2,018 research outputs found
Disputatio iuridica de rerum permutatione
No full textquam ... pro summis in utroque iure honoribus, insignibus & privilegiis legitime consequendis publicae censurae & examini omnium exponit Wilhelmus Geier, Ilmo-Thuring. Ad diem 11. Iulii, anni MDCXXII. ...Druckjahr nach Datum auf dem TitelblattDatum hs. korr.: Ad diem 17. IuliiEnth. 57 ThesenDiss. iur. Basel, 162
Wilhelm Sasnal’s Transitional Images
No full textIn her article the author offers a reframing of the discussion of how communities productively deal with their troubled pasts. The case in question is that of the post-war Polish national community, and its refusal to face so-called dark sides or shameful episodes of the historical past. The author concentrates on Wilhelm Sasnals’ artworks which deal with this gloomy heritage and reinterprets them in light of Donald W. Winnicott’s concept of transitional objects (as transitional images) thus pointing towards new possibilities in finding ways out of both discursive, political and pedagogical impasses in collective memory in Poland
Il punto di vista di Wilhelm Windelband. Forschungsgrundlagen e Präludien
No full textWILHELM WINDELBAND’S STANDPOINT: FORSCHUNGSGRUNDLAGEN AND PRÄLUDIEN. The author discusses two recent important books on Wilhelm Windelband (1848-1915). Firstly, the author evaluates "Forschungsgrundlagen" Wilhelm Windelband, which provides essential primarily unpublished documents regarding the philosopher’s biography, along with an extensive selection of his correspondence. Secondly, the author presents a richly edited new edition of Windelband’s main work, the "Präludien", which has not been available in the German publishing world for a century. The resulting picture stimulates a comprehensive philosophical reappraisal of the founder of the Baden School from both a historiographical and a theoretical perspective
Il punto di vista di Wilhelm Windelband. Forschungsgrundlagen e Präludien
No full textWILHELM WINDELBAND’S STANDPOINT: FORSCHUNGSGRUNDLAGEN AND PRÄLUDIEN. The author discusses two recent important books on Wilhelm Windelband (1848-1915). Firstly, the author evaluates "Forschungsgrundlagen" Wilhelm Windelband, which provides essential primarily unpublished documents regarding the philosopher’s biography, along with an extensive selection of his correspondence. Secondly, the author presents a richly edited new edition of Windelband’s main work, the "Präludien", which has not been available in the German publishing world for a century. The resulting picture stimulates a comprehensive philosophical reappraisal of the founder of the Baden School from both a historiographical and a theoretical perspective
Il punto di vista di Wilhelm Windelband. Forschungsgrundlagen e Präludien
No full textWILHELM WINDELBAND’S STANDPOINT: FORSCHUNGSGRUNDLAGEN AND PRÄLUDIEN. The author discusses two recent important books on Wilhelm Windelband (1848-1915). Firstly, the author evaluates "Forschungsgrundlagen" Wilhelm Windelband, which provides essential primarily unpublished documents regarding the philosopher’s biography, along with an extensive selection of his correspondence. Secondly, the author presents a richly edited new edition of Windelband’s main work, the "Präludien", which has not been available in the German publishing world for a century. The resulting picture stimulates a comprehensive philosophical reappraisal of the founder of the Baden School from both a historiographical and a theoretical perspective
Curia Regnitiana
No full textAbiturienten des Gymnasiums, welche jeweils eine Rede vortragen: Georg Geier, Georg Wilhelm Kirsch, Johann Theodor Helfrecht, Johann David Schöpf, Johann Nikolaus KnochVorlageform des Erscheinungsvermerks: Cvriae. Regnitianae Ex. Officina. Hetscheliana
Crew of the bark MARIE on deck around cargo ramps, Washington State, between 1903 and 1904
No full textThe MARIE was a French bark out of Saint Nazaire built by Atel. & Chant., Loire in 1899.
PH Coll 318.473aShip identification was provided by Frédéric Greiller, author of "Tresors Cap-Horniers," Volume 1 & 2.
The MARIE operated principally out of San Francisco. She sailed with wheat from San Francisco to the UK in 1900. The Tacoma Daily Ledger reported that the MARIE was bound for Puget Sound in December 1903. She was reported to have arrived in Tacoma February 9th, 1904 to load lumber with Capt. Monmoine.To order a reproduction, inquire about permissions, or for information about prices see: http://www.lib.washington.edu/specialcollections/services/reproduction-info Please cite the Order Number when ordering
Cultura e storia. La Geschichtsphilosophie di Wilhelm Windelband
No full textCulture and History. Wilhelm Windelband’s Geschichtsphilosophie. The author proposes a critical review of Wilhelm Windelband’s philosophy of history, which he interprets in its circular relationship with the philosophy of culture. The author thematises the problematic elements of the Neo-Kantian philosophy of history by examining Windelband’s reflections on the concept of historical events, on the idea of humanity, on historical memory and on historical development as “Ausgleichung” (normalization) of cultural differences
Three-masted MEZLY at anchor, Port Blakely, Washington, between 1903 and 1904
No full textHandwritten on verso: 3 m. bark. Port Blakely
The MEZLY was a French three masted bark built in 1900 by A. Dubigeon Nantes.
PH Col 318.479aIdentification of the ship was provided by Frédéric Greiller author of Tresors Cape-Horniers, volume 1 & 2.
The Tacoma Daily Ledger reportede the MEZLY at Port Blakely in November 1903 with Capt. Doe loading lumber for New Caladonia. She was reported again in Port Blakely in January 1904. Capt. Paqpeeti who brought the vessle into Puget Sound died from falling through a hatch. Capt Deoux was to take command of the ship. Article Tacoma Daily Ledger, January 8, 1904, p. 10.To order a reproduction, inquire about permissions, or for information about prices see: http://www.lib.washington.edu/specialcollections/services/reproduction-info Please cite the Order Number when ordering
Let's all go to a picture show, let's all take in the movies
No full textFor voice and pianoFront cover notes that this song is: "dedicated to Eugene Levy by the author".A photograph of the Melbourne Theatre, a decorative border. Indigo print
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