / The Lost Chapters -- Graham Foust / Storm decor -- Susan Gevirtz / Three Poems -- Christopher Howell / The Angels of Rescue --Christine Hume / Ladder -- Alice Jones / From 3 -- Natalie Kenvin / Two Poems -- Joanna Klink / The Lady of Situations -- Timothy Liu / Hard Evidence -- Stefanie Marlis / Two Poems -- Keith Antar Mason / Pops and the New World Order -- Wendell Mayo / Burning Mount Diablo --Joshua McKinney / Three Poems -- Jenny Mueller / Two Poems -- Sheila Murphy / Reciprocities (Come First Are Sung -- Geoffrey O'Brien / Canticle of Cracked Lips -- Ann Pelletier / River Rafting -- Dennis Phillips / Three Poems -- Tracy Philpot / Two Poems -- Douglas Powell / Two Poems -- Boyer Rickel / Days of '66-73 -- Elena Rivera / From Unknown Land -- Elizabeth Robinson / The Dark House -- C.P. Rosenthal / The Father Sutra -- Phyllis Stowell / In the Vortex -- Patricia Dienstfrey / From The Woman Without Experiences -- Linda Voris / Paradise (Viewed From Above) -- Sam Witt / The Fine Art of the Skull -- Gail Wronsky / Muneca -- Hawley Hussey / Visual Artist -- Contributor's NotesVOLT was created in San Francisco in 1991. The journal was originally published by Pacific Film and Literary Association, a non-profit organization registered in California. VOLT is now housed at Sonoma State University. Innovative in design and content, VOLT publishes a range of adventurous writing. Founded and edited by Gillian Conoley, VOLT appears every fall. VOLT has received many awards and honors, including several Pushcart Prize Anthology selections, a Fund for Poetry grant, and several selections for the annual anthology, The Best American Poetry. VOLT is produced with the help of Assistant Editors Paula Koneazny and Marjorie Stein
Flow: Songs and stories from the Fitzroy Valley
No full textThe album Flow: Songs and stories from the Fitzroy Valley features a collection of songs written and recorded as part of Sound FX, the Fitzroy Valley New Music Project created and provided by Tura New Music in Fitzroy Crossing twice-yearly.
It was released October 28, 2021.
Credits:
Creative director – Gillian Howell (director of Sound FX)
Produced by Gillian Howell and Alan Pigram
Engineered and mastered by Alan Pigra
Introduction: The Politics of Resilience and Recovery in Mental Health Care
No full textThe articles included in this special issue engage these themes across a number of national settings, institutional spaces, and empirical sites, from universities to mental health commissions, to national policy in an international context. They focus, especially, on Canada, Ireland and the United Kingdom, where recent and significant changes in mental health governance have relied heavily on the notions of recovery and resilience, often to questionable effect. They deal, as we have said, with some of the most central themes in social justice studies. As a collection, the articles help us think through some of the pressing political questions about social justice that have arisen with the adoption of the mantras of resilience and recovery in mental health governance
Negotiating the Culture of Resistance: A Critical Assessment of Protest Politics
No full textBoth for those within the movement and the public at large, the anti-globalization movement has become increasingly defined by large-scale protests such as those opposing the Free Trade Area of the Americas (FTAA) in Quebec City. Such events successfully render visible the strength of the movement, expose an emerging global elite, politicize neoliberal restructuring, and capture the media and public's attention. Yet the privileging of large-scale protest for advancing anti-globalist politics is increasingly being questioned both by those involved in the movement and by the Left in general.Peer reviewe
Music development and post‑conflict reconciliation in Sri Lanka
Get PDFCan music development programs such as large-scale public festivals help to repair the sociocultural divisions wrought by war and violent conflict? If so, under what facilitating conditions? This chapter engages with these questions, presenting research into the Sri Lanka Norway Music Cooperation, a partnership between Sri Lankan development NGO Sevalanka Foundation and Concerts Norway, the Norwegian state concerts agency that was funded by the Norwegian Ministry of Foreign Affairs from 2009 to 2018
John Broom
No full textTypescript of a biographical sketch of John Broom (author uncertain), copied by Virginia Howell in 1938. Broom came to Utah in 1851 and settled in Ogden. He built a hotel at Junction City, Ogden, in 188
Configurations of hope at the Afghanistan National Institute of Music
No full textIn settings of conflict and hardship, education can be a portal through which future lives are imagined. Experiences of schooling are thus tied closely to the generation of hope and the transformation of young lives. The goal of the Afghanistan National Institute of Music (ANIM), a vocational music school in Kabul, is to transform lives through music and education, by restoring music practices, cultural rights, and the country’s relationships with the rest of the world. Hope is central to this multi-faceted project and is cultivated within the school, strategically, as a source of protection and a driver of desired change. Conceptual in scope, this article explores how hope was situated and configured within the learning experience at ANIM and entwined with the school’s transformation goals during the years 2015–2017. Using concepts of hope from critical anthropology and sociology and thematic analysis of interviews with ANIM students and teachers, it presents four configurations of hope at ANIM. It examines how these configurations were produced, nurtured, and distributed through activities, organisational culture, and environmental factors, in varying degrees of intensity and dynamism. In so doing, this article shows hope to be a complex and ambivalent resource for social impact in contexts in which music education, social transformation goals, and international aid converge. Hope produces agencies that can drive transformation, but it is always shaped and conditioned by the complex challenges and power asymmetries of the wider context.No Full Tex
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