11,888 research outputs found
"The end of national models? Integration courses and citizenship trajectories in Europe"
No full textSeveral European countries have recently introduced or are planning to introduce citizenship trajectories (voluntary or obligatory inclusion programs for recent immigrants) or citizen integration tests (tests one should pass to be able and acquire permanent residence or state citizenship). Authors like Joppke claim this is an articulation of a more general shift towards the logic of assimilation (and away from a multicultural agenda) in integration policy paradigms of European States. Integration policies would even be converging in such a fashion that it would no longer make sense to think in terms of national models for immigrant integration. One cannot deny the empirical fact of diffusion of civic integration policies throughout Europe. This paper claims there is, however, still sufficient distinctiveness between immigrant integration policies in order to continue and use an analytical framework which distinguishes national models
Formal Techniques and Self/Other Relations in the Novels of Dirk Bogarde
No full textThe thesis foregrounds the distinctive contribution Dirk Bogarde made to
contemporary writing in a second career that developed in parallel to his screen
commitments. It dispels the notion that Bogarde followed a familiar path as an actor
who wrote books. Instead it establishes his reputation as an innovative writer whose
formal technique was substantially influenced by the textual systems of cinema and
the cross-fertilisation from acting to writing.
In examining the formative factors that steered Bogarde towards authorship, the
thesis addresses the role of performance as a generative factor in the evolution of the
novels, establishing a discursive link with Bakhtinian dialogism, and specifically,
transgredience as a formal imperative. Secondly, it affords a critical insight into why
the major concerns with staging and performativity preoccupy his writing career.
The thesis claims that Bogarde was an empirically dialogical writer whose use
of camera-eye narration fostered the proliferation of competing discourses across the
fiction. This formal dynamic is centred on the relationship between stages and
dialogism, which incorporates the work of Erving Goffinan as a complementary
critique to Bakhtinian theory with its emphasis on self-presentation. The concern
with socially-constructed behaviour leads the thesis to address the associated issues of
stereotyping and 'otherness', which in terms of body politics is articulated by the
mono logic drive to confine the sexual 'other' to a fixed representation.
Bogarde's ability to draw on cinematic and performance techniques identifies
an area of expertise unavailable to most other writers. This is an unusual repository
of skills to bring to writing which is why the thesis makes the claim for his singular
achievement as a contemporary author. There are fruitful points of intersection to be
explored in this respect with the work of Christopher Isherwood, whom Bogarde read
and admired, as a basis for further research. It is hoped that the thesis will play its
part in opening up new possibilities for Bogarde's writing to be re-visited by future
critics
Musikstädte as real and imaginary soundscapes: urban musical images as literary motifs in twentieth-century German modernism
No full textPhDThis study examines German literary images of musical life as part of the wider sound identity of the modern German city at the turn of the twentieth century. Focussing on a forty-year period from 1890 to 1930, synonymous with the emergence of the modern German metropolis as an aesthetic object, the project assesses, compares and contrasts how musical life in the Musikstädte was perceived and portrayed by writers in an increasingly noisy urban environment. How does urban musical life influence and condition city writings? What are the differences and similarities between the writings on various musical cities? Can an urban textual sound identity be derived from these differences and similarities? The approach employed to answer these questions is a new, cross-disciplinary one to urban sound in literature, moving beyond reading the key sounds of the urban soundscape using urban musicology, sensorial anthropology and cultural poetics towards a literary contextualisation of the urban aural experience.
The literary motifs of the symphony, the gramophone and urban noise are put under the spotlight through the analysis of a wide range of modernist works by authors who have a special relationship with music. At the centre of this analysis are the Kaffeehausliteratur authors Hermann Bahr, Alfred Polgar and Peter Altenberg, the then Munich-based author Thomas Mann and the lesser known René Schickele. The analysis of these particular works is framed in the music-geographical context of the Musikstadt and literary underpinnings of this topos, ranging from Ingeborg Bachmann to Hans Mayer and, once again, Thomas Mann. In analysing these texts, the methodological approach devised by Strohm, who identifies the blending of a range of urban sounds as a definition of urban space and identity, is applied. His ideas combine historical literary
analysis, musical history and urban sociology. They are rarely used in the analysis of the auditory environment.Arts and Humanities Research Council
Westfield TrustWestfield Trust Studentship
Arts and Humanities Reseach Council (AHRC
Entertainer: Pieter-Dirk Uys
No full textThis booklet celebrates the life and work of Pieter-Dirk Uys, internationally acclaimed playwright, author, role-model and one of South Africa's living treasures
Entertainer: Pieter-Dirk Uys
No full textThis booklet celebrates the life and work of Pieter-Dirk Uys, internationally acclaimed playwright, author, role-model and one of South Africa's living treasures
Entertainer: Pieter-Dirk Uys
No full textThis booklet celebrates the life and work of Pieter-Dirk Uys, internationally acclaimed playwright, author, role-model and one of South Africa's living treasures
Bericht von vnter=||scheid der Biblien || vnd anderer des Ehrnwirdi=||gen vnd seligen Herrn Doct. Marti=||ni Lutheri Bücher/ so zu Wittem=||berg vnd an andern enden ge=||druckt werden/ dem Christ=||lichen leser zu nutz.|| Durch || Christoffel Walther/ des Herrn Hans || Luffts Corrector.||
No full textBERICHT VON VNTER=||SCHEID DER BIBLIEN || VND ANDERER DES EHRNWIRDI=||GEN VND SELIGEN HERRN DOCT. MARTI=||NI LUTHERI BÜCHER/ SO ZU WITTEM=||BERG VND AN ANDERN ENDEN GE=||DRUCKT WERDEN/ DEM CHRIST=||LICHEN LESER ZU NUTZ.|| DURCH || CHRISTOFFEL WALTHER/ DES HERRN HANS || LUFFTS CORRECTOR.||
Bericht von vnter=||scheid der Biblien || vnd anderer des Ehrnwirdi=||gen vnd seligen Herrn Doct. Marti=||ni Lutheri Bücher/ so zu Wittem=||berg vnd an andern enden ge=||druckt werden/ dem Christ=||lichen leser zu nutz.|| Durch || Christoffel Walther/ des Herrn Hans || Luffts Corrector.|| ([1]r)
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Hans David Blum Collection.
No full textThe Hans David Blum Collection documents his research of the history of his family and consists of correspondence, documents, photographs, manuscripts and notes, genealogical tables and trees, and clippings. Additionally there is a small amount of personal materials.Elaine Wolff, August 2005; David Hans Blum, August 2006Hans David Blum was born in 1919 in Breisach am Rhein, Germany. He is the author of a number of books, including Juden in Breisach.Finding aid available onlineRheineck. Müllheimdigitize
[Burgundische Historie]
No full text[Hans Erhart Tüsch]Impressum: Ort und Datum in der Vorlage genannt, Drucker nach ISTCFor the identity of the author (also known as Hans Düsch) and the political slant and the date of the text, see K. Ohly, Gb Jb 1956, p.131Woodcut
Prof. Th. W. Adorno and the author Hans Erich Nossack.
No full textProf. Th. W. Adorno and the author Hans Erich Nossack at a reception of Insel Verlag, Buchmesse Frankfurt 1966LB
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