185,092 research outputs found

    Roberto Gerhard: explorer and synthesist

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    There is a general perception that Gerhard’s late, modernist, style was due to a radical change of direction around the time of his First Symphony. This thesis argues that in fact several important elements integral to this ’new’ style are traceable in works as early as Dos apunts and Seven Haiku of 1921-22, and that during the intervening years Gerhard was exploring, expanding and accumulating the techniques which eventually enabled him to realise the potential of his sonic imagination. The first part of the thesis will discuss Gerhard’s origins in early twentieth century Catalonia, during the Catalan revival, with its modernisme and noucentisme, and the way in which these factors are reflected in his attitudes. In the second section the works selected will be placed in a biographical and musical context and analysed in order to demonstrate three aspects of his works. The first is that Gerhard approached each one as a separate exercise, using different methods in the most appropriate manner and disregarding questions of dogma. The second, that many of these techniques originate in the practices of the preceding generation, particularly Schoenberg, Stravinsky, Pedrell and Bartók, in addition to absorbing and applying significant elements from Catalan and Spanish traditional music. Comparators will be cited to demonstrate these facts. The final intent is to show that as the methods are applied they are explored and expanded to meet his own particular requirements and the resulting synthesis equipped him to realise their potential in his late style, fully exploited for the first time in the first movement of the First Symphony. This thesis deals with compositions preceding this work in order to demonstrate that despite the apparently disparate nature of Gerhard’s output between 1921 and 1953 there is a consistent attitude in his approach extending into the later stages of his life

    Faust : Romantische Oper in zwey Aufzügen ; von J. C. Bernard ; in Musik gesetzt von Louis Spohr / Gerhard Stumme

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    FAUST : ROMANTISCHE OPER IN ZWEY AUFZÜGEN ; VON J. C. BERNARD ; IN MUSIK GESETZT VON LOUIS SPOHR / GERHARD STUMME Faust : Romantische Oper in zwey Aufzügen ; von J. C. Bernard ; in Musik gesetzt von Louis Spohr / Gerhard Stumme (1) Cover (1) Titelseite (2) Hauptpersonen / Erster Aufzug. (3) Zweyter Aufzug. (18

    Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment

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    This research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is to evaluate the impact that the electronic medium exerted in the musical thinking of Roberto Gerhard, one of the most outspoken, prolific and influential composers in the Spanish diaspora whose musical legacy, for the most part unknown, is a major landmark in the early history of electroacoustic music. Gerhard’s personal tape collection, one of the largest historical archives of its kind reported in the literature, is exceptional for both its antiquity (50+-year-old tapes) and its abundance of production materials. Through the digitisation and analysis of the composer’s tape collection this research argues that the empirical study of audio documents sets out a basis for a broader understanding of textual processes. More specifically, the research demonstrates that the reconstruction of works based on magnetic tape sketches is a powerful method to advance the understanding of early tape music. This research also examines Gerhard’s sound compositions in relation to the post-war context in which they were composed. Finally, this research presents performance documentation that proposes an approach to the electroacoustic music repertoire in which creativity is not at odds with rigor and critical discernment demonstrating that archival study can be closely aligned to the concept of re-enactment

    Gerhard J. Baudy, Adonisgärten. Studien zur antiken Samensymbolik

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    Soyez Brigitte. Gerhard J. Baudy, Adonisgärten. Studien zur antiken Samensymbolik. In: L'antiquité classique, Tome 57, 1988. pp. 471-473

    [Report to Chief J. E. Curry, by an unknown author #1]

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    Report to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney

    [Report to Chief J. E. Curry, by an unknown author #2]

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    Report to Chief J. E. Curry, by an unknown author. The report contains a list of officers who gave depositions to the United States Attorney

    36. Baudy (Gerhard J.), Adonisgärten. Studien zur antiken Samensymbolik.

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    Meillier Claude. 36. Baudy (Gerhard J.), Adonisgärten. Studien zur antiken Samensymbolik. . In: Revue des Études Grecques, tome 101, fascicule 482-484, Juillet-décembre 1988. pp. 526-527

    Tape #17 Interview with Gerhard J. Enns

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    Russian-Mennonite immigrants of the 1920's, an interview with Gerhard J. Enns, August 24, 1976. The interview discusses: biographical information, outbreak of war, outbreak of Revolution, service as Sanitater, Revolution experiences, famine, emigration, the Russian people, arrival in Canada, immigrant church, organization of Kitchener MB congregation, Canadian attitudes, acculturation, reflections. The interviewer is Henry Paetkau. The accompanying notes are attached
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