7,707 research outputs found
States of transience in drawing practices and the conservation of muserum artworks
No full textThis practice-led study poses the question ‘What can a close analysis of conservation methods, treatments and theories with its temporal implications contribute to drawing practices that primarily employ the use of pre-existing artwork?’ Through the lens and action of art practice this study challenges certain understandings of both drawing and conservation as temporally possessing linear chronological properties.
Employing an emergent, qualitative practice-led methodology each chapter charts a discrete terrain that identifies and discusses key comparative issues and problems that affect both drawing and conservation. These include: the difficulties of definitions and terminology in both contingent fields and the space this opens for interpretative responses, a critique of positivistic claims made by scientific conservation in identifying artist’s intention using an anachronic analysis of the detail. The fluctuating values of the authorial and substitutional presence of the indexical mark and trace in restoration and representational drawing is examined, and an evaluation of formats and strategies in drawing that position themselves relevant to a depiction and representation of anachronic states of transience is investigated. To focus the range of discourses within conservation this work concentrates on the paintings of Johannes Vermeer. Specifically, on the conservation activities and diagnostic imagery that have informed treatments to these works. This study is further supported by documented conversations with key restorers of Vermeer’s work, and artists who also employ representational drawing strategies in response to pre-existing works.
This research concludes its findings by arguing for the conditions and ontologies of drawing and conservation to be understood temporally as anachronic activities. Whereby, as each can respond to pre-existing works, their relationship to time is non-chronological, durational and plural. This work is intended to contribute to the fields of drawing practice and research, anachronic art historical studies, contemporary conservation theory, and to practice-led epistemologies
Author Interview with Brian D. Anderson
No full textBrian D. Anderson was our feature artist of the week, October 19th - 23rd, 2020.https://jagworks.southalabama.edu/vid_presentations/1010/thumbnail.jp
Competition policy. by Brian Ellis
No full texttag=1 data=Competition policy. by Brian Ellis
tag=2 data=Ellis, Brian
tag=3 data=Australian Rationalist,
tag=5 data=46
tag=6 data=Autumn/Winter 1998
tag=7 data=51-56.
tag=8 data=ECONOMIC CONDITIONS
tag=9 data=COMPETITION%CORPORATISATION%NATIONAL COMPETITION POLICY%PRIVATE SECTOR PUBLIC SECTOR EFFECTIVENESS%SERVICE DELIVERY%SOCIAL POLICY%INNOVATION
tag=10 data=Examines the Government's National Competition Policy in relation to encouraging R&D, and the corporisation of public services and utilites. The author is Emeritus Professor of Philosophy at La Trobe UNiversity and Vice-President of the Rationalist Society of Australia. Article Taken from What's New.
tag=13 data=CABExamines the Government's National Competition Policy in relation to encouraging R&D, and the corporisation of public services and utilites. The author is Emeritus Professor of Philosophy at La Trobe UNiversity and Vice-President of the Rationalist Society of Australia. Article Taken from What's New
Art Behind Gaming: Brian D. Anderson
No full textA discussion with author Brian D. Anderson about worldbuilding in fantasy. Part of the Art Behind Gaming Online Con.https://jagworks.southalabama.edu/vid_presentations/1046/thumbnail.jp
Brian Jones : The Sun Shines in All Yards
No full text"'The Sun Shines in All Yards' documents the celebrated career of Canadian artist Brian Jones, representing his meticulous technique and inventive imagery through selected drawings, paintings, and prints. Jones' practice encompassed early figurative works and landscapes inspired by the look of family photographs ; investigations of dramatic light and shape; and a long-running, lyrical ode to suburban North America family life." -- p. 5
In Honour of Brian MacWhinney: A Personal Account
No full textWhile this volume and the writings have made it amply clear what significant contributions Professor Brian MacWhinney has made to the field at large, in this afterword, we begin with a senior member of our author team (Ping Li, PL) followed by a mid-career member (Helen Zhao, HZ) and an early career member (Zhe Gao, ZG), to provide our personal accounts of Brian not only as a leading scholar but also as a role model who touches and changes people’s lives
Interview with Brian Alleyne, Sociologist Studying KDE
No full textA few months ago, the British journal Sociology published an article titled "Challenging Code: A Sociological Reading of the KDE Free Software Project". Eager to find out what a 'sociological reading' of KDE entails, Dot editor Oriol Mirosa rushed to contact the article's author, sociologist Brian Alleyne, who graciously and patiently agreed to be the subject of an interview
Restoration and re/creation of lacunae : the attitudes and principles of Gabriël Fagan Architects as expressed in the restoration of the Castle of Good Hoop [i.e. Hope]
No full textIncludes bibliographical references (leaves 103-113).A lacuna is a disruption in a figurative image and impedes comprehension of the unity of the whole. It is something missing, a void, in material form and, in some cases memory. The urge to eradicate or minimize a disruption to an aesthetic whole has long been a dilemma in conservation, particularly in painting and sculpture, but also in the repair of historical buildings. Any solution must address the issue of authenticity, as repair will be an insertion into an ancient, perhaps layered artefact. The solution requires a theoretically based methodology if the aim of the conservation intervention is to conserve the value and meaning of the building or artefact. The repair of lacunae at the Castle of Good Hope in Cape Town has had a distinct aesthetic impact on the complex and has changed the perception of the complex. The extensive three-decade-long intervention undertaken by Gabriël Fagan Architects is a re-establishment of the Castle complex as a VOC/Dutch fortified citadel as envisioned by the Architects and reveals the issues that must be confronted in order to conserve authenticity
Understanding Author Rights
No full textAuthor Rights is the term used to describe a researcher\u27s rights related to their published work. In this session, Brian Young will: 1) provide an overview of author rights, 2) explain language often used in the publication agreement, and 3) demonstrate a tool (Sherpa Romeo) that can be used to quickly understand what default rights you have (and lose) when you publish with a specific journal
Shady trading on the rights market. by Brian Pollard
No full texttag=1 data=Shady trading on the rights market. by Brian Pollard
tag=2 data=Pollard, Brian
tag=3 data=New Doctor,
tag=6 data=Winter 1995
tag=7 data=11-12.
tag=8 data=EUTHANASIA
tag=10 data=Because the spotlight of public attention has been strongly focused on doctors in this debate, the author believes that it is essential that every doctor makes a clear distinction between his or her private views on the practice of euthanasia and its legislation, because the implications in each case are simply not comparable.
tag=11 data=1995/1/5
tag=12 data=95/0224
tag=13 data=CABBecause the spotlight of public attention has been strongly focused on doctors in this debate, the author believes that it is essential that every doctor makes a clear distinction between his or her private views on the practice of euthanasia and its legislation, because the implications in each case are simply not comparable
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