148,206 research outputs found
Audiomobiles, Sculptures and Conundrums
Roberto Gerhard was a pioneer of electronic music in England creating a number of substantial concert, theatre and radio works from as early as 1954. Gerhard’s electronic music is one of the richest repositories for understanding the development of the composer’s late compositional technique. Apart from the Symphony no.3, ‘Collages’, none of Gerhard’s electronic music is published. This paper will discuss aspects of Gerhard’s electronic music, focusing on Audiomobiles (1958-59) and Sculptures (1963)
Perspectives on Gerhard: Selected Proceedings of the 2nd and 3rd International Roberto Gerhard Conferences
Perspectives on Gerhard expands several papers given at the 2nd and 3rd International Roberto Gerhard Conferences in 2012 and 2013. The book focuses on two aspects of Gerhard. Firstly, the pre-1939 period in which he was a student of Schoenberg and then, on returning to Catalonia, began to establish a reputation as a composer. Secondly, and more generally on the composer's stylistic and aesthetic evolution. This latter focus includes both Gerhard's approach to serialism both harmonically and melodically as well as the pivotal role the USA was to play in his later life. The book concludes with two personal reminiscences given at the conferences by Ferran Gerhard and Mariona Agustí Badia
The electronic music of Roberto Gerhard
Roberto Gerhard was a pioneer of electronic music in England creating over twenty substantial concert, theatre and radio works from as early as 1954. However, for various political, cultural and personal reasons Gerhard’s electronic music has not been published or widely disseminated. Gerhard’s electronic music is one of the richest repositories for understanding the development of the composer’s late compositional technique as well as the early development of electronic music in the UK. As a result of an AHRC study of the tapes held in the Gerhard Archive at the
Cambridge University Library it is possible to understand the composer’s technique and thoughts on electronic music and how they evolved as his work with magnetic tape became more and more refined
Roberto Gerhard’s Sound Compositions: A Historical-Philological Perspective. Archive, Process, Intent and reenactment
This research advances the current state of knowledge in the field of early tape music both empirically and methodologically. The purpose of this study is to evaluate the impact that the electronic medium exerted in the musical thinking of Roberto Gerhard, one of the most outspoken, prolific and influential composers in the Spanish diaspora whose musical legacy, for the most part unknown, is a major landmark in the early history of electroacoustic music. Gerhard’s personal tape collection, one of the largest historical archives of its kind reported in the literature, is exceptional for both its antiquity (50+-year-old tapes) and its abundance of production materials. Through the digitisation and analysis of the composer’s tape collection this research argues that the empirical study of audio documents sets out a basis for a broader understanding of textual processes. More specifically, the research demonstrates that the reconstruction of works based on magnetic tape sketches is a powerful method to advance the understanding of early tape music. This research also examines Gerhard’s sound compositions in relation to the post-war context in which they were composed. Finally, this research presents performance documentation that proposes an approach to the electroacoustic music repertoire in which creativity is not at odds with rigor and critical discernment demonstrating that archival study can be closely aligned to the concept of re-enactment
[Literaturliste zum Faustthema] / [Gerhard Stumme]
[LITERATURLISTE ZUM FAUSTTHEMA] / [GERHARD STUMME]
[Literaturliste zum Faustthema] / [Gerhard Stumme] (1)
Cover (1)
Title page (8)
A (12)
B (28)
C (44)
D (60)
E (76)
F (116)
G (136)
Goethe (142)
H (160)
I (176)
K (188)
L (204)
M (220)
N (236)
O (252)
P (268)
Q (280)
R (288)
S, Sch, St, T (308)
U (384)
V (404)
W (424)
X (448)
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Wurstfabrik R. Schröter, Berlin, Warnemünde, Wien, A. Gerhard & Co. G.m.b.H Berlin, Serie D. N°3
WURSTFABRIK R. SCHRÖTER, BERLIN, WARNEMÜNDE, WIEN, A. GERHARD & CO. G.M.B.H BERLIN, SERIE D. N°3
Wurstfabrik R. Schröter, Berlin, Warnemünde, Wien, A. Gerhard & Co. G.m.b.H Berlin, Serie D. N°3 ( -
Thatsachen des archäologischen Instituts in Rom / Von Dr. Eduard Gerhard, ...
THATSACHEN DES ARCHÄOLOGISCHEN INSTITUTS IN ROM / VON DR. EDUARD GERHARD, ...
Thatsachen des archäologischen Instituts in Rom / Von Dr. Eduard Gerhard, ... (1)
Cover (1)
Titelblatt (5)
Vorrede (7)
Text (11)
Beilage A. - D. (28)
Fotodokumentation (50
Johannis Gerhardi ... Loci Theologici : Cum pro adstruenda Veritate, tum pro destruenda quorumvis Contradicentium Falsitate, per theses nervose, solide & copiose explicati : Ab Autore Ipso Revisi Et Locis Innumeris aucti, Indicibusque, Materiarum, Locorum Scripturae, Autorum, Rerumque & Verborum exornati, & a mendis innumeris repurgati : In Novem Tomos Et Exegesin Divisi
[Johann Ernst Gerhard]Herausgeber aus dem Vorwort: Johann Ernst GerhardJohannis Gerhardi SS. Theol. D. Loci Communes TheologiciErschienen: 1 (1657) - 9 (1657), Exegesis (1657
Lehrbuch der theoretischen Physik, 3, Quantenmechanik / von L. D. Landau ; E. M. Lifschitz. In dt. Sprache hrsg. von Gerhard Heber
LEHRBUCH DER THEORETISCHEN PHYSIK, 3, QUANTENMECHANIK / VON L. D. LANDAU ; E. M. LIFSCHITZ. IN DT. SPRACHE HRSG. VON GERHARD HEBER
Lehrbuch der theoretischen Physik (-)
Lehrbuch der theoretischen Physik, 3, Quantenmechanik / von L. D. Landau ; E. M. Lifschitz. In dt. Sprache hrsg. von Gerhard Heber (3,2) (-
Lehrbuch der theoretischen Physik, 1, Mechanik / von L. D. Landau ; E. M. Lifschitz. In dt. Sprache hrsg. von Gerhard Heber
LEHRBUCH DER THEORETISCHEN PHYSIK, 1, MECHANIK / VON L. D. LANDAU ; E. M. LIFSCHITZ. IN DT. SPRACHE HRSG. VON GERHARD HEBER
Lehrbuch der theoretischen Physik (-)
Lehrbuch der theoretischen Physik, 1, Mechanik / von L. D. Landau ; E. M. Lifschitz. In dt. Sprache hrsg. von Gerhard Heber (1,4) (-
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